旗袍審美文化內(nèi)涵的解讀
發(fā)布時(shí)間:2018-09-03 13:43
【摘要】:旗袍是一種最具中國(guó)傳統(tǒng)特色、最具民族代表性和最能表現(xiàn)東方女性美的經(jīng)典服飾。在經(jīng)歷了300多年的變化后,依然享有“東方奇葩”、“Chinese Dress”、“服裝之最”等諸多美譽(yù)。由此見(jiàn)證了“經(jīng)典代表永恒”。本文通過(guò)考察旗袍的形成與發(fā)展,得出旗袍在長(zhǎng)期的演化中已形成自己獨(dú)特的形式美元素。那就是:廓形、立領(lǐng)、胸襟、開(kāi)衩、盤(pán)扣和刺繡。在此基礎(chǔ)上,通過(guò)對(duì)清代傳統(tǒng)旗袍與近代改良旗袍的比較,指出在不同的時(shí)代文化背景下,由于人們的信仰和審美情趣的不同,旗袍也呈現(xiàn)出不同的審美風(fēng)格:受儒家等級(jí)、中庸、求同思想的影響,清代傳統(tǒng)旗袍以繁縟富贍、溫柔敦厚、程式單一為美;在西方平等、人本、自由思潮的影響下,近代改良旗袍以自然簡(jiǎn)單、形體曲線、自由多樣為美。而在日新月異的現(xiàn)代社會(huì),旗袍仍以它變化無(wú)窮的魅力和獨(dú)特的精神文化內(nèi)涵,在中國(guó)乃至世界服壇上享有一席之地。它已成為一種民族的符號(hào)和象征,并對(duì)整個(gè)服裝設(shè)計(jì)行業(yè)產(chǎn)生著積極的影響。
[Abstract]:Cheongsam is the most traditional Chinese style, the most representative of the nation and the most representative of Oriental women's classic dress. After more than 300 years of change, still enjoy the "Oriental Wonders", "Chinese Dress", "the most clothing" and many other reputation. In this way, the classic stands for eternity. Based on the investigation of the formation and development of cheongsam, it is concluded that Qipao has formed its own unique formal beauty elements in the long-term evolution. That is: profile, vertical collar, mind, slit, plate buckle and embroidery. On this basis, by comparing the traditional cheongsam of the Qing Dynasty with the modern modified cheongsam, it is pointed out that under the different cultural background of the times, due to the difference of people's beliefs and aesthetic tastes, the cheongsam also presents different aesthetic styles: by the Confucian hierarchy. The traditional cheongsam in the Qing Dynasty was rich and numerous, gentle and honest, and simple in formula. Under the influence of western thought of equality, humanism and freedom, the modern times improved cheongsam with natural simplicity, shape curve, freedom and variety as beauty. In the rapidly changing modern society, cheongsam still enjoys a place in China and even the world because of its ever-changing charm and unique spiritual and cultural connotations. It has become a national symbol and symbol, and has a positive impact on the entire clothing design industry.
【學(xué)位授予單位】:武漢大學(xué)
【學(xué)位級(jí)別】:碩士
【學(xué)位授予年份】:2005
【分類(lèi)號(hào)】:K892.23
本文編號(hào):2220140
[Abstract]:Cheongsam is the most traditional Chinese style, the most representative of the nation and the most representative of Oriental women's classic dress. After more than 300 years of change, still enjoy the "Oriental Wonders", "Chinese Dress", "the most clothing" and many other reputation. In this way, the classic stands for eternity. Based on the investigation of the formation and development of cheongsam, it is concluded that Qipao has formed its own unique formal beauty elements in the long-term evolution. That is: profile, vertical collar, mind, slit, plate buckle and embroidery. On this basis, by comparing the traditional cheongsam of the Qing Dynasty with the modern modified cheongsam, it is pointed out that under the different cultural background of the times, due to the difference of people's beliefs and aesthetic tastes, the cheongsam also presents different aesthetic styles: by the Confucian hierarchy. The traditional cheongsam in the Qing Dynasty was rich and numerous, gentle and honest, and simple in formula. Under the influence of western thought of equality, humanism and freedom, the modern times improved cheongsam with natural simplicity, shape curve, freedom and variety as beauty. In the rapidly changing modern society, cheongsam still enjoys a place in China and even the world because of its ever-changing charm and unique spiritual and cultural connotations. It has become a national symbol and symbol, and has a positive impact on the entire clothing design industry.
【學(xué)位授予單位】:武漢大學(xué)
【學(xué)位級(jí)別】:碩士
【學(xué)位授予年份】:2005
【分類(lèi)號(hào)】:K892.23
【引證文獻(xiàn)】
相關(guān)期刊論文 前1條
1 孫玲;;簡(jiǎn)析旗袍的發(fā)展歷史及現(xiàn)代演繹[J];群文天地;2012年05期
相關(guān)碩士學(xué)位論文 前6條
1 周婷婷;西風(fēng)東漸與都市主流服飾文化變遷(1898-1927)[D];江西師范大學(xué);2010年
2 彭勃;從“月份牌”廣告看民國(guó)女性服飾審美意象的構(gòu)建[D];湖南工業(yè)大學(xué);2010年
3 胥箏箏;近代漢族民間服飾中幾何紋樣的流變及啟示[D];江南大學(xué);2011年
4 李曉東;中國(guó)傘具設(shè)計(jì)演變及發(fā)展研究[D];南昌大學(xué);2007年
5 陸洪興;中國(guó)傳統(tǒng)旗袍造型結(jié)構(gòu)演變研究[D];北京服裝學(xué)院;2012年
6 萬(wàn)菁;旗袍元素在現(xiàn)代禮服設(shè)計(jì)中的運(yùn)用與研究[D];湖南師范大學(xué);2013年
,本文編號(hào):2220140
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