本文選題：岳麓書(shū)院　切入點(diǎn)：秦簡(jiǎn)　出處：《湖南大學(xué)》2011年碩士論文　論文類型：學(xué)位論文

【摘要】：《岳麓書(shū)院藏秦簡(jiǎn)》(壹)(以下簡(jiǎn)稱《岳麓秦簡(jiǎn)》(壹))是湖南大學(xué)岳麓書(shū)院,于2007年從香港購(gòu)回的一批珍貴秦簡(jiǎn)中的一部分。它包括《質(zhì)日》、《為吏治官及黔首》、《占?jí)魰?shū)》三篇文獻(xiàn)。已有學(xué)者從文字學(xué)、歷史學(xué)等角度切入研究,但其書(shū)體的研究還無(wú)人論及,尚屬空白。 秦漢時(shí)期是我國(guó)漢字發(fā)展演變的重要時(shí)代,因此這批文字資料的發(fā)現(xiàn),為研究我國(guó)漢字發(fā)展演變的歷史增添了寶貴的實(shí)物資料,同時(shí)對(duì)了解當(dāng)時(shí)的書(shū)寫(xiě)面貌也有重要研究?jī)r(jià)值。 本文以原簡(jiǎn)圖版為依據(jù),運(yùn)用特征提取法、比較研究法等,來(lái)重點(diǎn)探討秦漢之際隸變激蕩下的岳麓秦簡(jiǎn)文字的字體特征與書(shū)法藝術(shù)價(jià)值,以了解漢字在由篆到隸過(guò)渡階段發(fā)展流變的真實(shí)情況,以及當(dāng)時(shí)文字的真實(shí)書(shū)寫(xiě)面貌。 論文的主要?jiǎng)?chuàng)新點(diǎn)是: 1、通過(guò)對(duì)簡(jiǎn)文“字體特征”的研究分析,發(fā)現(xiàn)簡(jiǎn)文中現(xiàn)代漢字的基本筆劃已經(jīng)隸化形成;結(jié)構(gòu)趨于簡(jiǎn)單化、符號(hào)化;字體形態(tài)由篆書(shū)的縱長(zhǎng)、象形性向扁平、抽象性方向發(fā)展;展示簡(jiǎn)文中異體字的各種類型。 2、通過(guò)對(duì)簡(jiǎn)文“書(shū)體特征”的研究分析,揭示簡(jiǎn)書(shū)構(gòu)形上隸變痕跡的種種特征:在筆劃上點(diǎn)、挑、波、磔并舉;在線條的運(yùn)作中粗細(xì)相間、方圓并施;在結(jié)體上欹斜正側(cè)、參差錯(cuò)落,具有較高的藝術(shù)觀賞價(jià)值,頗值得書(shū)學(xué)者們臨摹研習(xí)。
[Abstract]:Yuelu Academy is the Yuelu Academy of Classical Learning in Hunan University. In 2007, a number of precious Qin slips were purchased from Hong Kong. They included "quality Day", "official Administration of officials and the head of Guizhou", and "Zhan Meng Shu". Some scholars have cut into the study from the perspective of philology and history. However, the study of its calligraphy has not been discussed, it is still blank. The period of Qin and Han dynasties is an important time for the development and evolution of Chinese characters. Therefore, the discovery of this batch of Chinese characters adds valuable material material to the study of the history of the development and evolution of Chinese characters in China. At the same time, it also has important research value to understand the writing appearance at that time. This paper, based on the original version of the diagram, uses the method of feature extraction and comparative research to discuss the font features and the artistic value of calligraphy of the simplified characters of Yuelu Qin Dynasty under the violent change of Li Dynasty in the Qin and Han dynasties. In order to understand the real situation of the development of Chinese characters in the transition from Zhuan to Li, and the real writing appearance of the characters at that time. The main innovations of the thesis are:. 1. Through the study and analysis of the "font characteristics" of the simplified Chinese characters, it is found that the basic strokes of the modern Chinese characters in the simplified Chinese characters have been formed, the structure tends to be simplified and symbolized, the font form develops from the vertical length of the seal script, the pictogram to the flat and abstract; Displays the various types of variant characters in a short text. 2. Through the research and analysis of the "character of the calligraphy", the author reveals the features of the trace of the scribe deformation on the configuration of the simplified book: the points on the stroke, the pick, the wave, the wave, and the parallel lifting; the operation of the line strip is thick and thin, the square is round and applied, and the intersecting on the junction body is oblique to the positive side, Staggered, with a higher value of artistic appreciation, rather worthy of book scholars copy and study.
【學(xué)位授予單位】：湖南大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2011
【分類號(hào)】：K877.5

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本文編號(hào)：1622081