【摘要】：作為世界上發(fā)行量最大的新聞周刊雜志，美國(guó)的《時(shí)代》周刊不僅在本土擁有約20萬(wàn)的忠實(shí)讀者，而且在全球范圍內(nèi)還有大約25萬(wàn)的海外讀者。在眾多的媒體文化形式中，《時(shí)代》周刊作為一種典型的文化文本能夠充分而有效地揭示美國(guó)文化的特殊意義和它背后所代表的文化內(nèi)涵。 本論文主要是對(duì)從1996年到2008年之間在美國(guó)《時(shí)代》周刊封面上出現(xiàn)的華人形象的內(nèi)部研究分析。為了更好地從比較文學(xué)形象學(xué)的角度分析那些華人封面形象，根據(jù)封面人物形象的不同文化身份特征，作者特地從文化學(xué)的角度出發(fā)將華人的封面形象分為了三種主要類(lèi)型。第一種是受到種族歧視的“中國(guó)佬”封面形象。第二種是神秘化的“中國(guó)女人”封面形象。第三種則是抵抗的中國(guó)的新青年的封面形象。通過(guò)對(duì)這三種華人封面形象類(lèi)型的文本分析，發(fā)現(xiàn)大部分的封面華人形象都被套話在了他者的形象上面。為了找到造成這些現(xiàn)象的原因，本文通過(guò)研究主體,及主體和他者的互動(dòng)，總體分析了美國(guó)《時(shí)代》周刊作為權(quán)力機(jī)構(gòu)在西方意識(shí)形態(tài)及其社會(huì)集體想象物的影響下是如何去操控和宣傳這些從1996年到2008年之間的華人封面形象。 本文揭示了在《時(shí)代》的雜志封面里，華人的封面形象不過(guò)是《時(shí)代》作為權(quán)力話語(yǔ)虛構(gòu)出來(lái)的而已，而絕非真實(shí)的華人形象。通過(guò)對(duì)他者的大量宣傳，《時(shí)代》周刊封面上的華人形象成為西方權(quán)力和權(quán)威所創(chuàng)造下的一種虛幻的東方形象，并被《時(shí)代》所代表的霸權(quán)話語(yǔ)進(jìn)行了套話化和合法化。另外，在國(guó)內(nèi)外的學(xué)術(shù)研究中，從視覺(jué)文化尤其是從比較文學(xué)形象學(xué)的角度對(duì)《時(shí)代》周刊封面人物進(jìn)行的文化研究依然是個(gè)空白。因此，本論文的研究不僅填補(bǔ)了這一個(gè)空白，同時(shí)也豐富了對(duì)文化文本的研究?jī)?nèi)容。由于這篇論文是從比較文學(xué)形象學(xué)的角度對(duì)當(dāng)下中國(guó)人形象在美國(guó)文化背景下的一種具體文化研究實(shí)踐，因此提供了一個(gè)新的角度去思考中國(guó)文化研究與當(dāng)代媒體學(xué)和當(dāng)代美國(guó)學(xué)之間的文化碰撞問(wèn)題。
[Abstract]:As the world's most widely circulated Newsweek magazine, time magazine not only has about 200000 loyal readers at home, but also has about 250000 overseas readers in the world. Among the many media cultural forms, time Weekly, as a typical cultural text, can fully and effectively reveal the special significance of American culture and the cultural connotation that it represents behind it. This thesis mainly analyzes the image of Chinese on the cover of time magazine from 1996 to 2008. In order to better analyze the Chinese cover images from the perspective of comparative literature, according to the different cultural identity characteristics of the cover characters, the author divides the Chinese cover images into three main types from the perspective of culturology. The first is the racist cover image of the Chinaman. The second is the mysterious cover image of Chinese woman. The third is the cover image of China's new youth. Through the text analysis of the three types of Chinese cover image, it is found that most of the cover Chinese images are stereotyped on the other image. In order to find out the causes of these phenomena, this paper studies the subject, and the interaction between the subject and the other. This paper analyzes how time magazine, as a power agency, under the influence of western ideology and social collective imagination, manipulates and propagandizes these Chinese cover images from 1996 to 2008. This paper reveals that in the magazine cover of time, the cover image of the Chinese is only fictional as a discourse of power, but by no means a real image of the Chinese. Through a great deal of propaganda of the other, the Chinese image on the cover of time Weekly becomes an illusory oriental image created by western power and authority, and has been stereotyped and legalized by the hegemonic discourse represented by time. In addition, in the academic research at home and abroad, the cultural research on the cover characters of time magazine from the perspective of visual culture, especially from the perspective of comparative literature image, is still a blank. Therefore, the research of this thesis not only fills up this gap, but also enriches the research content of cultural texts. Because this paper is a specific cultural research practice of Chinese image in the American cultural background from the perspective of comparative literature imageology. Therefore, it provides a new perspective on the cultural collision between Chinese cultural studies and contemporary media and contemporary American studies.
【學(xué)位授予單位】：四川外語(yǔ)學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2012
【分類(lèi)號(hào)】：G239.712

【參考文獻(xiàn)】

相關(guān)碩士學(xué)位論文 前1條

1 Jo Egil Tobiassen（大魚(yú)）;國(guó)際媒體對(duì)中國(guó)報(bào)道的差異[D];復(fù)旦大學(xué);2008年

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本文編號(hào)：2373679