本文選題：佛教繪畫　切入點：西域凹凸法　出處：《敦煌研究》2017年02期 　論文類型：期刊論文

【摘要】：西域式"凹凸法"是西域樣式佛畫最基本的技法之一,它雖以古印度暈染法為根基,但同時也是在糅合其他相異文化因素的基礎(chǔ)上發(fā)展而來的,其技巧、程式、效果與所謂的"天竺遺法"有著顯著的區(qū)別。因此,在有關(guān)"西域繪畫"的研究中,應(yīng)將"天竺遺法"與西域式"凹凸法"予以區(qū)分,如此才能更清晰地把握西域樣式佛畫的風(fēng)格和特征。
[Abstract]:The "concave and convex method" of the Western region is one of the most basic techniques of the Western region style Buddha painting. Although it is based on the ancient Indian dizziness method, it is also developed on the basis of blending other different cultural factors. There is a significant difference between the effect and the so-called "Tianzhu method". Therefore, in the study of "painting in the Western region", the "Tianzhu method" should be distinguished from the "concave and convex method" of the Western region style. In this way, we can grasp the style and characteristics of Western style Buddha painting more clearly.
【作者單位】： 上海藝術(shù)研究所;
【基金】：文化部藝術(shù)科學(xué)基金項目“佛教繪畫的西域樣式研究”(2014BF03593)
【分類號】：K879.4
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本文編號：1562545