本文選題：工匠精神 + 編輯�。� 參考：《出版發(fā)行研究》2017年04期

【摘要】：本文立足于語(yǔ)言與歷史的雙重演化邏輯,系統(tǒng)考察了"工匠""匠人"精神以及編輯"匠心"的失落與復(fù)歸,旨在為這些引起廣泛關(guān)注的議題發(fā)掘深層次的理論根基。在詞源學(xué)/語(yǔ)義學(xué)層次上,"工匠"和"編輯"都起源于社會(huì)底層的手工技藝性活動(dòng),其行業(yè)精神和"匠心"天然具足,只是隨著社會(huì)歷史的進(jìn)展其本真內(nèi)涵被逐漸淡化、遮蔽,乃至于淪為次要甚或貶義義項(xiàng),直到德里達(dá)的"語(yǔ)言學(xué)革命"才為其"正名";在歷史層面上,工匠和編輯活動(dòng)作為手工業(yè)時(shí)代的重要代表,伴隨著福特主義和商品經(jīng)濟(jì)的到來(lái)迅速衰落,又伴隨著后福特主義的盛行而重新回歸,而且后者與理論界所謂的后現(xiàn)代主義、消費(fèi)社會(huì)和"審美資本主義"的來(lái)臨同步演進(jìn)。
[Abstract]:Based on the dual evolutionary logic of language and history, this paper systematically examines the spirit of "craftsman" and the loss and reversion of "craftsman" as well as the "heart of craftsman", in order to explore the deep theoretical foundation for these issues which have aroused widespread concern. At the level of etymology / semantics, both "artisans" and "editors" originated from the craftsmanship activities at the bottom of the society. The spirit of the trade and the heart of the craftsmen are naturally sufficient, but with the development of social history, their true connotations are gradually desalinated and obscured. It was not until Derrida's "linguistic revolution" that he became a minor or even derogatory term; at the historical level, artisans and editors were an important representative of the handicraft age, Along with the arrival and rapid decline of Ford doctrine and commodity economy, and with the prevalence of post-Ford doctrine, the latter has evolved synchronously with the so-called post-modernism, consumer society and "aesthetic capitalism" in the theoretical circle.
【作者單位】： 重慶大學(xué)新聞學(xué)院;
【分類號(hào)】：G230

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【共引文獻(xiàn)】

中國(guó)期刊全文數(shù)據(jù)庫(kù) 前1條

1 李金正;;論編輯“工匠精神”的失落與復(fù)歸[J];出版發(fā)行研究;2017年04期

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本文編號(hào)：1881870