本文選題：龍多山石窟　切入點：達(dá)摩　出處：《敦煌研究》2015年04期 　論文類型：期刊論文

【摘要】：位于重慶合川區(qū)的龍多山石窟,在田灣3號龕出現(xiàn)一種比較特殊的造像題材以及組合關(guān)系,一直未引起調(diào)查者的重視,其神格與年代亦未判明�，F(xiàn)于實際調(diào)查基礎(chǔ)上,經(jīng)排比分析確定,主尊應(yīng)為跏趺坐達(dá)摩像,右側(cè)為倚坐慧可像,左側(cè)為寶志化現(xiàn)十一面觀音像,年代大約在唐末五代時期。寶志化現(xiàn)十一面觀音像在石窟考古中屬于首次發(fā)現(xiàn),其與達(dá)摩、慧可的組合也是新發(fā)現(xiàn)的實物例證,這為石窟造像研究提供了不可多得的資料。
[Abstract]:The Longduoshan Grottoes, located in Hechuan District, Chongqing, have a relatively special portrait theme and combination relationship in the No. 3 niche in Tianwan, which has not attracted the attention of the investigators, nor has its divine character or age been determined. It is now based on the actual investigation. Through comparison analysis, it was determined that the principal figure should be the figure of Damo sitting with legs, the figure of sitting on the right, and the figure of Guanyin on the left, and the figure of Guanyin on the left side, which appeared on the left side, was about the end of the Tang Dynasty and the five dynasties. The figure of Guanyin on the 11 sides of the body of Bao Zhi was first discovered in the archaeology of the grottoes. Its combination with Damo and Huike is also a newly discovered example, which provides rare information for the study of grottoes.
【作者單位】： 西華師范大學(xué)歷史文化學(xué)院;
【基金】：國家社科基金青年項目(13CKG014) 西華師范大學(xué)科研啟動基金項目(12B003)
【分類號】：K879.3

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