【摘要】：作為世界上發(fā)行量最大的新聞周刊雜志，美國的《時代》周刊不僅在本土擁有約20萬的忠實讀者，而且在全球范圍內還有大約25萬的海外讀者。在眾多的媒體文化形式中，《時代》周刊作為一種典型的文化文本能夠充分而有效地揭示美國文化的特殊意義和它背后所代表的文化內涵。 本論文主要是對從1996年到2008年之間在美國《時代》周刊封面上出現(xiàn)的華人形象的內部研究分析。為了更好地從比較文學形象學的角度分析那些華人封面形象，根據(jù)封面人物形象的不同文化身份特征，作者特地從文化學的角度出發(fā)將華人的封面形象分為了三種主要類型。第一種是受到種族歧視的“中國佬”封面形象。第二種是神秘化的“中國女人”封面形象。第三種則是抵抗的中國的新青年的封面形象。通過對這三種華人封面形象類型的文本分析，發(fā)現(xiàn)大部分的封面華人形象都被套話在了他者的形象上面。為了找到造成這些現(xiàn)象的原因，本文通過研究主體,及主體和他者的互動，總體分析了美國《時代》周刊作為權力機構在西方意識形態(tài)及其社會集體想象物的影響下是如何去操控和宣傳這些從1996年到2008年之間的華人封面形象。 本文揭示了在《時代》的雜志封面里，華人的封面形象不過是《時代》作為權力話語虛構出來的而已，而絕非真實的華人形象。通過對他者的大量宣傳，《時代》周刊封面上的華人形象成為西方權力和權威所創(chuàng)造下的一種虛幻的東方形象，并被《時代》所代表的霸權話語進行了套話化和合法化。另外，在國內外的學術研究中，從視覺文化尤其是從比較文學形象學的角度對《時代》周刊封面人物進行的文化研究依然是個空白。因此，本論文的研究不僅填補了這一個空白，同時也豐富了對文化文本的研究內容。由于這篇論文是從比較文學形象學的角度對當下中國人形象在美國文化背景下的一種具體文化研究實踐，因此提供了一個新的角度去思考中國文化研究與當代媒體學和當代美國學之間的文化碰撞問題。
[Abstract]:As the world's most widely circulated Newsweek magazine, time magazine not only has about 200000 loyal readers at home, but also has about 250000 overseas readers in the world. Among the many media cultural forms, time Weekly, as a typical cultural text, can fully and effectively reveal the special significance of American culture and the cultural connotation that it represents behind it. This thesis mainly analyzes the image of Chinese on the cover of time magazine from 1996 to 2008. In order to better analyze the Chinese cover images from the perspective of comparative literature, according to the different cultural identity characteristics of the cover characters, the author divides the Chinese cover images into three main types from the perspective of culturology. The first is the racist cover image of the Chinaman. The second is the mysterious cover image of Chinese woman. The third is the cover image of China's new youth. Through the text analysis of the three types of Chinese cover image, it is found that most of the cover Chinese images are stereotyped on the other image. In order to find out the causes of these phenomena, this paper studies the subject, and the interaction between the subject and the other. This paper analyzes how time magazine, as a power agency, under the influence of western ideology and social collective imagination, manipulates and propagandizes these Chinese cover images from 1996 to 2008. This paper reveals that in the magazine cover of time, the cover image of the Chinese is only fictional as a discourse of power, but by no means a real image of the Chinese. Through a great deal of propaganda of the other, the Chinese image on the cover of time Weekly becomes an illusory oriental image created by western power and authority, and has been stereotyped and legalized by the hegemonic discourse represented by time. In addition, in the academic research at home and abroad, the cultural research on the cover characters of time magazine from the perspective of visual culture, especially from the perspective of comparative literature image, is still a blank. Therefore, the research of this thesis not only fills up this gap, but also enriches the research content of cultural texts. Because this paper is a specific cultural research practice of Chinese image in the American cultural background from the perspective of comparative literature imageology. Therefore, it provides a new perspective on the cultural collision between Chinese cultural studies and contemporary media and contemporary American studies.
【學位授予單位】：四川外語學院
【學位級別】：碩士
【學位授予年份】：2012
【分類號】：G239.712

【參考文獻】

相關碩士學位論文 前1條

1 Jo Egil Tobiassen（大魚）;國際媒體對中國報道的差異[D];復旦大學;2008年

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本文編號：2373679