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江南古橋文化與地域環(huán)境關(guān)聯(lián)探究

發(fā)布時(shí)間:2018-04-17 06:17

  本文選題:江南古橋 + 古橋文化 ; 參考:《安徽工程大學(xué)》2010年碩士論文


【摘要】: 江南素以“小橋、流水、人家”聞名天下,此名句不僅體現(xiàn)出江南地域水多橋盛,更生動(dòng)地展現(xiàn)出江南古橋與地域環(huán)境相融相生而營(yíng)造出的江南意境和人文氛圍,也正是此種賦予和秉承了江南文化內(nèi)涵、環(huán)境風(fēng)格和人文氣息的江南古橋才使得名句千古傳頌,江南也為之添輝增彩。 江南地域以其特有的自然風(fēng)光、豐富的水量資源和深厚的歷史文化成為人們向往的美麗天堂,江南古橋從中孕育成長(zhǎng)、成熟興盛,處處浸染和具備了江南特有的地域元素和文化因子,這些元素和因子包容了江南獨(dú)特的建筑藝術(shù)、自然風(fēng)情、民風(fēng)民俗、歷史文化、宗教信仰等等,從而展現(xiàn)出富有文化內(nèi)涵的江南地域環(huán)境藝術(shù)。江南古代橋梁建筑師和設(shè)計(jì)師以其別具一格的江南化的設(shè)計(jì)理念和高深精熟的建筑造詣以及豐富多彩的裝飾工藝將江南古橋與江南完整的地域風(fēng)貌相融合,講求建筑藝術(shù)和與自然和諧統(tǒng)一的景觀設(shè)計(jì),同時(shí)在江南各地豐富多彩的民俗心理、文化美學(xué)、環(huán)境藝術(shù)、裝飾藝術(shù)、色彩藝術(shù)以及民間藝術(shù)中折射出特有的地域環(huán)境藝術(shù)的個(gè)性與文化內(nèi)涵,構(gòu)成了獨(dú)特的古橋景觀風(fēng)貌,有著顯著的江南地域環(huán)境風(fēng)格和文化特征,具有很高的綜合價(jià)值和整體價(jià)值。 在江南古人和江南古橋取得如此成就的前提和背景下,今人卻較少的系統(tǒng)研究江南古橋的文化性、地域性,尤其是環(huán)境藝術(shù)性,由此所帶來(lái)的是江南古橋、古橋文化和古橋環(huán)境與江南經(jīng)濟(jì)文化和城鄉(xiāng)建設(shè)快速發(fā)展的矛盾,而解決這一矛盾的方法和途徑大多是以大量古橋的損毀和遷移為代價(jià)的。誠(chéng)然,21世紀(jì)的當(dāng)今社會(huì),人們?cè)谖镔|(zhì)精神生活極大豐富以及高科技和現(xiàn)代化的洗禮之后,無(wú)論是思想意識(shí)還是建筑環(huán)境藝術(shù)都越來(lái)越向往一種人文自然的回歸。因此,對(duì)江南古橋及文化與地域環(huán)境關(guān)聯(lián)性的研究既具有較高的參考借鑒和保護(hù)利用價(jià)值,又具有極強(qiáng)的現(xiàn)實(shí)性和未來(lái)性。本文把握時(shí)代潮流和脈搏,從地方文化發(fā)展與傳承的角度,以江南傳統(tǒng)文化積淀為根本,以地域人文風(fēng)貌為主線,以地域環(huán)境藝術(shù)為基調(diào),以江南古橋?qū)嶓w為對(duì)象,用文化考證古橋建筑實(shí)體,用環(huán)境彰顯古橋建筑靈韻,從而系統(tǒng)深入地探查挖掘和整理發(fā)現(xiàn)江南古橋、古橋文化和地域環(huán)境的融合性和關(guān)聯(lián)度。意在揭示江南古橋建筑藝術(shù)的特質(zhì),并以此說(shuō)明江南古橋文化和地域環(huán)境對(duì)古橋建筑藝術(shù)影響的深刻性和重要性,借以提高人們對(duì)古橋、古橋文化和地域環(huán)境的重視程度和保護(hù)力度,為其保護(hù)修繕和開(kāi)發(fā)利用提供一定的參考價(jià)值,同時(shí)也為當(dāng)今江南地區(qū)橋梁的環(huán)境景觀設(shè)計(jì)提供借鑒利用的藍(lán)本和具體實(shí)際的指導(dǎo),從而再次綻放出江南橋梁的光芒,展現(xiàn)出江南地域的風(fēng)采。
[Abstract]:Known as "Jiangnan bridges, water, people known to the world famous, this not only reflects the south region of the Yangtze River water hashimori, more vividly show the Jiangnan ancient bridge and regional environment and create Harmony Aioi Jiangnan artistic conception and cultural atmosphere, it is also the given and Jiang Nanwen uphold connotation, style and cultural atmosphere of the environment the ancient bridge makes the most famous Jiangnan famous Jiangnan to add the brightness, color.
Jiangnan region with its unique natural scenery, abundant water resources and profound historical culture has become the people yearning for a beautiful paradise, Jiangnan ancient bridge from growing, mature and prosperous, with geographical elements disseminated everywhere and cultural factors peculiar to the Jiangnan region, these elements and factors inclusive of the Jiangnan unique architectural art, natural style folk customs, history, culture, religion and so on, in order to show Jiangnan regional environmental art is rich in cultural connotation. The Jiangnan ancient bridge architects and designers to design the Jiangnan have a unique style of concept and profound mastery of the architectural attainments and rich and colorful decorative craft Jiangnan ancient bridge and Jiangnan region style complete integration landscape design, architectural art and emphasizes the harmony with nature, and in the south around the rich and colorful folk culture, psychology, aesthetics, environmental art, decoration Art, color art and folk art reflect the unique geographical environment, artistic individuality and cultural connotations, forming a unique ancient bridge landscape style. It has significant Jiangnan regional environmental style and cultural characteristics, and has high comprehensive value and overall value.
The premise and background of such remarkable achievements in Jiangnan ancient and Jiangnan ancient bridge, regional culture, people today are less systematic study of Jiangnan ancient bridge, especially the environmental art, resulting in Jiangnan ancient bridge. The contradiction between the rapid development of Furuhashi culture and ancient bridge environment and Jiangnan Economic Culture and the construction of urban and rural areas however, the method and the way to solve this contradiction is mostly at the expense of the damage and migration of a large number of ancient bridges. Indeed, in today's society, twenty-first Century, people in the material and spiritual life rich and high-tech and modernization after baptism, regardless of ideology or architectural environment art are increasingly yearning for a human nature therefore, the Jiangnan ancient bridge culture and regional environment and the relevance of the research not only has high reference value and protection and utilization, and is highly realistic and future of the grip. The trend of the times and the pulse from the inheritance and development of local cultural perspective, the traditional culture of Jiangnan accumulation as fundamental to regional cultural landscape as the main line, with the regional environmental art as the keynote to Jiangnan ancient bridge entity as the object, with the cultural research of ancient bridge construction entity, highlighting the ancient bridge construction with aura environment, thus systematically exploration of mining and finishing of Jiangnan ancient bridge, Furuhashi cultural and geographical environment of the fusion and correlation. To reveal the Jiangnan ancient bridge construction art, illustrating the Jiangnan ancient bridge cultural and geographical environment of ancient bridge architecture art influence deeply and the importance to raise awareness of the importance and ancient bridge. Furuhashi efforts to protect the cultural and geographical environment, the protection and renovation and utilization to provide a certain reference value, but also the environmental landscape design for the bridge in the Jiangnan region for reference blueprint for And the specific practical guidance, thus again blooming the light of the bridge in the south of the Yangtze River, showing the demeanor of the region of the south of the Yangtze River.

【學(xué)位授予單位】:安徽工程大學(xué)
【學(xué)位級(jí)別】:碩士
【學(xué)位授予年份】:2010
【分類(lèi)號(hào)】:K878

【引證文獻(xiàn)】

相關(guān)期刊論文 前2條

1 賀輝;;水墨丹青——試析文脈氣韻在江南地區(qū)會(huì)所室內(nèi)設(shè)計(jì)中的傳承[J];家具與室內(nèi)裝飾;2012年09期

2 石泉彬;錢(qián)軍;;泰州市古橋調(diào)研及其文化特色研究[J];泰州職業(yè)技術(shù)學(xué)院學(xué)報(bào);2012年06期

相關(guān)碩士學(xué)位論文 前1條

1 石泉彬;泰州市古建橋梁調(diào)研與典型古橋的加固保護(hù)研究[D];南京林業(yè)大學(xué);2012年

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