本文關(guān)鍵詞：山東臨沂金雀山9號西漢墓帛畫角抵場面　出處：《戲曲藝術(shù)》2016年03期 　論文類型：期刊論文

  更多相關(guān)文章： 金雀山 漢墓 角抵戲 山東臨沂 宗教祭祀 正角 在人間 孕育期 畫中

【摘要】：正墓葬和宗教祭祀場所中的壁畫也多有展現(xiàn)孕育期的戲劇形態(tài)。流行于秦漢時期的角抵戲在漢墓壁畫中就有所體現(xiàn),著名的如山東臨沂金雀山9號西漢墓帛畫。該帛畫分為天上、人間、地下三部分,角抵戲的場面在人間的第五層。畫中三個男子正角抵表演,其中左一人袖手旁立,似裁判;右兩人以面具遮面,正在搏擊。史料載,角抵戲始于民間,戰(zhàn)國時已有之,到了漢代,
[Abstract]:The frescoes in the main tombs and religious sacrificial places also have the form of drama to show the gestation period. The Jiaozhi opera popular in the Qin and Han dynasties is reflected in the murals of the Han tombs. Famous painting, such as the silk painting of the Western Han Dynasty tomb on the 9th of Jinqishan, Linyi, Shandong Province. The silk painting is divided into three parts: heaven, earth, and underground. The scene of the scene of the drama is on the 5th floor of the earth. In the painting, three men show the right angle. One of the left sleeve hands stand next to the referee; The two men on the right covered their faces with masks and were fighting. Historical records show that the drama began among the people and was already there in the warring States period, and by the Han Dynasty,
【分類號】：K879.4
【正文快照】： 墓葬和宗教祭祀場所中的壁畫也多有展現(xiàn)孕育期的戲劇形態(tài)。流行于秦漢時期的角抵戲在漢墓壁畫中就有所體現(xiàn),著名的如山東臨沂金雀山9號西漢墓帛畫。該帛畫分為天上、人間、地下三部分,角抵戲的場面在人間的第五層。畫中三個男子正角抵表演,其中左一人袖手旁立,似裁判;右兩人以，

本文編號：1381442