發(fā)布時間：2018-04-16 01:06

  本文選題：《王昭君變文》 + 回紇��； 參考：《敦煌學輯刊》2017年03期

【摘要】：此文對敦煌本《王昭君變文》的創(chuàng)作時間提出了新看法,并在此基礎上根據變文中所提及的部族名稱及風俗禮儀等描述,認為變文中的突厥實際當為回紇。論文進而通過對昭君與唐和親回紇的咸安公主的畫像、在塞外生活時間、和親對象、祭文等線索的對比,將兩者聯(lián)系起來,認為《王昭君變文》不是單純的文學創(chuàng)作,而是具有一定的時政意義。
[Abstract]:This article puts forward a new view on the time of creation of the Dunhuang text "Wang Zhaojun's Bianwen", and on this basis, according to the description of tribal names and customs and manners mentioned in the text, it is considered that the Turkic in the Bianwen should actually be Huihe.Through the comparison of Zhaojun's portrait with Tang and Huihe's Princess Xian'an, and the comparison of life time, relative objects and sacrificial articles, the paper concludes that Wang Zhaojun's Bianwen is not a simple literary creation.But has certain political significance.
【作者單位】： 東南大學人文學院;
【基金】：教育部人文社會科學研究項目“敦煌文獻中的女性角色研究”(13YJAZH077)
【分類號】：K870.6
，

本文編號：1756601