本文選題：影視同期書 + 媒介融合�。� 參考：《湖南師范大學》2012年碩士論文

【摘要】：影視同期書自20世紀90年代出現(xiàn)以來,大多和影視作品的內(nèi)容以及語言相關(guān),并配上影視劇的精美劇照,伴隨著影視劇的熱播而成為暢銷書,堪稱一種重要的出版現(xiàn)象。影視同期書是文學和影視相互交融的產(chǎn)物,影視和圖書這兩種不同的媒介帶有各自不同的屬性,但作為傳播介質(zhì),又有其結(jié)合的必然性和可行性,在文學和影視相互交融的過程中,文字媒介和視聽媒介之間也相互補充；同時文學和影視針對共同面對的現(xiàn)實進行了探討,并作出了相應(yīng)的文化闡釋,文學和影視之間的相互交融,使得影視劇和小說之間的差異變小,也從一定程度上沖擊了文學的自主性。本文主要從反思作為出版熱的影視同期書現(xiàn)象著手,聯(lián)系當前特定的經(jīng)濟、文化環(huán)境,對影視同期書的產(chǎn)生、發(fā)展及其對文學藝術(shù)所發(fā)生的影響進行研究。此外,還通過探究文學和影視之間的相互交融和背離,探討了當代小說在影視時代可持續(xù)發(fā)展的途徑。影視同期書作為一種廣受矚目的出版現(xiàn)象,盡管褒貶不一但隨著市場運作模式的成熟和讀者面的拓展,影視同期書將是圖書出版策劃的一個新視角。 全文分為5個部分。第一部分交代了研究動機、研究目的和意義。第二部分對影視同期書的內(nèi)涵以及特征作了概述,并分析影視同期書的興起和發(fā)展,主要從媒介融合、消費文化、受眾需求與影視同期書之間的關(guān)系作探究,從而發(fā)現(xiàn)影視同期書存在的原因。第三部分分析了影視同期書的成功經(jīng)驗,從不同的案例中探究影視和圖書的互動過程,獲得影視同期書暢銷的出版啟示。第四部分客觀分析了影視同期書在其發(fā)展過程中存在的困境,對其跟風出版以及對文學生態(tài)的破壞等問題提出了一些反思。第五部分對影視同期書的未來發(fā)展進行了展望,并提出了一些建議。
[Abstract]:Since the appearance of the movie and TV books in the 1990s, most of them are related to the content and language of the film and television works, and accompanied by the fine still photos of the film and TV dramas, along with the popularity of the film and television plays, they have become the best selling books, which can be regarded as an important publishing phenomenon. Film and TV books are the products of literature and film and television. The two different media have different attributes, but as communication media, they have the inevitability and feasibility of combining them. In the process of the blending of literature and film, the text media and the audio-visual media complement each other. At the same time, the literature and the film and television have carried on the discussion to the reality which faces together, and has made the corresponding cultural explanation. The blending of literature and film makes the difference between film and TV drama and novel smaller and to some extent impinges on the autonomy of literature. This paper mainly starts with the phenomenon of rethinking the film and television simultaneous books which is the hot issue of publication, and studies the emergence, development and influence on literature and art of the film and television simultaneous books in the light of the specific economic and cultural environment at present. In addition, this paper probes into the ways of the sustainable development of contemporary novels in the film and television era by exploring the mutual blending and deviation between literature and film. As a widely noticed publication phenomenon, film and television simultaneous books will be a new visual angle of book publishing planning with the maturity of market operation mode and the expansion of readers. The full text is divided into five parts. The first part explains the motivation, purpose and significance of the research. The second part summarizes the connotation and characteristics of the book, and analyzes the rise and development of the book, mainly from the media integration, consumer culture, audience demand and the relationship between the film and television books. In order to find out the reasons for the existence of film and television books. The third part analyzes the successful experience of the film and television books, explores the interactive process between the film and the books from different cases, and gets the inspiration of the publication of the film and television books. In the fourth part, the author analyzes the predicament of the film and television books in the process of its development, and puts forward some reflections on the problems such as the publication of the film and television books and the destruction of the literary ecology. The fifth part looks forward to the future development of the film and television book, and puts forward some suggestions.
【學位授予單位】：湖南師范大學
【學位級別】：碩士
【學位授予年份】：2012
【分類號】：G232.2

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