本文關(guān)鍵詞： 先秦社會 楚系漆器 禮意 兇禮　出處：《中華文化論壇》2017年11期 　論文類型：期刊論文

【摘要】：棺槨、弓矢、鎮(zhèn)墓獸、漆床、{-床與漆木俑等漆器是楚系墓葬中重要的喪葬用具,依據(jù)傳世文獻與出土漆器,文章對楚國棺槨制度以及弓矢、鎮(zhèn)墓獸等隨葬器具所蘊含的禮意進行了考究與論證。在器以藏禮的先秦社會,漆器被廣泛運用于兇禮之中,衍生出使用器具之外的另一種社會屬性,內(nèi)化了昭名分、辨等列、別尊卑、明貴賤、通神靈等豐富的禮儀內(nèi)涵。通過對兇禮中楚系漆器的爬梳與整理得出:漆器是表達禮差的物化載體,具有明顯的等差性;同時,因其本身的自然與文化屬性,漆器也成為了楚人表達社會情感與思想觀念的具象化載體。可以說,漆器藏禮現(xiàn)象是反映楚國禮樂文明的一個重要窗口。
[Abstract]:Coffin, bow, tomb beast, lacquer bed, {-bed and lacquer terracotta figures are important funeral utensils in Chu family tombs. According to the ancient documents and unearthed lacquer ware, the article gives an analysis of the coffin system and bow arrows of Chu. In the pre-Qin society, lacquer ware was widely used in the fierce ceremony, derived from the use of utensils other than another social attribute. Internalization of Zhao points, differentiation and other columns, do not be inferior, Ming noble, Tong Shen and other rich etiquette connotations. Through the fierce ritual of Chu lacquer ware crawling comb and arrangement: lacquer ware is the expression of ritual difference of the materialized carrier. It has obvious isomorphism; At the same time, because of its natural and cultural attributes, lacquer ware has also become a concrete carrier for Chu people to express their social feelings and ideas. It can be said that the phenomenon of lacquer ware hiding ritual is an important window to reflect the etiquette and music civilization of Chu.
【作者單位】： 中國人民大學國學院;
【分類號】：K876.7
【正文快照】： 在器以藏禮的先秦禮樂社會,漆器不僅作為一種日常使用器物普遍存在,同時又被強制性地賦予了禮意,內(nèi)化了等級秩序、尊卑關(guān)系及事神致福等禮儀內(nèi)涵,成為了禮“物化”與“具象化”的重要載體。徐海榮先生便認為“器中藏禮實不單單限于青銅器,于陶器、漆器或其他材料所制之器亦然，

本文編號：1465342