本文選題：第窟南壁　切入點(diǎn)：無(wú)量壽經(jīng)變畫　出處：《西藏研究》2017年03期

【摘要】：炳靈寺第70窟位于下寺石窟群中部,初鑿于唐代,南壁壁畫為無(wú)量壽經(jīng)變畫,依據(jù)《無(wú)量壽經(jīng)》的情節(jié)繪制而成,展現(xiàn)的是《無(wú)量壽經(jīng)》中描述的西方極樂(lè)世界。繪畫采用漢地傳統(tǒng)的線描法和瀝粉貼金工藝,佛、菩薩樣式依據(jù)藏傳佛教造像儀軌。畫師通壁巨構(gòu),運(yùn)用細(xì)膩的筆觸、淡雅的色彩、動(dòng)靜結(jié)合的手法,描繪了眾菩薩弟子、亭臺(tái)樓閣、花草樹木、清流蓮池、神禽異獸等,展現(xiàn)出了一個(gè)安靜祥和、莊嚴(yán)神圣的西方極樂(lè)世界。
[Abstract]:The 70th Cave of Bingling Temple is located in the middle of the grottoes of the Lower Temple. It was first carved in the Tang Dynasty. The murals on the south wall were painted by the changing paintings of the endless Shoujing, which were drawn according to the plot of the Sutra of infinite shou. The painting is based on the traditional line drawing method of Han Dynasty and the gold technology of Lek Fan. The Buddha and Bodhisattva style is based on the ritual ritual of Tibetan Buddhism. The painters use exquisite brushwork to understand the giant structure of the wall. Elegant colors, a combination of static and dynamic techniques, depicts the Bodhisattva disciples, pavilions, flowers and trees, flowers and trees, Qingliu lotus pond, gods, birds and animals, and so on, showing a quiet and peaceful, solemn and sacred world of Western bliss.
【作者單位】： 甘肅炳靈寺文物保護(hù)研究所;
【分類號(hào)】：K879.2

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本文編號(hào)：1662204