《文藝陣地》的編輯立場(chǎng)和辦刊特色
發(fā)布時(shí)間：2019-04-23 15:01
【摘要】： 《文藝陣地》是抗戰(zhàn)時(shí)期出版時(shí)間最長(zhǎng)、規(guī)模最大的文學(xué)刊物之一,真實(shí)生動(dòng)地體現(xiàn)了戰(zhàn)時(shí)文學(xué)的原生態(tài)圖景。本文旨在從刊物本身的縱向研究和與同時(shí)期其他刊物的橫向比較中,確認(rèn)《文藝陣地》獨(dú)特的歷史價(jià)值和地位。 在大量閱讀作品的基礎(chǔ)上,本文認(rèn)為《文藝陣地》是一份具有批判精神、客觀求實(shí)精神和人道主義精神的刊物,它在全國(guó)抗日統(tǒng)一戰(zhàn)線的前提下,堅(jiān)持了知識(shí)分子的編輯立場(chǎng)。首先,該刊因《華威先生》而一炮打響,并引發(fā)了關(guān)于“暴露與諷刺”的論爭(zhēng),從而有效抵制了抗戰(zhàn)八股等不良創(chuàng)作傾向,為抗戰(zhàn)文學(xué)注入了新鮮的血液。它的批判鋒芒不僅指向國(guó)民黨內(nèi)的貪官污吏和腐朽統(tǒng)治,也批判了共產(chǎn)黨的工作失誤,同時(shí)更注重對(duì)各階層國(guó)民弱點(diǎn)的反思。第二,有人認(rèn)為《文藝陣地》是一份“左”的、“紅色”的刊物,但是在對(duì)待國(guó)民黨抗日功績(jī)的問(wèn)題上,它依然堅(jiān)持了客觀公正的態(tài)度,對(duì)于國(guó)民黨將士英勇殺敵的事跡、戰(zhàn)場(chǎng)上慘烈悲壯的沖殺、國(guó)軍的良好軍紀(jì)和氣勢(shì)、抗戰(zhàn)宣傳活動(dòng)等都有一定的表現(xiàn)。第三,《文陣》堅(jiān)持了人道主義精神,它的矛頭直指日本軍閥,對(duì)于普通日本民眾和日軍戰(zhàn)士則始終懷有一份同情和寬容。 《文藝陣地》的編輯立場(chǎng)在一定程度上決定了它的辦刊特色。該刊是在主編茅盾和總經(jīng)銷生活書(shū)店的愛(ài)國(guó)熱情下創(chuàng)辦起來(lái)的,它一方面不得不考慮商業(yè)盈利,同時(shí)更注重對(duì)抗戰(zhàn)建設(shè)的社會(huì)擔(dān)當(dāng)。它既要堅(jiān)持抗日救亡的主旋律,又要在與《抗戰(zhàn)文藝》、《七月》等大刊“共分天下”的過(guò)程中保有獨(dú)特的個(gè)性。因此在下編中,本文通過(guò)對(duì)欄目編排體例的分析和具體文本的解讀探討《文陣》四個(gè)方面的編輯特色。一是創(chuàng)建豐富嚴(yán)整的欄目編排體系,該刊在欄目和版面的設(shè)置和設(shè)計(jì)上非常嚴(yán)整,在整體風(fēng)貌上比其他刊物穩(wěn)定規(guī)矩;二是以“論爭(zhēng)”引導(dǎo)文學(xué)發(fā)展方向,搭建抗戰(zhàn)文藝?yán)碚摻涣饔懻摰钠脚_(tái)是茅盾辦刊的初衷,也是該刊一以貫之的主題;三是選取作品但求“一技之長(zhǎng)”,《文陣》對(duì)作品特色的定位與胡風(fēng)編輯《七月》不同,它沒(méi)有固定的衡量標(biāo)準(zhǔn),更具有開(kāi)放性和包容性;四是反映世界反法西斯斗爭(zhēng),《文陣》不僅像其他刊物那樣通過(guò)通訊、論文等體裁積極報(bào)道國(guó)際戰(zhàn)爭(zhēng)形勢(shì),更刊載了兩組別具特色的報(bào)告文學(xué)作品,真實(shí)地報(bào)道了西歐和日本兩大法西斯陣營(yíng)的社會(huì)狀況。 《文藝陣地》的編輯立場(chǎng)和辦刊特色使它成為抗戰(zhàn)時(shí)期影響最大的刊物之一,在抗戰(zhàn)文學(xué)史乃至現(xiàn)代文學(xué)史上具有舉足輕重的地位。
[Abstract]:Literary position is one of the longest and largest literary publications published during the Anti-Japanese War, which truly and vividly embodies the original ecological picture of wartime literature. The purpose of this paper is to confirm the unique historical value and position of "literary and artistic position" from the longitudinal study of the journal itself and the horizontal comparison with other publications in the same period. On the basis of reading a large number of works, this paper holds that "the position of literature and art" is a publication with critical spirit, objective spirit of seeking truth and humanitarianism. It adheres to the editorial position of intellectuals on the premise of the national anti-Japanese United front. First of all, because of "Mr. Warwick," the journal launched, and caused a debate about "exposure and satire", thus effectively resist the eight elements of the war and other bad creative tendencies, and injected fresh blood into the anti-Japanese literature. Its criticism not only points to corrupt officials and decadent rule in the Kuomintang, but also criticizes the mistakes of the Communist Party, and pays more attention to the reflection on the weakness of all classes of people. Second, some people think that the "literary and artistic position" is a "left", "red" publication, but on the issue of the Kuomintang's achievements in resisting Japan, it still adheres to an objective and just attitude towards the heroic killing of the enemy by the KMT generals and soldiers. On the battlefield, tragic and tragic, the good military discipline and momentum of the national army, anti-Japanese propaganda activities and so on have certain performance. Third, the WPA adheres to the spirit of humanitarianism, pointing directly at the Japanese warlords and always harbouring sympathy and tolerance for the ordinary Japanese people and soldiers of the Japanese army. To a certain extent, the editorial position of the position of Literature and Art determines its characteristics of running a journal. Founded under the patriotic enthusiasm of Mao Dun, the editor-in-chief, and the general distributor of the bookstore, it had to consider commercial profits and pay more attention to the social responsibility for the construction of the Anti-Japanese War. It should not only adhere to the theme of resisting Japan and save the dead, but also maintain its unique individuality in the process of sharing the world with the major publications, such as the Anti-Japanese Literature and Art, the July and so on. Therefore, through the analysis of the column arrangement style and the interpretation of the concrete text, this paper discusses the editing characteristics of the four aspects of the text. One is to create a rich and rigorous column arrangement system, the magazine in the column and layout of the setup and design is very strict, in the overall style than other publications stable rules; Second, it is the original intention of Mao Dun to run the journal, which is also the theme of Mao Dun, to guide the development of literature with "controversy" and to set up a platform for the exchange and discussion of literature and art theory of the Anti-Japanese War. Third, the selection of works can seek "one skill", the positioning of the features of the works is different from that of Hu Feng's editor July, it has no fixed standard of measurement, it is more open and inclusive; Fourth, reflecting the world's anti-fascist struggle, the Literary Matrix not only reports actively on the international war situation through newsletters, papers and other genres like other publications, but also publishes two groups of unique reportage works. A true report on the social situation of the two fascist camps in Western Europe and Japan. The editorial position and characteristics of literature and art make it one of the most influential journals in the period of Anti-Japanese War, which plays an important role in the literature history of Anti-Japanese War and even in the history of modern literature.
【學(xué)位授予單位】：河北大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2010
【分類號(hào)】：G239.29
本文編號(hào)：2463572
[Abstract]:Literary position is one of the longest and largest literary publications published during the Anti-Japanese War, which truly and vividly embodies the original ecological picture of wartime literature. The purpose of this paper is to confirm the unique historical value and position of "literary and artistic position" from the longitudinal study of the journal itself and the horizontal comparison with other publications in the same period. On the basis of reading a large number of works, this paper holds that "the position of literature and art" is a publication with critical spirit, objective spirit of seeking truth and humanitarianism. It adheres to the editorial position of intellectuals on the premise of the national anti-Japanese United front. First of all, because of "Mr. Warwick," the journal launched, and caused a debate about "exposure and satire", thus effectively resist the eight elements of the war and other bad creative tendencies, and injected fresh blood into the anti-Japanese literature. Its criticism not only points to corrupt officials and decadent rule in the Kuomintang, but also criticizes the mistakes of the Communist Party, and pays more attention to the reflection on the weakness of all classes of people. Second, some people think that the "literary and artistic position" is a "left", "red" publication, but on the issue of the Kuomintang's achievements in resisting Japan, it still adheres to an objective and just attitude towards the heroic killing of the enemy by the KMT generals and soldiers. On the battlefield, tragic and tragic, the good military discipline and momentum of the national army, anti-Japanese propaganda activities and so on have certain performance. Third, the WPA adheres to the spirit of humanitarianism, pointing directly at the Japanese warlords and always harbouring sympathy and tolerance for the ordinary Japanese people and soldiers of the Japanese army. To a certain extent, the editorial position of the position of Literature and Art determines its characteristics of running a journal. Founded under the patriotic enthusiasm of Mao Dun, the editor-in-chief, and the general distributor of the bookstore, it had to consider commercial profits and pay more attention to the social responsibility for the construction of the Anti-Japanese War. It should not only adhere to the theme of resisting Japan and save the dead, but also maintain its unique individuality in the process of sharing the world with the major publications, such as the Anti-Japanese Literature and Art, the July and so on. Therefore, through the analysis of the column arrangement style and the interpretation of the concrete text, this paper discusses the editing characteristics of the four aspects of the text. One is to create a rich and rigorous column arrangement system, the magazine in the column and layout of the setup and design is very strict, in the overall style than other publications stable rules; Second, it is the original intention of Mao Dun to run the journal, which is also the theme of Mao Dun, to guide the development of literature with "controversy" and to set up a platform for the exchange and discussion of literature and art theory of the Anti-Japanese War. Third, the selection of works can seek "one skill", the positioning of the features of the works is different from that of Hu Feng's editor July, it has no fixed standard of measurement, it is more open and inclusive; Fourth, reflecting the world's anti-fascist struggle, the Literary Matrix not only reports actively on the international war situation through newsletters, papers and other genres like other publications, but also publishes two groups of unique reportage works. A true report on the social situation of the two fascist camps in Western Europe and Japan. The editorial position and characteristics of literature and art make it one of the most influential journals in the period of Anti-Japanese War, which plays an important role in the literature history of Anti-Japanese War and even in the history of modern literature.
【學(xué)位授予單位】：河北大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2010
【分類號(hào)】：G239.29
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，本文編號(hào)：2463572
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