本文選題：黑釉瓷器　切入點：歷史探究　出處：《太原理工大學(xué)》2010年碩士論文

【摘要】： 古老而神奇的定窯系平定黑釉陶瓷藝術(shù)一直從唐代延續(xù)到了今天,史籍記載中尤以宋代最為繁榮興盛,傳播之廣、影響之大,它因其特殊的材質(zhì)、復(fù)雜的燒制工藝、古樸自然的裝飾藝術(shù)風(fēng)格而名揚天下,它所創(chuàng)造出的產(chǎn)品無一不彰顯出”用”與“美”的結(jié)合,是我國民間藝術(shù)的瑰寶,古州文化的奇葩。在平定黑釉瓷的發(fā)展史上,一代代無名的工匠們?yōu)榇蓸I(yè)藝術(shù)的發(fā)展獻出了自己畢生的精力,同時也筑就了平定黑釉瓷器在中國陶瓷藝術(shù)史上不可替代的歷史地位。 宋元時期,平定窯是我國北方地區(qū)一個重要的定窯系窯場,舊有“西窯”之稱,其主要產(chǎn)品以黑釉刻花瓷著稱。由于各方面的原因,平定黑釉瓷一直未經(jīng)詳細的考究。為了讓世人能夠更深刻的了解平定黑釉刻花瓷,本文以實地考察收集的刻花黑釉瓷為基本材料,運用考古類型學(xué)的分析法,以實證的方式考訂平定黑釉的燒制年代,興衰歷程,同時結(jié)合大量的歷史文獻,以及前人的研究成果。從瓷器本身的造型、釉色,制瓷工藝與裝飾等方面,對平定黑釉在我國北方地區(qū)燒制成功的原因進行了論述,從中探討其裝飾紋飾的構(gòu)型規(guī)律及刻花裝飾對現(xiàn)代裝飾藝術(shù)的拓展。 本文共分為五個章節(jié)。第一章“緒論”,是以歷史的角度引出平定黑釉瓷這個主題,探討在不同時代的社會背景和文化環(huán)境下對平定瓷業(yè)發(fā)展的影響,歷史的變更、政治經(jīng)濟的發(fā)展和文化思想的轉(zhuǎn)變對瓷業(yè)的發(fā)展產(chǎn)生的種種復(fù)雜問題,以及某種器型的來源、用途及裝飾意義等問題。為整體描述本文的主要內(nèi)容、目的和意義,從而引出論點;第二章對平定黑釉瓷器的歷史文化背景作一分析,主要從北方制瓷業(yè)大的社會背景到北方定窯系瓷器的歷史最后逐漸縮小到平定黑釉瓷的歷史,從中推斷其燒制年代并對其興衰的歷史原因作一分析;第三章平定黑釉瓷器的藝術(shù)探究,從造型的演變、釉色的拓展、裝飾題材的豐富、裝飾技法的多樣結(jié)合及審美的獨特風(fēng)格作了詳細的探討;第四章平定黑釉瓷器的影響,具體從古至今、從國內(nèi)到國外,從瓷業(yè)地域的差異、經(jīng)濟文化的發(fā)展、瓷業(yè)之間工藝的交流以及對現(xiàn)代社會裝飾藝術(shù)的影響進行了深入的闡述;第五章“結(jié)論”,談?wù)摿硕ǜG系平定黑釉瓷器復(fù)興后的艱難歷程,總結(jié)了平定黑釉瓷在當(dāng)今社會中存在的深刻內(nèi)涵,并由平定黑釉瓷的拓展暢想對現(xiàn)代生活的實用價值。它作為新一代的陶瓷語言給我們現(xiàn)今社會所帶來的巨大作用。
[Abstract]:The ancient and magical art of pingding black glaze ceramics continued from the Tang Dynasty to the present day. In historical records, the Song Dynasty was the most prosperous and prosperous, spreading widely and having a great influence. It was due to its special material and complex firing technology. The ancient and natural decorative art style is famous all over the world. All the products it creates show the combination of "use" and "beauty", which is the treasure of Chinese folk art and the exotic flower of ancient state culture. In the history of the development of leveling black glazed porcelain, Generations of nameless craftsmen have devoted their life to the development of porcelain art, and at the same time have built the irreplaceable historical position of black glazed porcelain in the history of Chinese ceramic art. In the Song and Yuan dynasties, Pingding kiln was an important kiln in the north of China. It was called the "West Kiln". Its main products were famous for black glaze and engraved porcelain. Flat black glazed porcelain has not been studied in detail. In order to enable the world to have a deeper understanding of flat black glazed porcelain, this article takes the carved black glazed porcelain collected on the spot as the basic material and applies the analytical method of archaeological typology. In this paper, the author makes an empirical study on the burning age, rise and fall course of calming black glaze, combining with a large number of historical documents, as well as the research achievements of predecessors, from the aspects of porcelain itself, glaze color, porcelain making technology and decoration, etc. This paper discusses the reasons for the successful firing of Pingding black glaze in northern China, and probes into the pattern of decoration patterns and the expansion of carved decoration to modern decorative art. This paper is divided into five chapters. The first chapter "introduction" is a historical point of view to lead to the flat black glazed porcelain, to explore the social background and cultural environment in different times on the development of Pingding porcelain industry, historical changes, The development of politics and economy and the change of culture and thought have brought all kinds of complicated problems to the development of porcelain industry, as well as the origin, use and decorative significance of a certain type of apparatus. The main content, purpose and significance of this paper are described as a whole. The second chapter makes an analysis of the historical and cultural background of Pingding black glazed porcelain, mainly from the social background of the northern porcelain industry to the history of the Northern Dingyao system porcelain, which is gradually reduced to the history of levelling black glazed porcelain. The third chapter explores the art of calming down black glazed porcelain, from the evolution of modeling, the development of glaze color, the rich theme of decoration, The fourth chapter discusses the influence of black glazed porcelain, from ancient to present, from domestic to foreign, from the regional difference of porcelain industry, the development of economy and culture, The communication between the porcelain industry and the influence on the decorative art in modern society is expounded in depth. Chapter five, "conclusion", discusses the difficult course of the revival of the black glazed porcelain in the Dingyao system. This paper summarizes the profound connotation of Pingding black glazed porcelain in today's society and its practical value to modern life from the development of Pingding black glazed porcelain, which, as a new generation of ceramic language, has brought great effect to our society today.
【學(xué)位授予單位】：太原理工大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2010
【分類號】：K876.3

【引證文獻】

相關(guān)碩士學(xué)位論文 前2條

1 李婷;宋代平定窯刻花瓷的審美藝術(shù)研究[D];景德鎮(zhèn)陶瓷學(xué)院;2012年

2 米甜甜;山西民間定窯的研究[D];山西大學(xué);2012年

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本文編號：1693126