本文選題：大足石刻　切入點(diǎn)：觀無量壽經(jīng)變　出處：《中華文化論壇》2017年04期

【摘要】：佛教美術(shù)作品所具有的訴說性與象征性,使之在作為圖像分析的"文本"時(shí)具有更為廣博和深刻的闡釋空間。觀經(jīng)變是對(duì)《觀無量壽經(jīng)》文本進(jìn)行的圖像轉(zhuǎn)換,其敘事功能在歷史發(fā)展中逐步被具有象征功能的符號(hào)性所取代。研究表明,從形式結(jié)構(gòu)著眼,以圖像學(xué)的審視或研究角度對(duì)寶頂大佛灣第18龕《觀無量壽經(jīng)變》進(jìn)行深入"解讀",可以看出觀經(jīng)變的圖像樣式與西方凈土世界之間存在著一一對(duì)應(yīng)的象征關(guān)系,觀經(jīng)變中各部分內(nèi)容共同構(gòu)建了這一符號(hào)樣式,但其符號(hào)的作用不僅通過圖像內(nèi)容來體現(xiàn),也與其圖像形式、視覺效果等有著不可分割的密切關(guān)聯(lián)。
[Abstract]:The narration and symbolism of Buddhist works of art make it have more extensive and profound interpretation space when it is used as "text" of image analysis. Its narrative function is gradually replaced by symbolic function in the historical development. From the perspective of imageology, this paper makes a deep "interpretation" of the 18th niche of Baoding Dafo Bay. It can be seen that there is a one-to-one symbolic relationship between the image style of the change and the world of Western Pure Land. This symbol style is constructed in different parts of the system, but the function of the symbol is not only reflected by the image content, but also closely related to the image form, visual effect and so on.
【作者單位】： 重慶大學(xué)藝術(shù)學(xué)院;
【基金】：2012年重慶大學(xué)文科類跨學(xué)部跨學(xué)科項(xiàng)目“西南地區(qū)石窟群藝術(shù)研究及其數(shù)字化應(yīng)用建設(shè)”(項(xiàng)目編號(hào):CDJKXB12005)階段性成果
【分類號(hào)】：K879.3

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