本文選題：平陽　切入點：宋金　出處：《山西師范大學(xué)》2010年碩士論文

【摘要】：長期以來戲曲在平陽地區(qū)古代社會生活中占有重要位置,作為戲曲文化最重要的物質(zhì)載體之一的戲臺在平陽地區(qū)分布廣泛、數(shù)量繁多。為了整理平陽地區(qū)古代戲臺的資料,從而進(jìn)一步研究、發(fā)掘戲臺所承載的社會內(nèi)涵與文化內(nèi)涵,本文以文獻(xiàn)搜集與實地考察相互結(jié)合的方式,對平陽地區(qū)的古代戲臺作了一番調(diào)查。本文將以地理與歷史兩個維度,歸納、探討平陽地區(qū)古代戲臺的特點與其背后所蘊(yùn)含的社會經(jīng)濟(jì)、自然環(huán)境、意識形態(tài)三方面內(nèi)容。 平陽地區(qū)古代戲臺分布非常廣泛,鄉(xiāng)老相傳“村村有戲臺”,以筆者實地考察之經(jīng)驗,其言非虛。那么現(xiàn)存與文獻(xiàn)記載的平陽戲臺具體情況如何,就是一個值得思考的問題。戲臺受周圍自然環(huán)境、人文因素、歷史積淀之影響,呈現(xiàn)出了不同的特點。山區(qū)與平原地區(qū)戲臺在面積有顯著差異,經(jīng)濟(jì)發(fā)達(dá)地區(qū)戲臺存量與經(jīng)濟(jì)欠發(fā)達(dá)地區(qū)戲臺存量數(shù)目相差巨大,即便同一地區(qū)不同歷史時期戲臺形制結(jié)構(gòu)、整體面貌、細(xì)部裝飾也有非常明顯的不同。筆者將依托本所前賢之便利,結(jié)合自身實地感受,歸納一二。至于戲臺建立的經(jīng)濟(jì)成本構(gòu)成及臺上演劇目所花戲資,則是具體戲劇演出活動之中,普通民眾出于切身利益最為優(yōu)先考慮的事情。因此,筆者將分別以戲臺相關(guān)碑刻與舞臺題記來分別考察,作出些許分析。 總之,經(jīng)過筆者的研究,我們發(fā)現(xiàn)戲臺的發(fā)展總是與戲曲藝術(shù)本身發(fā)展規(guī)律相互影響、相互適應(yīng)。
[Abstract]:Opera plays an important role in the ancient social life of Pingyang area for a long time. As one of the most important material carriers of opera culture, opera stage is widely distributed and numerous in Pingyang area. In order to further study and explore the social and cultural connotations carried by the stage, this paper makes an investigation of the ancient stage in Pingyang area by combining the literature collection and field investigation. In this paper, the characteristics of ancient stage in Pingyang area and the social economy, natural environment and ideology behind it are discussed. The ancient stage distribution in Pingyang area is very extensive. According to the experience of the author's on-the-spot inspection, the words of the ancient stage in Pingyang are not empty. What is the actual situation of the Pingyang opera stage, which is recorded in the existing and documented documents? It is a question worth thinking about. The stage is affected by the surrounding natural environment, humanistic factors and historical accumulation, showing different characteristics. There is a significant difference in the area of the stage between the mountainous and plain areas. The number of theatrical platforms in economically developed areas is greatly different from that in economically underdeveloped areas, even though the structure of the theatrical stage in different historical periods in the same region, the overall appearance, The details of the decoration are also very different. The author will rely on the convenience of the former and virtuous people of the institute and combine his own experience on the ground to sum up one or two things. As for the economic cost structure of the stage building and the funds spent on the stage acting repertoire, Therefore, the author will examine the stage related inscriptions and stage inscriptions separately and make some analysis. In a word, through the author's research, we find that the development of the stage always influences and adapts to the development law of the opera art itself.
【學(xué)位授予單位】：山西師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2010
【分類號】：K879.1

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本文編號：1658021