本文選題：交互敘事 + 數(shù)字敘事��； 參考：《出版科學》2017年04期

【摘要】：交互敘事是利用數(shù)字媒介交互性特性展開的敘事方式。用戶不但接受作者創(chuàng)作的敘事文本,還可以對文本作出反饋,形成新的敘事內(nèi)容。與傳統(tǒng)媒介敘事的單向交流不同,用戶的參與改變了文本意義的流動路線,因此交互作品具有雙向交流結(jié)構(gòu)。西摩·查特曼在傳統(tǒng)敘事"作者""作品""受眾"三要素基礎上細化單向敘事交流結(jié)構(gòu),指出:在真正作者和真正讀者之間,還有一個詳細的"敘事過程",由隱含作者、敘事者、敘事接受者和隱含讀者構(gòu)成,真正作者對意義闡釋起主導作用。尤迪本-阿里在此基礎上提出雙向交流結(jié)構(gòu),明確指出數(shù)字媒介中受眾身份的變化:除了接受敘事創(chuàng)作者的意圖,還作出反應,參與意義構(gòu)建,改變敘事系統(tǒng),所以將交互敘事交流結(jié)構(gòu)分為初始交互階段和返回交互階段,同時厘析敘事者和敘事接受者在敘事中受到的限制條件。交互敘事具有多線性、超文本和動態(tài)變化的特征,敘述者和敘事過程復雜。雙向交流結(jié)構(gòu)作為分析交互作品的一種代表性理論模型,清晰地闡釋了交流過程存在的各個角色和環(huán)節(jié),描繪完整的交互敘事過程,剖析角色受到限制的條件,為分析具體的數(shù)字交互作品提供了可行的理論框架指導,有助于交互敘事理論的進一步發(fā)展。
[Abstract]:Interactive narration is a kind of narration which is based on the interactive character of digital media. Users not only accept the narrative text created by the author, but also give feedback to the text to form new narrative content. Different from the one-way communication of traditional media narration, the participation of users changes the flow path of text meaning, so the interactive works have two-way communication structure. Seymour Chatman, on the basis of the three elements of the traditional narrative "author" and "audience", points out that there is also a detailed "narrative process" between the real author and the real reader, which consists of the implied author and the narrator. The real author plays a leading role in the interpretation of meaning. On this basis, Udibon Ali puts forward a two-way communication structure, which clearly points out the change of audience identity in digital media: in addition to accepting the intention of the narrative creator, he also responds, participates in the construction of meaning, and changes the narrative system. Therefore, the interactive narrative communication structure is divided into the initial interactive stage and the return interactive stage. At the same time, the limitations of narrator and narrator in the narrative are analyzed. Interactive narration has the characteristics of multi-linearity, hypertext and dynamic change, and the narrator and narrative process are complicated. As a representative theoretical model for analyzing interactive works, the two-way communication structure clearly explains the roles and links in the process of communication, depicts the complete interactive narrative process, and analyzes the conditions under which the roles are restricted. It provides a feasible theoretical framework for the analysis of specific digital interactive works and contributes to the further development of interactive narrative theory.
【作者單位】： 武漢大學信息管理學院;
【分類號】：G230

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相關期刊論文 前1條

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相關期刊論文 前1條

1 蘇曉珍;;數(shù)字敘事交流結(jié)構(gòu)淺析[J];出版科學;2017年04期

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