本文選題：處士墓志　切入點(diǎn)：敘事策略　出處：《學(xué)術(shù)交流》2017年09期

【摘要】：處士不官于朝,無(wú)吏能、政績(jī)可寫(xiě),德行自然成為處士墓志重點(diǎn)渲染的對(duì)象,但"德"的具體呈現(xiàn)因時(shí)代而異。唐代及其以前為第一時(shí)期,其模式是強(qiáng)調(diào)處士淡泊名利的本性和修養(yǎng),品德的呈現(xiàn)主要在自身、家庭、友朋等私人空間,注重的是處士個(gè)人的生活雅趣。宋及以后為第二時(shí)期,其模式是不回避對(duì)名利追求失敗的記述,品德的呈現(xiàn)除自身、家庭外,重點(diǎn)在鄉(xiāng)里社會(huì)等公共空間。這種敘事策略的變換有著豐富的文化內(nèi)涵,與社會(huì)文化心理、時(shí)代精神、民眾的形象認(rèn)同、社會(huì)文化建構(gòu)意識(shí)等都密切相關(guān)。
[Abstract]:No official officials in the dynasty, no official, political achievements can be written, virtue naturally become the epitaph of the epitaph, but the specific presentation of "virtue" varies with the times.Tang Dynasty and its former as the first period, its mode is to emphasize the local scholar indifferent to fame and wealth and self-cultivation, the appearance of moral character mainly in their own, family, friends and other private space, focusing on the personal life of the scholar elegant interest.In the second period of Song Dynasty, its mode is not avoiding the description of the failure of the pursuit of fame and fortune, and the appearance of moral character is focused on the public space, such as the rural society, except itself, family and so on.The transformation of this narrative strategy has rich cultural connotation and is closely related to social and cultural psychology, spirit of the times, public image identity, social and cultural construction consciousness, etc.
【作者單位】： 石河子大學(xué)中文系;
【基金】：國(guó)家社科基金項(xiàng)目“中國(guó)古代墓志義例研究”(12CZW048)
【分類號(hào)】：K877.45
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本文編號(hào)：1705518