本文關(guān)鍵詞： 唐代 佛幡 敦煌壁畫 藏經(jīng)洞 圖案 工藝　出處：《敦煌研究》2014年02期 　論文類型：期刊論文

【摘要】：幡是佛教供養(yǎng)佛、菩薩的供養(yǎng)具�，F(xiàn)在所見佛幡實(shí)物多來(lái)自敦煌莫高窟藏經(jīng)洞的出土發(fā)現(xiàn)和日本寺院的傳世品,此外敦煌莫高窟壁畫和藏經(jīng)洞絹畫中描繪了佛幡的形制、顏色和功用等。依據(jù)這些具體的實(shí)物與圖像,參考文字記載,可以對(duì)唐代佛幡的來(lái)源、形制、圖案和工藝進(jìn)行探討,以認(rèn)識(shí)它在技術(shù)和藝術(shù)上的綜合特點(diǎn)。
[Abstract]:Banners are Buddhist offerings for Buddhas and bodhisattvas. Most of the banners seen now come from unearthed caves in the Mogao Grottoes of Dunhuang and from Japanese monasteries. In addition, Dunhuang Mogao Grottoes murals and silk paintings depicting the shape, color and function of the Buddha banners. According to these specific objects and images, reference to the written records, can be the source of the Tang Dynasty, shape. The pattern and craft are discussed in order to understand its comprehensive characteristics in technology and art.
【作者單位】： 清華大學(xué)美術(shù)學(xué)院染織服裝藝術(shù)設(shè)計(jì)系;中國(guó)防衛(wèi)科技學(xué)院文物系;
【分類號(hào)】：K876.9
【正文快照】： 引言幡,又作e，

本文編號(hào)：1492259