本文選題：耳挖　切入點(diǎn)：耳挖簪　出處：《藝術(shù)設(shè)計(jì)研究》2017年02期 　論文類型：期刊論文

【摘要】："耳挖"與"耳挖簪"均為清潔耳朵的工具,而"耳挖簪"又兼具發(fā)簪的功能,考古發(fā)現(xiàn)的這類實(shí)物以金、銀、銅質(zhì)為主。本文通過(guò)對(duì)魏晉至明的實(shí)物梳理,結(jié)合相關(guān)文獻(xiàn),分析這一時(shí)期"耳挖"及"耳挖簪"形制演變的規(guī)律與特征,并闡述其所反映的造物觀念及社會(huì)審美風(fēng)尚。在此基礎(chǔ)上,論述魏晉至明挖耳工具演進(jìn)的文化背景,以期發(fā)現(xiàn)這一時(shí)期日用器物發(fā)展與繁榮背后的社會(huì)因素,以及器物與人、環(huán)境之間的互動(dòng)關(guān)系。
[Abstract]:Both "ear-digging" and "ear-digging hairpin" are tools for cleaning ears, while "ear-digging hairpins" also have the function of hairpin. Archaeological discoveries of this kind of objects are mainly of gold, silver and copper. This paper combs the material objects from Wei and Jin to the Ming Dynasty and combines the relevant documents. This paper analyzes on the rules and characteristics of the evolution of "ear digging" and "ear digging hairpin" in this period, and expounds the ideas of creation and the social aesthetic fashion reflected by them. On this basis, the cultural background of the evolution of the ear tools from Wei and Jin to the Ming Dynasty is discussed. The purpose is to find out the social factors behind the development and prosperity of household utensils in this period, as well as the interaction among objects, people and environment.
【作者單位】： 江蘇大學(xué)藝術(shù)學(xué)院;
【分類號(hào)】：K875.2
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本文編號(hào)：1572707