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永樂宮純陽殿壁畫中的建筑景觀研究

發(fā)布時(shí)間:2018-03-03 07:11

  本文選題:永樂宮 切入點(diǎn):純陽殿壁畫 出處:《山西大學(xué)》2011年碩士論文 論文類型:學(xué)位論文


【摘要】:如今要研究古代建筑,在沒有實(shí)物遺存的情況下,繪畫資料因其豐富的形象特征顯得尤為珍貴。永樂宮純陽殿壁畫是元代寺觀壁畫中表現(xiàn)住宅和村落景觀最多的一處,以寫實(shí)的手法再現(xiàn)了宋元時(shí)期的各式建筑景觀、生活氣息、自然景象,詳盡地展示了社會(huì)各階層人物的生活狀態(tài),從中不但可以探尋到中國古代建筑本身發(fā)展的規(guī)律,而且可以考見當(dāng)時(shí)的社會(huì)狀況、生活習(xí)俗等歷史信息。 本文以建筑景觀的視角,按照建筑等級(jí)和用途,對純陽殿壁畫中物質(zhì)層面的建筑形態(tài)進(jìn)行系統(tǒng)地整理和研究。 全文共分五個(gè)章節(jié)。第一章緒論,介紹本文的研究動(dòng)機(jī)、研究現(xiàn)狀、研究目的意義、研究方法;第二章從整體上分析了永樂宮壁畫的產(chǎn)生背景以及純陽殿壁畫中的建筑景觀;第三章對壁畫中的建筑景觀進(jìn)行分類研究,也正是本文的研究重點(diǎn);第四章壁畫中反映的室內(nèi)陳設(shè)及建筑構(gòu)造細(xì)部;第五章對純陽殿壁畫中的建筑景觀體現(xiàn)的歷史文化信息進(jìn)行深層次的挖掘;最后,總結(jié)本文研究的結(jié)論,并論述研究結(jié)論對當(dāng)代社會(huì)的啟示。
[Abstract]:Now to study ancient buildings, painting materials are particularly valuable because of their rich image features without physical remains. The frescoes of the pure Yang Temple of the Yongle Palace are the most representative of the houses and villages in the temple murals of the Yuan Dynasty. It reproduces all kinds of architectural landscape, life breath, natural scene in Song and Yuan dynasties, and shows the life state of various social strata in detail, from which we can not only explore the law of the development of ancient Chinese architecture. And can see the social situation at that time, life customs and other historical information. From the view of architectural landscape, according to the grade and use of architecture, this paper systematically arranges and studies the architectural form of the material plane in the frescoes of pure yang hall. The thesis is divided into five chapters. The first chapter introduces the motivation, the present situation, the significance of the research, the research methods, the second chapter analyzes the background of the Yongle Palace murals and the architectural landscape in the pure temple frescoes. The third chapter classifies the architectural landscape in the murals, which is the focal point of this paper: the indoor furnishings and architectural structure details reflected in the 4th chapter murals; Chapter 5th excavates the historical and cultural information of the architectural landscape in the frescoes of pure yang hall. Finally, it summarizes the conclusions of this paper, and discusses the enlightenment of the research conclusions to the contemporary society.
【學(xué)位授予單位】:山西大學(xué)
【學(xué)位級(jí)別】:碩士
【學(xué)位授予年份】:2011
【分類號(hào)】:K879.4

【引證文獻(xiàn)】

相關(guān)期刊論文 前1條

1 李楠;;畫中“風(fēng)土”與“建筑”:對永樂宮《純陽帝君神游顯化圖》的解讀[J];藝術(shù)與設(shè)計(jì)(理論);2012年12期

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本文編號(hào):1560024

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