手機(jī)界面中民俗表情圖形的設(shè)計(jì)研究
發(fā)布時(shí)間：2018-07-27 15:51
【摘要】：中國的文化博大精深,人類在漫長的藝術(shù)創(chuàng)作實(shí)踐中,按照他們共同的審美觀念,將神話、娛樂、勞動(dòng)、情感等各種感人、有趣的場面,加以藝術(shù)化與典型化,為廣大人民群眾創(chuàng)造出了他們所喜愛、認(rèn)同和接受的各種各樣的民俗藝術(shù)形式。其中民俗圖形指的是人類通過使用一種視覺形象的傳達(dá)方式,將民俗文化以一種符號(hào)形式表現(xiàn)出來。它由人民大眾所創(chuàng)造,流行于民間,是廣大人民群眾共同創(chuàng)作生產(chǎn)出來的產(chǎn)物,是人民智慧的結(jié)晶,通過這種形式可以有趣而生動(dòng)的反映出百姓的生活方式和如火如荼的現(xiàn)實(shí)生活。民俗圖形背后所表達(dá)的是廣大人民群眾對(duì)生活與情感的體驗(yàn),它們所蘊(yùn)涵的文化價(jià)值是人民不可多得的財(cái)富。隨著我國社會(huì)經(jīng)濟(jì)的快速發(fā)展,手機(jī)成為了當(dāng)今社會(huì)使用最為廣泛的通訊工具,扮演著網(wǎng)絡(luò)通訊工具重要角色之一。手機(jī)界面表情圖形的使用率也逐年增加,已經(jīng)得到人們廣泛追捧,成為我們生活交流中不可替代的元素,也得到了許多設(shè)計(jì)師的關(guān)注。表情圖形的原型大多以人類面部表情為原型進(jìn)行創(chuàng)造性的設(shè)計(jì)。人類面部可以發(fā)出各種各樣的表情信號(hào),當(dāng)我們?cè)诨ハ嘟涣鞯倪^程中,都會(huì)有意無意的使用各種面部表情;當(dāng)它們成為一種圖形化的符號(hào)語言,并與設(shè)計(jì)相結(jié)合的時(shí)候,便形成了一種圖形藝術(shù)形式,可以及時(shí)有效的為發(fā)起者傳遞情感信息,為受眾帶來美好愉悅的心情,也避免了這種網(wǎng)絡(luò)虛擬對(duì)話中的尷尬與誤解。筆者通過搜集資料與調(diào)查研究發(fā)現(xiàn):當(dāng)下手機(jī)界面中的表情圖形設(shè)計(jì),大部分造型來源均以明星與卡通人物為元素進(jìn)行設(shè)計(jì),缺少民俗文化元素。即使存在的少量以民俗文化為元素進(jìn)行設(shè)計(jì)的表情圖形也存在著一些問題:如民俗圖形使用種類較少;民俗文化內(nèi)容表現(xiàn)不全面等問題。針對(duì)手機(jī)界面表情圖形的研究,國內(nèi)也有一些相關(guān)研究的文章,但大部分針對(duì)手機(jī)界面表情圖形的產(chǎn)生及發(fā)展趨勢做了簡單的介紹,沒有將手機(jī)界面表情圖形設(shè)計(jì)與中國民俗文化結(jié)合進(jìn)行研究。所以本文試圖從手機(jī)界面民俗表情的起源及發(fā)展過程開始論述,分析總結(jié)了當(dāng)下手機(jī)界面民俗表情圖形設(shè)計(jì)的種類,探究了手機(jī)界面民俗表情圖形設(shè)計(jì)研究的意義與存在的問題,擴(kuò)充其有關(guān)的理論,解析出手機(jī)界面民俗表情圖形的設(shè)計(jì)原則與方法,分析研究了其未來發(fā)展趨勢與傳播策略。希望可以通過該項(xiàng)研究,更好的傳承我國的民俗文化,對(duì)視覺傳達(dá)設(shè)計(jì)師的設(shè)計(jì)創(chuàng)作提供有益的幫助,探索一條有本土特色的設(shè)計(jì)之路。
[Abstract]:The Chinese culture is extensive and profound. In the long art creation practice, human beings have created all kinds of folk art forms for the masses of people, in accordance with their common aesthetic ideas, to make the myths, amusement, labor, and emotion a variety of touching and interesting scenes, to be artistic and typical for the masses of people. Folk custom figure refers to the expression of the folk culture in a symbolic form by using a visual image. It is created by the people and popular in the folk. It is the product produced by the masses of the people and the crystallization of the people's wisdom. It can be reflected in this form interesting and vivid. The life style of the people and the real life in full swing. Behind the folk custom figures are the people's experience of life and emotion. The cultural values they contain are the great wealth of the people. With the rapid development of our society and economy, the mobile phone has become the most widely used communication tool in the present society. One of the important roles of the network communication tool is one of the important roles of the network communication tool. The use rate of the expression graphics of the mobile phone interface has also increased year by year. It has been widely sought after. It has become an irreplaceable element in the communication of our life, and has also been paid attention to by many designers. Most of the archetype of facial expression is designed by human facial expression as a prototype. Face can send a variety of expression signals. When we communicate with each other, we use all kinds of facial expressions intentionally or unintentionally. When they become a graphical symbol language and combine with the design, they form a graphic art form, which can deliver emotional information to the initiator in time and effectively. The audience brings happy and joyful mood, also avoids the embarrassment and misunderstanding in this kind of network virtual dialogue. By collecting data and investigation, I found that the expression graphic design in the current mobile phone interface, most of the modeling sources are set up by stars and cartoon characters, lack of folk culture elements. Even a small amount of existence There are also some problems in the expression graphics which are designed with folklore culture as elements, such as the less types of folk custom graphics, and the incomplete expression of folklore culture. In view of the research on the facial expression graphics of the mobile phone interface, there are some relevant research articles in China, but most of them are aimed at the generation and development trend of the facial expression graphics on the mobile phone interface. This article tries to discuss the origin and development process of the folk expression of the mobile phone interface, analyzes and summarizes the types of the folk expression graphic design of the mobile phone interface, and probes into the design research of the folk expression graphic design of the mobile phone interface. The significance and the existing problems, expand its related theory, analyze the design principles and methods of the mobile phone interface folk expression graphics, analyze the future development trend and communication strategy, hope to pass this research, better inherit the folk culture of our country, and provide helpful help for the design of visual communication designers. Help, explore a way of design with local characteristics.
【學(xué)位授予單位】：長春工業(yè)大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：TN929.53
本文編號(hào)：2148329
[Abstract]:The Chinese culture is extensive and profound. In the long art creation practice, human beings have created all kinds of folk art forms for the masses of people, in accordance with their common aesthetic ideas, to make the myths, amusement, labor, and emotion a variety of touching and interesting scenes, to be artistic and typical for the masses of people. Folk custom figure refers to the expression of the folk culture in a symbolic form by using a visual image. It is created by the people and popular in the folk. It is the product produced by the masses of the people and the crystallization of the people's wisdom. It can be reflected in this form interesting and vivid. The life style of the people and the real life in full swing. Behind the folk custom figures are the people's experience of life and emotion. The cultural values they contain are the great wealth of the people. With the rapid development of our society and economy, the mobile phone has become the most widely used communication tool in the present society. One of the important roles of the network communication tool is one of the important roles of the network communication tool. The use rate of the expression graphics of the mobile phone interface has also increased year by year. It has been widely sought after. It has become an irreplaceable element in the communication of our life, and has also been paid attention to by many designers. Most of the archetype of facial expression is designed by human facial expression as a prototype. Face can send a variety of expression signals. When we communicate with each other, we use all kinds of facial expressions intentionally or unintentionally. When they become a graphical symbol language and combine with the design, they form a graphic art form, which can deliver emotional information to the initiator in time and effectively. The audience brings happy and joyful mood, also avoids the embarrassment and misunderstanding in this kind of network virtual dialogue. By collecting data and investigation, I found that the expression graphic design in the current mobile phone interface, most of the modeling sources are set up by stars and cartoon characters, lack of folk culture elements. Even a small amount of existence There are also some problems in the expression graphics which are designed with folklore culture as elements, such as the less types of folk custom graphics, and the incomplete expression of folklore culture. In view of the research on the facial expression graphics of the mobile phone interface, there are some relevant research articles in China, but most of them are aimed at the generation and development trend of the facial expression graphics on the mobile phone interface. This article tries to discuss the origin and development process of the folk expression of the mobile phone interface, analyzes and summarizes the types of the folk expression graphic design of the mobile phone interface, and probes into the design research of the folk expression graphic design of the mobile phone interface. The significance and the existing problems, expand its related theory, analyze the design principles and methods of the mobile phone interface folk expression graphics, analyze the future development trend and communication strategy, hope to pass this research, better inherit the folk culture of our country, and provide helpful help for the design of visual communication designers. Help, explore a way of design with local characteristics.
【學(xué)位授予單位】：長春工業(yè)大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：TN929.53
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