本文選題：世紀三四十年代 + 中國共產(chǎn)黨　； 參考：《廣西社會科學》2017年06期

【摘要】：目前學術(shù)界關于20世紀三四十年代文藝"民族形式"論爭的研究,大都集中在文藝學研究領域。文藝"民族形式"論爭不僅是20世紀三四十年代文學領域一次較大規(guī)模、專業(yè)性的論爭,而且是中國共產(chǎn)黨全面構(gòu)建新民主主義文化的一次實踐活動。中國共產(chǎn)黨一直以來具有高度的文化自覺意識,在20世紀三四十年代成功引領了文藝"民族形式"論爭,具體表現(xiàn)在:首次明確提出了"民族形式"新命題,全面組織和領導了文藝"民族形式"論爭,科學總結(jié)了文藝"民族形式"論爭的思想。
[Abstract]:At present, the academic circles about the debate on the "national form" of literature and art in 30s and 40s twentieth Century are mostly concentrated in the field of literature and art. The debate on "national form" is not only a large scale and professional controversy in the field of literature in 30s and 40s twentieth Century, but also a practice of the Communist Party of China to build a new democratic culture in an all-round way. The Communist Party of China has been highly conscious of cultural consciousness. In 30s and 40s twentieth Century, the Chinese Communist Party successfully led the debate on the "national form" of literature and art. It was concretely manifested in the first clear proposition of "national form", organized and led the debate on "national form" of literature and art, and scientifically summed up the thought of the debate on the "national form" of literature and art.
【作者單位】： 陜西師范大學馬克思主義學院;隴東學院馬克思主義學院;
【基金】：國家社會科學基金項目(13BKS017)
【分類號】：D231

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本文編號：1922075