本文選題：吐蕃統(tǒng)治時(shí)期　切入點(diǎn)：棺板彩繪　出處：《中央民族大學(xué)》2010年碩士論文

【摘要】： 本文選取近年來青海海西州郭里木地區(qū)發(fā)現(xiàn)的一批棺板彩繪作為研究對(duì)象,在分析和借鑒已有研究成果的基礎(chǔ)上,結(jié)合海西州地區(qū)相關(guān)考古資料、文獻(xiàn)資料以及吐蕃統(tǒng)治青海地區(qū)的歷史背景等進(jìn)行初步的綜合研究。 通過對(duì)棺板彩繪的圖像內(nèi)容和藝術(shù)特點(diǎn)進(jìn)行比較系統(tǒng)和深刻的探討,筆者認(rèn)為：當(dāng)時(shí)的工匠畫師們憑借對(duì)耳聞目睹的社會(huì)生活場(chǎng)景的觀察和理解為繪制藍(lán)本,加之他們的創(chuàng)作觀念與其服務(wù)對(duì)象的特殊性來安排整個(gè)畫面內(nèi)容,在我們面前展現(xiàn)出一幅反映當(dāng)時(shí)歷史時(shí)期內(nèi)民族社會(huì)生活的生動(dòng)畫卷；這批棺板彩繪并非是單一文化因素的產(chǎn)物,而是多種文化因素(鮮卑文化、羌文化、吐蕃文化、西方文化及中原文化)發(fā)生融合的產(chǎn)物,這在一定程度上反映出該地區(qū)在吐蕃統(tǒng)治時(shí)期內(nèi)多民族共存的社會(huì)現(xiàn)象,對(duì)于我們研究當(dāng)時(shí)的民風(fēng)民俗、文化藝術(shù)、社會(huì)歷史具有重要的價(jià)值。 結(jié)合該地區(qū)的歷史、地理情況,本文還探討了其文化多元性出現(xiàn)的原因：由于獨(dú)特的地理文化、眾多的民族文化和不斷更迭的政權(quán)統(tǒng)治,加之“絲綢之路”的震蕩和輻射,使得這個(gè)地區(qū)在東西方文化、多民族文化碰撞、交融、整合的背景下,成為多種文化沖突的焦點(diǎn)和融合的聚集地,整體上呈現(xiàn)出多元性、開放性的文化特質(zhì)。多樣性文化正是在這個(gè)復(fù)雜的歷史背景、激烈動(dòng)蕩的歷史時(shí)期內(nèi),各種文化之間碰撞、交流的一個(gè)縮影。這批彩繪棺板的發(fā)現(xiàn)對(duì)于我們更為全面的認(rèn)識(shí)該地區(qū)吐蕃統(tǒng)治時(shí)期墓葬文化以及由此反映出的社會(huì)政治、經(jīng)濟(jì)、文化狀況提供了重要的參考資料。
[Abstract]:In this paper, we select a group of painted coffin plates found in Guolimu area of Haixi Prefecture, Qinghai Province in recent years as the research object. Based on the analysis and reference of the existing research results, combined with the relevant archaeological data of Haixi region,Literature and historical background of Tibetan rule in Qinghai were studied.Through a systematic and profound discussion of the image content and artistic characteristics of the coffin board, the author believes that the craftsmen at that time drew the blueprint by observing and understanding the social life scenes seen and heard.In addition, their creative ideas and the particularity of their objects of service to arrange the whole picture content, in front of us to show a vivid picture of the historical period of the national social life;The paintings are not the product of a single cultural factor, but a product of the fusion of many cultural factors (Xianbei culture, Qiang culture, Tubo culture, Western culture and Central Plains culture).To a certain extent, it reflects the coexistence of many nationalities in this region during the period of Tubo rule, which is of great value to our study of folk customs, culture and art, and social history at that time.In the light of the historical and geographical situation of the region, this paper also discusses the causes of its cultural diversity: due to its unique geographical culture, numerous national cultures and changing regimes, as well as the shock and radiation of the Silk Road,Under the background of the collision, blending and integration of eastern and western cultures, multi-national cultures, this region has become the focal point of the multi-cultural conflict and the gathering place of integration, showing the diversity and openness of the cultural characteristics as a whole.Diversity culture is a microcosm of the collision and communication between different cultures in this complicated historical background and violent and turbulent historical period.The discovery of this group of painted coffins provides important reference materials for us to fully understand the tombs culture and the social political, economic and cultural conditions of the Tibetan rule in the region.
【學(xué)位授予單位】：中央民族大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2010
【分類號(hào)】：K879.4

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