本文選題：現(xiàn)代報(bào)刊 + 歌謠運(yùn)動(dòng)��； 參考：《南京師范大學(xué)》2013年博士論文

【摘要】：1918年2月,北京大學(xué)開展了民間歌謠的征集活動(dòng),“歌謠運(yùn)動(dòng)”自此開始并持續(xù)了20余年。本文以“歌謠運(yùn)動(dòng)”的主要傳播媒介——現(xiàn)代報(bào)刊為切入點(diǎn)和線索展開。 首先,本文梳理了《北京大學(xué)日刊》、《晨報(bào)》副刊、《歌謠》周刊、《民俗》、《中央日?qǐng)?bào)》增刊《民風(fēng)》等報(bào)刊在“歌謠運(yùn)動(dòng)”過程中的主要傳播活動(dòng),按照時(shí)間順序和參與相關(guān)傳播活動(dòng)的媒介的變遷,將“歌謠運(yùn)動(dòng)”的20余年時(shí)間分為三個(gè)階段——第一階段：起步與發(fā)展階段(19181925)、第二階段：低谷與轉(zhuǎn)折階段(19281930)和第三階段：復(fù)蘇與衰落階段(19361937.7)。“歌謠運(yùn)動(dòng)”在與報(bào)刊的離合中起起伏伏。報(bào)刊發(fā)揮了重要的作用,是其最主要的傳播媒介。 第二,本文分析了“歌謠運(yùn)動(dòng)”中報(bào)刊刊登的相關(guān)內(nèi)容,進(jìn)行傳播內(nèi)容的考察。當(dāng)時(shí)的報(bào)刊主要刊登了傳統(tǒng)的民間歌謠、知識(shí)分子仿擬創(chuàng)作的歌謠,以及大量與民間歌謠相關(guān)的學(xué)術(shù)研究文章。報(bào)刊展示出的民間歌謠內(nèi)容和類型相當(dāng)豐富,地域覆蓋廣泛,也反映出知識(shí)分子的選擇標(biāo)準(zhǔn)不避粗俗。同時(shí),在關(guān)于民間歌謠的研究成果中,還反映出來自中外的不同研究方法的靈活運(yùn)用。第三,本文對(duì)“歌謠運(yùn)動(dòng)”傳播活動(dòng)中的三種角色：普通民眾、知識(shí)分子和政府進(jìn)行了分析和研究。普通民眾是傳統(tǒng)歌謠的傳播主體,在“歌謠運(yùn)動(dòng)”中則從傳播主體的地位上隱退。知識(shí)分子成為“歌謠運(yùn)動(dòng)”的傳播主體,發(fā)起并參與了“歌謠運(yùn)動(dòng)”,有意識(shí)地選擇了報(bào)刊作為“歌謠運(yùn)動(dòng)”的主要傳播媒介。報(bào)刊則記錄了知識(shí)分子對(duì)于民間歌謠、“歌謠運(yùn)動(dòng)”不同觀點(diǎn)的碰撞。政府權(quán)力在“歌謠運(yùn)動(dòng)”的傳播過程中顯示了強(qiáng)大的影響力。國(guó)民政府在不同階段的支持與阻礙在很大程度上影響了“歌謠運(yùn)動(dòng)”的傳播效果。 最后,本文對(duì)報(bào)刊支持下的這場(chǎng)文化運(yùn)動(dòng)進(jìn)行了反思。通過對(duì)“歌謠運(yùn)動(dòng)”的研究可以發(fā)現(xiàn)倡導(dǎo)新文化運(yùn)動(dòng)的知識(shí)分子反封破舊之外關(guān)注傳統(tǒng)的一面,從而使其形象更加立體多面,更符合歷史真實(shí)。從“歌謠運(yùn)動(dòng)”中的音樂缺失出發(fā),本文思考文化傳承中的遺憾,以及彌補(bǔ)這種遺憾的方法和途徑。特別地,本文關(guān)注政府權(quán)力在文化傳播方面的正負(fù)能量,并思考如何科學(xué)運(yùn)用政府權(quán)力傳遞正能量的問題,期望對(duì)今天的非物質(zhì)文化遺產(chǎn)保護(hù)工作提供幫助。
[Abstract]:In February 1918, Peking University launched a collection of folk ballads, and the ballad movement began and lasted for more than 20 years. This paper focuses on modern newspapers and periodicals, which are the main media of ballad movement. First of all, this paper combs the main spreading activities of the Journal of Peking University, the Supplement of the Morning Post, the Weekly, Folk Custom, the Supplement of Central Daily and the Folk style in the process of "ballad movement". Changes in chronological order and in the media involved in relevant communication activities, The period of "ballad movement" is divided into three stages: the first stage: starting and developing stage 1918 1925, the second stage: low and turning stage 1928 1930) and the third stage: recovery and decline stage 1936 1937.7. The ballad movement ups and downs in its separation from the press. Newspapers and periodicals play an important role and are the most important media. Secondly, this paper analyzes the related contents of the ballad movement and carries on the investigation of the dissemination content. At that time, newspapers and periodicals mainly published traditional folk ballads, imitated songs by intellectuals, and a large number of academic research articles related to folk ballads. The contents and types of folk ballads displayed in the newspapers and periodicals are quite rich, and their geographical coverage is extensive, which also reflects that the selection criteria of intellectuals do not avoid vulgarity. At the same time, the research results of folk ballad reflect the flexible application of different research methods from home and abroad. Thirdly, this paper analyzes and studies the three roles of the ballad movement: ordinary people, intellectuals and the government. Ordinary people are the main body of the dissemination of traditional ballads, and retreat from the status of the main body in the ballad movement. Intellectuals became the main body of "ballad movement", initiated and participated in "ballad movement", and consciously chose newspapers and periodicals as the main media of "ballad movement". Newspapers and periodicals record intellectuals' collision with folk ballads and ballad movements. Government power has shown great influence in the spread of ballad movement. The support and hindrance of the national government in different stages greatly affected the spreading effect of the ballad movement. Finally, this paper reflects on the cultural movement supported by newspapers and periodicals. Through the study of the "ballad movement", it can be found that the intellectuals who advocate the new cultural movement pay attention to the traditional side outside the anti-seal and shabby, thus making their image more three-dimensional and multi-faceted, and more in line with the historical reality. Based on the lack of music in ballad movement, this paper considers the regret in cultural inheritance and the ways and means to remedy this regret. In particular, this paper focuses on the positive and negative energy of government power in cultural communication, and considers how to use government power to transfer positive energy scientifically, hoping to provide help for the protection of intangible cultural heritage today.
【學(xué)位授予單位】：南京師范大學(xué)
【學(xué)位級(jí)別】：博士
【學(xué)位授予年份】：2013
【分類號(hào)】：G219.29;G239.29

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本文編號(hào)：1826393