手機界面中民俗表情圖形的設計研究
發(fā)布時間：2018-07-27 15:51
【摘要】：中國的文化博大精深,人類在漫長的藝術創(chuàng)作實踐中,按照他們共同的審美觀念,將神話、娛樂、勞動、情感等各種感人、有趣的場面,加以藝術化與典型化,為廣大人民群眾創(chuàng)造出了他們所喜愛、認同和接受的各種各樣的民俗藝術形式。其中民俗圖形指的是人類通過使用一種視覺形象的傳達方式,將民俗文化以一種符號形式表現出來。它由人民大眾所創(chuàng)造,流行于民間,是廣大人民群眾共同創(chuàng)作生產出來的產物,是人民智慧的結晶,通過這種形式可以有趣而生動的反映出百姓的生活方式和如火如荼的現實生活。民俗圖形背后所表達的是廣大人民群眾對生活與情感的體驗,它們所蘊涵的文化價值是人民不可多得的財富。隨著我國社會經濟的快速發(fā)展,手機成為了當今社會使用最為廣泛的通訊工具,扮演著網絡通訊工具重要角色之一。手機界面表情圖形的使用率也逐年增加,已經得到人們廣泛追捧,成為我們生活交流中不可替代的元素,也得到了許多設計師的關注。表情圖形的原型大多以人類面部表情為原型進行創(chuàng)造性的設計。人類面部可以發(fā)出各種各樣的表情信號,當我們在互相交流的過程中,都會有意無意的使用各種面部表情;當它們成為一種圖形化的符號語言,并與設計相結合的時候,便形成了一種圖形藝術形式,可以及時有效的為發(fā)起者傳遞情感信息,為受眾帶來美好愉悅的心情,也避免了這種網絡虛擬對話中的尷尬與誤解。筆者通過搜集資料與調查研究發(fā)現:當下手機界面中的表情圖形設計,大部分造型來源均以明星與卡通人物為元素進行設計,缺少民俗文化元素。即使存在的少量以民俗文化為元素進行設計的表情圖形也存在著一些問題:如民俗圖形使用種類較少;民俗文化內容表現不全面等問題。針對手機界面表情圖形的研究,國內也有一些相關研究的文章,但大部分針對手機界面表情圖形的產生及發(fā)展趨勢做了簡單的介紹,沒有將手機界面表情圖形設計與中國民俗文化結合進行研究。所以本文試圖從手機界面民俗表情的起源及發(fā)展過程開始論述,分析總結了當下手機界面民俗表情圖形設計的種類,探究了手機界面民俗表情圖形設計研究的意義與存在的問題,擴充其有關的理論,解析出手機界面民俗表情圖形的設計原則與方法,分析研究了其未來發(fā)展趨勢與傳播策略。希望可以通過該項研究,更好的傳承我國的民俗文化,對視覺傳達設計師的設計創(chuàng)作提供有益的幫助,探索一條有本土特色的設計之路。
[Abstract]:The Chinese culture is extensive and profound. In the long art creation practice, human beings have created all kinds of folk art forms for the masses of people, in accordance with their common aesthetic ideas, to make the myths, amusement, labor, and emotion a variety of touching and interesting scenes, to be artistic and typical for the masses of people. Folk custom figure refers to the expression of the folk culture in a symbolic form by using a visual image. It is created by the people and popular in the folk. It is the product produced by the masses of the people and the crystallization of the people's wisdom. It can be reflected in this form interesting and vivid. The life style of the people and the real life in full swing. Behind the folk custom figures are the people's experience of life and emotion. The cultural values they contain are the great wealth of the people. With the rapid development of our society and economy, the mobile phone has become the most widely used communication tool in the present society. One of the important roles of the network communication tool is one of the important roles of the network communication tool. The use rate of the expression graphics of the mobile phone interface has also increased year by year. It has been widely sought after. It has become an irreplaceable element in the communication of our life, and has also been paid attention to by many designers. Most of the archetype of facial expression is designed by human facial expression as a prototype. Face can send a variety of expression signals. When we communicate with each other, we use all kinds of facial expressions intentionally or unintentionally. When they become a graphical symbol language and combine with the design, they form a graphic art form, which can deliver emotional information to the initiator in time and effectively. The audience brings happy and joyful mood, also avoids the embarrassment and misunderstanding in this kind of network virtual dialogue. By collecting data and investigation, I found that the expression graphic design in the current mobile phone interface, most of the modeling sources are set up by stars and cartoon characters, lack of folk culture elements. Even a small amount of existence There are also some problems in the expression graphics which are designed with folklore culture as elements, such as the less types of folk custom graphics, and the incomplete expression of folklore culture. In view of the research on the facial expression graphics of the mobile phone interface, there are some relevant research articles in China, but most of them are aimed at the generation and development trend of the facial expression graphics on the mobile phone interface. This article tries to discuss the origin and development process of the folk expression of the mobile phone interface, analyzes and summarizes the types of the folk expression graphic design of the mobile phone interface, and probes into the design research of the folk expression graphic design of the mobile phone interface. The significance and the existing problems, expand its related theory, analyze the design principles and methods of the mobile phone interface folk expression graphics, analyze the future development trend and communication strategy, hope to pass this research, better inherit the folk culture of our country, and provide helpful help for the design of visual communication designers. Help, explore a way of design with local characteristics.
【學位授予單位】：長春工業(yè)大學
【學位級別】：碩士
【學位授予年份】：2017
【分類號】：TN929.53
本文編號：2148329
[Abstract]:The Chinese culture is extensive and profound. In the long art creation practice, human beings have created all kinds of folk art forms for the masses of people, in accordance with their common aesthetic ideas, to make the myths, amusement, labor, and emotion a variety of touching and interesting scenes, to be artistic and typical for the masses of people. Folk custom figure refers to the expression of the folk culture in a symbolic form by using a visual image. It is created by the people and popular in the folk. It is the product produced by the masses of the people and the crystallization of the people's wisdom. It can be reflected in this form interesting and vivid. The life style of the people and the real life in full swing. Behind the folk custom figures are the people's experience of life and emotion. The cultural values they contain are the great wealth of the people. With the rapid development of our society and economy, the mobile phone has become the most widely used communication tool in the present society. One of the important roles of the network communication tool is one of the important roles of the network communication tool. The use rate of the expression graphics of the mobile phone interface has also increased year by year. It has been widely sought after. It has become an irreplaceable element in the communication of our life, and has also been paid attention to by many designers. Most of the archetype of facial expression is designed by human facial expression as a prototype. Face can send a variety of expression signals. When we communicate with each other, we use all kinds of facial expressions intentionally or unintentionally. When they become a graphical symbol language and combine with the design, they form a graphic art form, which can deliver emotional information to the initiator in time and effectively. The audience brings happy and joyful mood, also avoids the embarrassment and misunderstanding in this kind of network virtual dialogue. By collecting data and investigation, I found that the expression graphic design in the current mobile phone interface, most of the modeling sources are set up by stars and cartoon characters, lack of folk culture elements. Even a small amount of existence There are also some problems in the expression graphics which are designed with folklore culture as elements, such as the less types of folk custom graphics, and the incomplete expression of folklore culture. In view of the research on the facial expression graphics of the mobile phone interface, there are some relevant research articles in China, but most of them are aimed at the generation and development trend of the facial expression graphics on the mobile phone interface. This article tries to discuss the origin and development process of the folk expression of the mobile phone interface, analyzes and summarizes the types of the folk expression graphic design of the mobile phone interface, and probes into the design research of the folk expression graphic design of the mobile phone interface. The significance and the existing problems, expand its related theory, analyze the design principles and methods of the mobile phone interface folk expression graphics, analyze the future development trend and communication strategy, hope to pass this research, better inherit the folk culture of our country, and provide helpful help for the design of visual communication designers. Help, explore a way of design with local characteristics.
【學位授予單位】：長春工業(yè)大學
【學位級別】：碩士
【學位授予年份】：2017
【分類號】：TN929.53
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