本文選題：寫經(jīng)　切入點(diǎn)：北宋初期　出處：《中國書法》2014年17期

【摘要】：正唐末五代到北宋初期是中國書法史上的過渡階段,也是中國書籍裝幀從"卷軸式"寫奉時(shí)代到"冊裝式"雕版時(shí)代的變革期。這一時(shí)期的書跡主要保存在上世紀(jì)初在敦煌莫高窟藏經(jīng)洞內(nèi)發(fā)現(xiàn)的佛經(jīng)寫奉和文書中;另外,清代宮廷舊藏、明清以來的叢帖中也摹刻了一些唐末五代和北宋初期的寫經(jīng)作品。在書體上,這一時(shí)期的書法基本延續(xù)了唐代的風(fēng)格,即初唐至中唐清瘦勁健、盛極一時(shí)的褚(遂良)體逐漸被凝重豐腴的歐(陽詢)體和顏
[Abstract]:From the end of the Tang Dynasty to the beginning of the Northern Song Dynasty, it was a transitional period in the history of Chinese calligraphy. It is also a period of change in the binding of Chinese books from the "scroll type" to the "book-style" engraving era. The books of this period are mainly preserved in the Buddhist scriptures and documents found in the cave of the Mogao Grottoes in Dunhuang at the beginning of the last century; in addition, The ancient collections of the imperial court of the Qing Dynasty and the collection of posts since the Ming and Qing dynasties have also copied and engraved some scriptures written in the late Tang Dynasty and the early Northern Song Dynasty. In the calligraphy style, the calligraphy of this period basically continued the style of the Tang Dynasty, that is, from the beginning of the Tang Dynasty to the middle of the Tang Dynasty. The great body of Ch'u (Suiliang) was gradually dignified by the rich body of Europe (Yang) and Yan.
【基金】：蘇州市書法家協(xié)會(huì) 蘇州博物館的支持
【分類號】：J292.1;K87

【共引文獻(xiàn)】

相關(guān)期刊論文 前3條

1 徐汝聰;;試論僧伽造像及僧伽崇拜[J];東南文化;2014年05期

2 肥田路美;臧衛(wèi)軍;;夾江千佛巖091號三圣僧龕研究[J];四川文物;2014年04期

3 張永強(qiáng);;唐末五代宋初寫經(jīng)書跡考察[J];中國書法;2014年09期

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本文編號：1694598