本文選題：唐代螺鈿鏡　切入點(diǎn)：絲路文明　出處：《藝術(shù)設(shè)計(jì)研究》2017年04期 　論文類型：期刊論文

【摘要】：螺鈿鏡是盛唐獨(dú)有的特種工藝鏡精品,其華美的造型、奢靡的材質(zhì)、精工細(xì)作的鑄造技術(shù)代表著中國古代鑄鏡工藝的最高水平和古鏡文化的最后輝煌。一方面,唐代螺鈿鏡是初唐以來資鑒思想的演變和盛唐絲路文明高度繁榮相融合的結(jié)果,更是大唐王朝鼎盛期重要的物證,一度成為溝通東西方文化的重要媒介;另一方面,螺鈿鏡的興廢與唐王朝的國運(yùn)昌衰具有內(nèi)在的一致性,成為唐王朝的興衰鏡鑒,其廢匿在中國政治文化史上有著深刻的歷史意味。
[Abstract]:The mother-of-pearl mirror is a unique special craft mirror in the prosperous Tang Dynasty. Its beautiful shape, extravagant material, and meticulous casting technology represent the highest level of the ancient Chinese mirror casting process and the last glory of the ancient mirror culture. On the one hand, The mother-of-pearl mirror of the Tang Dynasty is the result of the combination of the evolution of the thought of capital inspection since the beginning of the Tang Dynasty and the high prosperity of the Silk Road civilization in the prosperous Tang Dynasty. It is also an important material evidence during the heyday of the Tang Dynasty, and once became an important medium for communicating the eastern and western cultures; on the other hand, The rise and fall of mother-of-pearl mirror has the inherent consistency with the prosperity and prosperity of the Tang Dynasty, and it becomes a mirror for the rise and fall of the Tang Dynasty, and its abolition has a profound historical meaning in the history of Chinese political culture.
【作者單位】： 重慶大學(xué)藝術(shù)學(xué)院;
【基金】：2017年度中央高校基礎(chǔ)業(yè)務(wù)專項(xiàng)項(xiàng)目“宋代士大夫造物思想研究”(項(xiàng)目編號(hào):2017CDJXY) 重慶市2015年高校人文社會(huì)科學(xué)重點(diǎn)項(xiàng)目“南方絲綢之路川滇段民間美術(shù)與歐亞文化交融研究”(項(xiàng)目編號(hào):15SKG238)階段性成果
【分類號(hào)】：K875.2
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本文編號(hào)：1589652