本文選題：撒尼人刺繡 + 象征符號　； 參考：《云南大學(xué)》2011年博士論文

【摘要】：彝族撒尼人刺繡品中的色彩和圖案不僅是刺繡品的構(gòu)成要素,它們更是象征符號,它具有外在形式,即刺繡的材質(zhì)、圖案紋樣、色彩和圖案紋樣以及色彩搭配所構(gòu)建出的內(nèi)在的、深層次的意義。本論文通過把撒尼人刺繡中的色彩、圖案看成是意義的元素,并以此來討論撒尼人刺繡在無意識層面上建立起來的系統(tǒng)中它們所蘊含的意義。 文章首先梳理了國內(nèi)外學(xué)術(shù)界關(guān)于象征符號和意義以及對色彩象征等方面的研究成果：撒尼人刺繡的相關(guān)研究,指出目前幾乎沒有關(guān)于撒尼人刺繡的人類學(xué)研究；即使有些論著和文章提到撒尼人的刺繡,也僅僅是局限于介紹刺繡工藝、顏色、圖案等方面的內(nèi)容,而對刺繡品所隱含的象征意義則僅僅是一筆帶過,至今仍是一個亟待填補的空白。論文將運用象征人類學(xué)的理論方法對石林彝族撒尼人的刺繡文化進行系統(tǒng)、全面和深入的研究,力圖對撒尼人刺繡文化的符號形式和象征意義做出深層次的解釋。 論文第一章對研究對象的背景知識作綜合介紹,包括撒尼人的歷史沿革及其生存環(huán)境；撒尼人刺繡的歷史淵源；第二章介紹歸納撒尼人刺繡工藝流程及其繡品功能,包括刺繡原料和備制；刺繡類型及其工藝；刺繡品的運用；繡品的功能；第三章把撒尼人刺繡品的色彩系統(tǒng)分類后進行色彩象征意義的解釋；繡品的色彩體系分為黑-白-紅(黃)、灰色、彩虹的顏色和濃艷顏色體系；繡品的色彩象征,包括圖騰、族別象征；地位、等級象征；年齡、婚姻象征；心理文化象征；宇宙、哲學(xué)思想象征；第四章對繡品的圖案紋樣結(jié)構(gòu)、圖案排列規(guī)律和圖案象征符號的意義進行分析,內(nèi)容包括自然神靈崇拜符號、阿詩瑪族徽符號、植物類符號、動物類符號、文字類符號和人文、生活類符號；第五章研究撒尼人刺繡象征文化的傳承與發(fā)展情況,包括遺產(chǎn)保護與撒尼人刺繡；撒尼人刺繡傳承現(xiàn)狀；文化濡染中的撒尼人刺繡；在保護與開發(fā)博弈中求發(fā)展；結(jié)語部分是把撒尼人刺繡看作象征符號系統(tǒng),是由象征符號和象征意義兩種要素組合而成的復(fù)合體；其顏色和圖案是意義的載體,象征意義是象征符號所反映的內(nèi)容,即隱藏在象征符號中而被人們傳遞出來的文化信息。
[Abstract]:The colors and patterns in the embroidery of the Sani people of the Yi nationality are not only the constituent elements of embroidery, they are also symbolic symbols. They have the external form, that is, the material and pattern of embroidery. Color and pattern patterns, as well as collocation of the inner, deep meaning. In this paper, the colors and patterns in the Sani embroidery are regarded as the elements of meaning, and the meaning of them in the system built up on the unconscious level is discussed in this paper. Firstly, the paper reviews the research results of symbolic symbols and meanings and color symbols in academic circles at home and abroad: the related researches on Saanis embroidery, pointing out that there is almost no anthropological research on Saanis embroidery at present; Even though some articles and articles refer to the embroidery of the Saanis, it is only limited to the introduction of embroidery techniques, colors, patterns, and so on, while the symbolic meaning implied in the embroidery is only a stroke of a stroke. It is still an urgent gap to be filled. This paper makes a systematic and thorough study on the embroidery culture of the Sani people of the Yi nationality in Shilin by using the theoretical method of symbolic anthropology, and tries to make a deep explanation of the symbolic form and the symbolic meaning of the embroidery culture of the Sani people. The first chapter gives a comprehensive introduction to the background knowledge of the research object, including the historical evolution and living environment of the Saanis, the historical origin of the Sani embroidery, the second chapter introduces the technological process of the embroidery and its embroidery function. Including embroidery raw materials and preparation; embroidery types and techniques; embroidery use; embroidery function; chapter three classifies the color system of Sani embroidery to explain the color symbolism; The color system of embroidery is divided into black-white-red (yellow), gray, rainbow and colorful color system; color symbol of embroidery, including totem, clan symbol; status, rank symbol; age, marriage symbol; psychological and cultural symbol; universe, The fourth chapter analyzes the pattern structure, pattern arrangement law and the significance of the symbol of embroidery, including the symbol of worship of natural spirit, the emblem of Ashima, the symbol of plant, the symbol of animal. The fifth chapter studies the inheritance and development of the Sani embroidery symbol culture, including the heritage protection and the Sani embroidery, the present situation of the Sani embroidery inheritance, the Sani embroidery in the culture acculturation; In the game of protection and development, the conclusion regards the embroidery of the Saanis as a system of symbolic symbols, which is a complex composed of symbolic symbols and symbolic meanings, and whose colors and patterns are the carriers of meaning. Symbolic meaning is the content reflected by symbolic symbols, that is, cultural information that is hidden in symbolic symbols and transmitted by people.
【學(xué)位授予單位】：云南大學(xué)
【學(xué)位級別】：博士
【學(xué)位授予年份】：2011
【分類號】：C95

【引證文獻】

相關(guān)期刊論文 前1條

1 張建林;;西南少數(shù)民族服飾紋樣文化探析[J];文山學(xué)院學(xué)報;2014年04期

相關(guān)碩士學(xué)位論文 前3條

1 左華榮;騰沖傳統(tǒng)掇花工藝研究及創(chuàng)意實踐[D];云南大學(xué);2013年

2 賀泓;彝族繡品的美學(xué)思考[D];四川師范大學(xué);2013年

3 張沛榮;石林撒尼服飾研究[D];昆明理工大學(xué);2013年

，

本文編號：2118038