【摘要】：園林的發(fā)展與社會(huì)經(jīng)濟(jì)條件發(fā)展?fàn)顩r、文化藝術(shù)高度是密切聯(lián)系，不可分割的�！都t樓夢(mèng)》就產(chǎn)自于經(jīng)濟(jì)、政治、文化都繁榮昌盛的清乾隆時(shí)期，那個(gè)時(shí)期不管是皇家園林還是私家園林都已經(jīng)發(fā)展到相當(dāng)成熟的階段。眾所周知藝術(shù)是產(chǎn)自于生活的，，《紅樓夢(mèng)》中的大觀園就是在曹雪芹所積累的文學(xué)底蘊(yùn)和園林藝術(shù)造詣下所描繪出的，它不僅是一本膾炙人口的中國古典名著，而且他所塑造的大觀園是一本小說中的園林典范，其中包含了眾多院落、建筑，這些建筑跟山、水、植物間的相互結(jié)合共同構(gòu)成了這座文學(xué)作品中的園林景觀——大觀園。 本課題的研究目的是通過對(duì)《紅樓夢(mèng)》中描寫大觀園的文字進(jìn)行分析，分析大觀園中各個(gè)院落建筑景點(diǎn)的空間格局，了解中國古典園林的造園手法，以此作為現(xiàn)代景觀規(guī)劃的理論基礎(chǔ)。 研究的內(nèi)容主要是對(duì)大觀園園林空間進(jìn)行解析，主要包括：(1)大觀園的選址和大��；(2)建筑的總體布局及空間方位；(3)各個(gè)建筑與周圍環(huán)境間的關(guān)系；(4)大觀園的山系布局；(5)大觀園的水系布局；(6)植物與人物性格的關(guān)系。 曹雪芹在紙上建造的大觀園不僅僅是小說當(dāng)中的文字，同時(shí)這座園子的空間布局是按照古典園林的造園手法來進(jìn)行構(gòu)思的，其中采用了中軸對(duì)稱、主景的突出、障景、借景、對(duì)景等諸多方法，大觀園的建筑、山體、水體、植物無不體現(xiàn)了中國古典園林的風(fēng)韻，由此可見曹雪芹對(duì)園林知識(shí)方面的儲(chǔ)備，古代文人不僅僅是詩人、作家、畫家，同時(shí)也是偉大造園藝術(shù)家。
[Abstract]:The development of gardens and the development of social and economic conditions, cultural and artistic height is closely linked, inseparable. "A Dream of Red Mansions" was born in the economic, political and cultural prosperity of the Qianlong period of the Qing Dynasty, Both royal gardens and private gardens had developed to a fairly mature stage during that period. As we all know, art is produced in life. The Grand View Garden in "A Dream of Red Mansions" is described under the literary background and garden art attainments accumulated by Cao Xueqin. It is not only a well-known Chinese classical masterpiece. Moreover, the Grand View Garden he created is a model of the garden in a novel, which contains many yards, buildings, and the combination of these buildings with mountains, water, and plants, which together constitute the landscape of this literary work, the Grand View Garden. The purpose of this research is to analyze the characters of the Grand View Garden in A Dream of Red Mansions, to analyze the spatial pattern of various architectural attractions in the Grand View Garden, and to understand the gardening techniques of Chinese classical gardens. This is the theoretical basis of modern landscape planning. The main content of the study is to analyze the landscape space of the Grand View Garden, including: (1) the location and size of the Grand View Garden; (2) the overall layout and spatial orientation of the building; (3) the relationship between each building and the surrounding environment; (4) the mountain system layout of Daguan Garden; (5) the drainage system layout of Daguan Garden; (6) the relationship between plant and character. The Grand View Garden built by Cao Xueqin on paper is not only the words in the novel, but also the spatial layout of the garden is conceived according to the classical garden techniques, in which the central axis is symmetrical, the main scenery is prominent, the obstacle view is used, and the landscape is borrowed. The architecture, mountains, water bodies, and plants of the Grand View Garden reflect the charm of Chinese classical gardens. It can be seen from this that Cao Xueqin's knowledge of gardens was not only reserved for poets, writers, and painters. He is also a great gardener.
【學(xué)位授予單位】：內(nèi)蒙古農(nóng)業(yè)大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類號(hào)】：TU986.1

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