本文選題：出土漢畫 + 環(huán)境美學(xué)　； 參考：《西南民族大學(xué)學(xué)報(bào)(人文社科版)》2017年03期

【摘要】：漢畫是漢代畫像石、畫像磚及其銘文等的合稱,是出土漢代文物中的瑰寶,蘊(yùn)涵著古人的生活方式、環(huán)境觀念與審美趣味,深刻地反映了他們對(duì)于人與自然關(guān)系這一環(huán)境美學(xué)基本問(wèn)題的理解。漢畫顯示,具有神性的自然培育生命,肯定和支持人的生存生活,針對(duì)破壞自然環(huán)境的行為,它會(huì)以災(zāi)異、殃咎的方式進(jìn)行警示和報(bào)復(fù)。他們對(duì)環(huán)境美的理解可分為三個(gè)層次:適宜生活和居住、有利于人實(shí)現(xiàn)愿望、讓生活在其間的人們產(chǎn)生快樂(lè)的情致和幸福感。漢代環(huán)境美學(xué)的特點(diǎn)主要體現(xiàn)在兩個(gè)方面:一是在生活中審美,二是審美與功能相統(tǒng)一,把生活環(huán)境建成可用可賞的景觀工程。這種建基于生活欣賞活動(dòng)之上的環(huán)境審美模式,是對(duì)西方現(xiàn)行環(huán)境審美模式的重要補(bǔ)充。不僅展示了古代環(huán)境美學(xué)的理論高度,而且還深刻地觸及了當(dāng)今環(huán)境審美的理論困境,對(duì)于當(dāng)今環(huán)境美學(xué)的思想體系構(gòu)建而言,具有重要的價(jià)值和意義。
[Abstract]:Han painting is a combination of stone, brick and inscriptions in Han Dynasty. It is the treasure of cultural relics unearthed in the Han Dynasty, which contains the life style, environmental concept and aesthetic taste of the ancients. It deeply reflects their understanding of the relationship between man and nature as a basic issue of environmental aesthetics. Han painting shows that the nature with divinity cultivates life, affirms and supports people's existence and life, and warns and retaliates against the behavior of destroying the natural environment. Their understanding of the beauty of the environment can be divided into three levels: suitable for living and living, conducive to the realization of people's wishes, so that people living in it produce happy feelings and happiness. The characteristics of environmental aesthetics in Han Dynasty are mainly reflected in two aspects: one is aesthetics in life, the other is the unity of aesthetics and function. This kind of environmental aesthetic model based on life appreciation is an important supplement to the current western environmental aesthetic model. It not only shows the theoretical height of ancient environmental aesthetics, but also deeply touches the theoretical dilemma of environmental aesthetics, which is of great value and significance to the construction of the ideological system of environmental aesthetics.
【作者單位】： 南陽(yáng)師范學(xué)院中文系;
【基金】：國(guó)家社會(huì)科學(xué)基金項(xiàng)目“宗教題材漢畫整理與漢代宗教生態(tài)研究”(14BZJ003)階段性成果
【分類號(hào)】：B834;K879.4

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