本文關(guān)鍵詞： 石頭 物 哈尼族 消費符號　出處：《思想戰(zhàn)線》2017年05期 　論文類型：期刊論文

【摘要】：遭遇異地的石頭是哈尼族民俗旅游村箐口村遭遇發(fā)展的一個表現(xiàn)形式。在當?shù)卮迕竦挠洃浿?從建寨時就存在的石頭是建構(gòu)村寨社會文化空間的見證,這些石頭因為在時間上具有始源意義而具有神圣性。用于建造家屋以及引導丟失的魂魄回歸村寨的"阿南南"的石頭,因為與建構(gòu)圣潔的家屋空間和村寨空間相關(guān)聯(lián),而具有豐富的文化意義。在村民的世界中,村寨不僅是實體性的而且也是觀念性的存在。在旅游開發(fā)過程中,用異地出產(chǎn)的石頭來裝飾打造民俗旅游村,從實質(zhì)上講是用美學清場的區(qū)隔辦法來規(guī)制旅游。忽視村寨空間原有社會文化意義的消費文化空間建構(gòu),就是一種文化僭越。對物的解讀及對其分類的追問,是針對映射了人—人關(guān)系的人—物關(guān)系的文化闡釋。物不僅是客觀對象,而且還是在人與物發(fā)生的關(guān)系中使整個世界"站出"的方式。
[Abstract]:The stone encountered in a different place is a manifestation of the development of Qingkou Village, a folk tourism village of the Hani nationality. In the memory of the local villagers, the stone that existed from the time of building the village is a witness to the construction of the social and cultural space of the village. These stones are sacred because of their original meaning in time. They are used to build houses and to guide lost souls back to villages, because they are associated with the construction of holy house space and village space. In the world of villagers, villages are not only physical but also idealistic. In the process of tourism development, folk tourism villages are decorated with stones produced in different places. In essence, it is to regulate tourism by the method of aesthetic clearance. The construction of consumer culture space which ignores the original social and cultural significance of village space is a cultural overstep. It is a cultural interpretation of the human-material relationship that reflects the human-human relationship, which is not only an objective object, but also a way to "stand out" the whole world in the relationship between man and things.
【作者單位】： 云南大學西南邊疆少數(shù)民族研究中心;
【分類號】：C95

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