本文關(guān)鍵詞： 莫高窟壁畫 北朝 漢式造像 特征　出處：《南京藝術(shù)學(xué)院》2010年碩士論文　論文類型：學(xué)位論文

【摘要】： 本文著重于漢式佛教造像與漢式傳統(tǒng)造像兩方面,對莫高窟北朝壁畫中出現(xiàn)的漢式造像的特征、演變、出處等予以分析研究。為探求其造像特征的來源,納入了印度、西域、漢地其他相關(guān)佛教造像及中原漢畫中的傳統(tǒng)造像等進(jìn)行比較。得出莫高窟北朝造像在北魏晚期至西魏以及北周時期發(fā)生了兩次漢式造像風(fēng)格的轉(zhuǎn)變,其造像特征的來源呈現(xiàn)出復(fù)雜性,一是承襲漢魏古制;二是汲取受南朝文化藝術(shù)影響的中原風(fēng)格;三是深受南朝、中原及河西一帶的墓葬壁畫及畫像磚、石中造像題材、圖像的影響。同時進(jìn)一步探索了莫高窟北朝壁畫漢式造像特征的形成原因。
[Abstract]:This paper focuses on the Chinese style and Chinese traditional Buddhist statues of the two aspects, evolution of Chinese statues of Mogao Grottoes in the Northern Dynasties murals, such as the source to be analyzed. In order to explore the statues features, incorporated in India, western, Chinese and other related Buddhist statues in the traditional statues paintings of central China were compared. The Mogao Grottoes North statues had two Chinese statues in the later period of Northern Wei Dynasty to Wei and Zhou period, the source characteristics showed the complexity of statues, one is inherited from ancient Han; two is to learn by the southern culture and the artistic influence of Zhongyuan style; three is by the Southern Dynasties, the tomb murals and reliefs the Central Plains and the Hexi area, stone statues theme, the impact of the image. At the same time, to further explore the causes of the Mogao Grottoes murals of the Northern Dynasty Han style sculpture features.

【學(xué)位授予單位】：南京藝術(shù)學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2010
【分類號】：K879.41

【引證文獻(xiàn)】

相關(guān)期刊論文 前2條

1 徐玉瓊;;莫高窟北朝壁畫飛天的中原式造型特征[J];重慶科技學(xué)院學(xué)報(社會科學(xué)版);2013年06期

2 徐玉瓊;;麥積山石窟北朝壁畫佛教造像特征及其來源探析[J];赤峰學(xué)院學(xué)報(漢文哲學(xué)社會科學(xué)版);2013年03期

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本文編號：1494480