本文關(guān)鍵詞： 安岳石窟 菩薩瓔珞 造型 紋樣 現(xiàn)代設(shè)計(jì)　出處：《包裝工程》2017年20期 　論文類(lèi)型：期刊論文

【摘要】：目的安岳石窟之古、多、精、美,是南方石窟藝術(shù)鼎盛時(shí)期的代表。瓔珞作為菩薩重要的裝身飾物,提取和運(yùn)用其造型和紋樣具有重要意義。方法在田野調(diào)查的基礎(chǔ)上,對(duì)安岳境內(nèi)菩薩瓔珞的造型及紋樣進(jìn)行系統(tǒng)的歸納整理及分析,進(jìn)一步與敦煌石窟、龍門(mén)石窟、大足石刻的菩薩瓔珞對(duì)比,最后提煉安岳石窟菩薩瓔珞的造型及紋樣并運(yùn)用到首飾設(shè)計(jì)中,以發(fā)揮傳統(tǒng)文化的余熱。結(jié)論由于地域、民俗風(fēng)情的不同,安岳石窟菩薩瓔珞在各時(shí)代不斷變化,瓔珞在不斷與中國(guó)文化相融合,并融入地方民俗文化。深入挖掘安岳石窟菩薩瓔珞的價(jià)值,運(yùn)用到設(shè)計(jì)中,使傳統(tǒng)民族藝術(shù)轉(zhuǎn)化為新的設(shè)計(jì)力量。
[Abstract]:Objective the ancient, numerous, fine and beautiful grottoes of Anyue are the representatives of the art of the southern grottoes in the heyday. As an important bodhisattva decoration, it is of great significance to extract and use the shapes and patterns of the grottoes. Methods on the basis of field investigation, The shapes and patterns of bodhisattva wreaths in Anyue are systematically summarized and analyzed, and further compared with Dunhuang grottoes, Longmen grottoes, Dazu stone carvings and bodhisattva wreaths. Finally, the shapes and patterns of the bodhisattva wreaths in Anyue grottoes are refined and applied to jewelry design in order to give full play to the afterheat of traditional culture. Conclusion because of the difference of region and folklore, the bodhisattva wreaths in Anyue grottoes are constantly changing in different times. In combination with Chinese culture and local folklore culture, she has deeply excavated the value of Bodhisattva wreath in Anyue Grottoes and applied it to the design so as to transform the traditional national art into a new design force.
【作者單位】： 重慶大學(xué);
【分類(lèi)號(hào)】：J522;K879.3

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本文編號(hào)：1538184