本文選題：河洛地區(qū) + 四神圖像　； 參考：《東北師范大學》2010年碩士論文

【摘要】： 四神,又稱四靈、四象、四宮等,包括青龍、白虎、朱雀、玄武。從考古發(fā)掘資料看,河洛地區(qū)四神最初組合出現(xiàn)在6000多年前的濮陽西水坡遺址中。在漢代,河洛地區(qū)是四神圖像的繁榮中心,在該地區(qū)出土的壁畫、畫像石、銅鏡、陶器等都有四神圖像的紋樣。漢代四神圖像繪在墓葬中、建筑上、生活用品中,不僅僅具有藝術價值,更具有深層的歷史文化價值、思想價值。總體上反映了漢代人的巫術宗教觀、天文宇宙觀、審美觀、哲學觀、政治觀等。因此研究漢代河洛地區(qū)四神圖像,有利于了解漢代人的喪葬禮俗,利于了解漢代大一統(tǒng)的局面下,河洛文化與其他地區(qū)文化之間的交流。 前輩學者對四神的研究大多集中在四神圖像的個案研究上,并且對洛陽、南陽兩地出現(xiàn)的四神圖像研究較多;有的學者還對漢代四神的起源做過研究。而很少有學者對漢代河洛地區(qū)的四神做系統(tǒng)的區(qū)域性的研究。筆者將根據(jù)古文獻資料和考古發(fā)掘資料,結(jié)合前輩研究成果,從漢代四神圖像的起源、河洛地區(qū)漢代四神圖像繁榮的原因、漢代四神圖像在河洛地區(qū)的題材內(nèi)容及興衰、從四神圖像看漢代河洛地區(qū)與其他地區(qū)的交流四個方面入手對河洛地區(qū)漢代四神圖像做系統(tǒng)的研究。
[Abstract]:Four gods, also known as four spirits, four elephants, four houses, including Azure Dragon, White Tiger, Vermilion Bird, Black Tortoise.According to the archaeological excavations, the initial assemblage of Sishen in Heluo area appeared in the Xishuipo site of Puyang more than 6000 years ago.In the Han Dynasty, the region of Heluo was the prosperous center of the four-god image. The frescoes, stone portraits, bronze mirrors, pottery and so on unearthed in the region all had the patterns of the four-god images.The images of the four gods in Han Dynasty are not only of artistic value, but also of deep historical and cultural value and ideological value.In general, it reflects the religious view of witchcraft, astronomical view, aesthetic view, philosophy view, political view and so on.Therefore, the study of the images of the four gods in the He-luo area of the Han Dynasty is conducive to the understanding of the funeral rites and customs of the Han Dynasty and the communication between the Helio culture and other regional cultures under the situation of the unification of the Han Dynasty.The previous generation of scholars mostly focused on the four gods image case study, and Luoyang, Nanyang image of the four gods appear more research; some scholars have also done research on the origin of the four gods in the Han Dynasty.However, few scholars have made systematic regional research on the four gods in the Heluo area of the Han Dynasty.According to the ancient literature and archaeological excavations, the author will combine the research results of the predecessors, from the origin of the four gods images in the Han Dynasty, the reasons for the prosperity of the four gods images of the Han Dynasty in the Heluo area, the content of the subject matter of the four gods images of the Han Dynasty and the rise and fall of the four gods images in the Heluo area.This paper studies the four gods images of the Han Dynasty from the four aspects of the communication between the four gods and other areas in the Han Dynasty.
【學位授予單位】：東北師范大學
【學位級別】：碩士
【學位授予年份】：2010
【分類號】：K878

【引證文獻】

相關碩士學位論文 前1條

1 郝明;隋唐龍紋裝飾研究[D];西安美術學院;2012年

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本文編號：1741007