發(fā)布時間：2018-03-25 20:30

  本文選題：陶瓷　切入點(diǎn)：特征　出處：《中央民族大學(xué)》2011年碩士論文

【摘要】：唐三彩是我國古代陶瓷產(chǎn)品之精髓,不僅全面而直觀地反映了唐朝繁榮時期的政治局面、經(jīng)濟(jì)狀況和社會風(fēng)貌,而且具體而微地展現(xiàn)了唐代的歷史文化現(xiàn)象。從這一意義上說,唐三彩是反映大唐綜合歷史文化的一面鏡子。 歷史上任何時期的文化遺存都有鮮明的時代烙印,是歷史文化的最真實、最客觀的見證者,是民族歷史文化的承載者、表證者、體現(xiàn)者,又是對文字記載歷史的證人。對文化遺存的研究,可以讓幫助我們更加準(zhǔn)確的了解歷史,把握歷史文化發(fā)展脈絡(luò)。反之,對歷史文化的研究,也同樣可以幫助我們認(rèn)清各個時期文化遺存的歷史特征,把握文化遺存的發(fā)展序列。 因此,對唐三彩的工藝特征所反映出的唐代社會生活風(fēng)貌進(jìn)行研究,可以幫助我們分析唐三彩特征的歷史根源,更加準(zhǔn)確地認(rèn)識唐三彩歷史原貌。 此外,對唐三彩工藝特征所反映出的唐代社會生活風(fēng)貌研究也有其現(xiàn)實意義,如果我們能夠把握唐三彩的工藝特征與其產(chǎn)生的時代背景,將唐三彩的歷史神韻與當(dāng)代人們的審美情趣相結(jié)合,會創(chuàng)造出更加精美的現(xiàn)代藝術(shù)精品。 本文圍繞唐三彩的工藝特征所反映出的唐代社會生活風(fēng)貌這一主題,首先采用分類和歸納的方法,對龐雜的資料進(jìn)行整理,然后采用考古學(xué)和歷史學(xué),以及美學(xué)的研究方法對唐三彩的工藝特征所反映出的唐代社會生活風(fēng)貌進(jìn)行研究。內(nèi)容編排上,首先,對唐三彩進(jìn)行概述,包括特點(diǎn)、分類、藝術(shù)魅力,向人們初步展示了我國悠久歷史藝苑里的這一枝奇葩；其次,探討陶器到唐三彩的制造工藝,主要包括胎料采集、制胎工藝、燒制工藝、施釉工藝及開相工藝；再次,以西安和洛陽為例,對不同地區(qū)唐三彩從以下兩方面加以比較：一是出土唐三彩的基本情況,二是窯址基本情況；最后,重點(diǎn)剖析唐三彩反映出的唐代社會生活風(fēng)貌：先從唐三彩造型特征來看大唐盛世及唐文化,從造型來說,唐三彩是一種寫實,從色彩來說,唐三彩充分體現(xiàn)了“盛唐氣象”蘊(yùn)涵的豐富文化氣息；然后分析唐三彩分映出的唐代社會生活風(fēng)貌：審美觀念、藝術(shù)風(fēng)貌、宗教文化和異域風(fēng)情。 唐三彩是我國陶瓷史上光輝的一頁。今天,如何讓這古老的藝術(shù)再次煥發(fā)出新的生命,是我們每一個炎黃子孫義不容辭的責(zé)任和義務(wù)。
[Abstract]:Tang Sancai is the quintessence of ancient ceramic products in China. It not only reflects the political situation, economic situation and social style of the prosperous period of Tang Dynasty, but also concretely and slightly shows the historical and cultural phenomenon of Tang Dynasty. The three colors of Tang Dynasty is a mirror reflecting the comprehensive history and culture of the Tang Dynasty. The cultural relics of any period in history have a distinctive brand of the times. They are the truest and most objective witnesses of the history and culture, the bearer of the national history and culture, the witnesses of the evidence and the embodiment of the national history and culture. The study of cultural relics can help us understand history more accurately and grasp the development of history and culture. On the contrary, the study of history and culture. It can also help us to recognize the historical characteristics of cultural relics in each period and grasp the development sequence of cultural relics. Therefore, the study on the features of social life reflected by the technological characteristics of the three colors of the Tang Dynasty can help us to analyze the historical origin of the characteristics of the three colors of the Tang Dynasty and to understand more accurately the historical features of the three colors of the Tang Dynasty. In addition, it is also of practical significance to study the features of social life in the Tang Dynasty, which is reflected by the characteristics of the three colors of Tang Dynasty. If we can grasp the technological characteristics of the three colors of the Tang Dynasty and the background of the times in which they came into being, Combining the historical charm of three colors of Tang Dynasty with the aesthetic taste of contemporary people will create a more exquisite modern art boutique. This article revolves around the Tang Dynasty three color craft characteristic reflected the Tang Dynasty social life scene this one theme, first uses the classification and the induction method, carries on the collation to the massive miscellaneous material, then uses the archaeology and the history science, As well as the aesthetic research methods to study the Tang Dynasty social life style and features reflected by the craft characteristics of the three colors of Tang Dynasty. In the content arrangement, first of all, the author summarizes the three colors of the Tang Dynasty, including the characteristics, classification, artistic charm, and so on. This wonderful flower in the art garden with a long history of our country has been preliminarily displayed. Secondly, the manufacturing technology of pottery to the three colors of Tang Dynasty is discussed, mainly including the collection of tyre materials, the process of tire making, the technology of firing, the technology of glazing and the technology of opening phase; thirdly, Taking Xi'an and Luoyang as examples, this paper compares the three colors of Tang Dynasty in different areas from the following two aspects: one is the basic situation of the unearthed Tang three colors, the other is the basic situation of the kiln site; finally, Focus on the Tang Dynasty three color reflected the social life of the Tang Dynasty: first from the Tang Dynasty three color modeling characteristics of the Tang Dynasty and Tang culture, from the shape, the Tang three color is a realistic, from the color point of view, The three colors of Tang Dynasty fully embody the rich cultural atmosphere contained in "the atmosphere of the prosperous Tang Dynasty", and then analyze the social life features of the Tang Dynasty reflected by the "three colors" of Tang Dynasty: aesthetic concept, artistic style, religious culture and exotic customs. The Tang Sancai is a glorious page in the history of Chinese ceramics. Today, how to make this ancient art radiate new life again is an unshirkable responsibility and duty of every Chinese people.
【學(xué)位授予單位】：中央民族大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2011
【分類號】：K876.3

【引證文獻(xiàn)】

相關(guān)碩士學(xué)位論文 前1條

1 李彭;唐三彩與奈良三彩的比較研究[D];景德鎮(zhèn)陶瓷學(xué)院;2013年

，

本文編號：1664775