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宋代青瓷牡丹紋飾研究

發(fā)布時間:2018-04-20 22:40

  本文選題:宋代 + 青瓷; 參考:《景德鎮(zhèn)陶瓷學(xué)院》2011年碩士論文


【摘要】:宋代在中國陶瓷發(fā)展史上是個百花齊放、名窯遍立的時期,此時青瓷仍是瓷器的主要品種,其中汝窯、官窯、哥窯、耀州窯、龍泉窯以及景德鎮(zhèn)窯燒造的器物為這一時期具有代表性的瓷器。而青瓷上的牡丹紋作為最具代表性的傳統(tǒng)陶瓷裝飾語言之一,它的藝術(shù)風(fēng)格和美學(xué)特征最能反映宋時期的精神面貌和審美追求。 本文以宋代青瓷上的牡丹紋裝飾特征為研究對象,針對目前陶瓷裝飾領(lǐng)域里青瓷裝飾紋飾的理論研究相對薄弱的現(xiàn)狀,以宋代青瓷牡丹紋飾為著眼點和中心,結(jié)合大量相關(guān)的文獻與圖片資料,運用歷史學(xué)、圖像學(xué)和美學(xué)的研究方法,通過對宋代青瓷牡丹紋飾進行系統(tǒng)的收集和整理,歸納出宋代青瓷牡丹紋飾的藝術(shù)特點以及美學(xué)特征,并從其產(chǎn)生的社會背景、文化背景、美學(xué)背景等相關(guān)角度進行深入探討和研究,分析其應(yīng)有的藝術(shù)價值和文化價值。希望通過本文的研究能對宋代青瓷牡丹紋飾理論研究方面的不足做一些補充,同時也為我國陶瓷裝飾設(shè)計的創(chuàng)新提供有益的啟示和幫助。
[Abstract]:In the history of the development of Chinese ceramics, the Song Dynasty was a period in which a hundred flowers blossomed and the famous kilns were widely established. At this time, celadon was still the main variety of porcelain, including Yu kiln, Guan kiln, GE kiln, Yaizhou kiln, Longquan Kiln and Jingdezhen Kiln ware are typical porcelain of this period. As one of the most representative traditional ceramic decorative language, the peony pattern on celadon can best reflect the spiritual outlook and aesthetic pursuit of Song Dynasty. In this paper, the characteristics of peony decoration on celadon porcelain in Song Dynasty are taken as the research object. In view of the relatively weak theoretical research of celadon decoration in the field of ceramic decoration at present, the focus and center of this paper is the peony decoration of blue and white porcelain in Song Dynasty. Combined with a large number of relevant literature and picture materials, by using the research methods of history, graphics and aesthetics, the collection and arrangement of the blue and white peony ornaments of the Song Dynasty were carried out systematically. This paper summarizes the artistic characteristics and aesthetic characteristics of celadon peony decoration in Song Dynasty, and makes a thorough discussion and research from the social background, cultural background, aesthetic background and other related angles, and analyzes its due artistic value and cultural value. It is hoped that the research in this paper can make some supplement to the deficiency in the theoretical research of the blue peony decoration in the Song Dynasty, and at the same time provide useful inspiration and help for the innovation of the ceramic decoration design in our country.
【學(xué)位授予單位】:景德鎮(zhèn)陶瓷學(xué)院
【學(xué)位級別】:碩士
【學(xué)位授予年份】:2011
【分類號】:K876.3

【引證文獻】

相關(guān)碩士學(xué)位論文 前2條

1 袁媛;宋金紅綠彩蓮紋研究[D];景德鎮(zhèn)陶瓷學(xué)院;2012年

2 王淑文;卷草紋裝飾特征及其在現(xiàn)代家具設(shè)計中的應(yīng)用[D];中南林業(yè)科技大學(xué);2013年

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本文編號:1779801

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