【摘要】：地大物博的中國在五千年文明歷史的長河之中,涌現(xiàn)出大量具有鮮明藝術(shù)特色和地方文化風(fēng)格的建筑群體。古老的牌坊建筑,以其獨特的建筑造型和外觀形態(tài),獨樹一幟的藝術(shù)魅力以及其深厚的文化底蘊、極為豐富的倫理思想和人文內(nèi)涵,具有廣泛的社會文化功能和特殊的歷史藝術(shù)價值,備受國內(nèi)外研究學(xué)者的青睞。牌坊建筑是建筑群的入口標(biāo)志,充滿了東方情調(diào)和中國特色,作為中國古代建筑群中重要的組成部分,歷經(jīng)千百年的演變和發(fā)展,遍及神州大地甚至遠(yuǎn)涉異國,形成一種令人嘆為觀止的具有中國特色的文化現(xiàn)象。牌坊,作為中國悠久傳統(tǒng)文化的實物載體,不僅是中國民族文化的縮影、歷史文化遺產(chǎn)中的瑰寶,還是國內(nèi)外一致公認(rèn)的中華文化的典型標(biāo)示和象征符號。牌坊是民間建筑中最為考究,裝飾紋樣最為豐富,藝術(shù)手法最為精美的建筑,牌坊文化瑰麗宏富,具有極高的藝術(shù)價值和審美價值,它不僅是民間藝術(shù)和廣大勞動人民智慧的體現(xiàn),也傳承了中國傳統(tǒng)的社會文化以及倫理思想,為后期文化的研究提供了豐富的史料。 傳頌千年的倫理道德觀念是中華民族文明之路上的奠基石,牌坊作為傳統(tǒng)文化的載體,以其豐富多樣的形式承載了先人對人生觀、價值觀、倫理觀等方面不同的認(rèn)知。牌坊的建筑設(shè)計反映了諸如“三綱五�！薄ⅰ白诜ㄖ贫取钡葌鹘y(tǒng)倫理思想,它承襲了古代建筑的傳統(tǒng)形式和禮教制度,在總體布局上充分體現(xiàn)了“天人合一”、“陰陽五行”等封建思想和宗法禮儀,在環(huán)境分布方面充分表達(dá)出儒家生態(tài)倫理的思想。這些與中國古代社會文化背景密切相關(guān)的牌坊建筑中所蘊含的倫理思想作為這筆遺產(chǎn)中重要的一部分已經(jīng)深深滲透到當(dāng)?shù)厝嗣竦乃枷胍庾R和行為規(guī)范中,對中國傳統(tǒng)文化的宣揚,對當(dāng)代中國的政治、經(jīng)濟(jì)、文化、制度等方面產(chǎn)生了重要的影響。 基于某螳政治、歷史原因,部分古老的牌坊建筑已經(jīng)不復(fù)存在,本文通過對湖北地區(qū)現(xiàn)存古牌坊建筑和近現(xiàn)代所建牌坊的實地考察,探究牌坊的歷史與發(fā)展,共性與特點,展示出牌坊造型與類型的豐富性,通過對比,求同存異,總結(jié)出本地牌坊的特色,從身邊實實在在的實例探討牌坊建筑的區(qū)域性特色。但是由于現(xiàn)代建筑工業(yè)化程度較高,加之建筑商為獲得最大利潤,盡可能減少材料的運用,因此導(dǎo)致現(xiàn)代牌坊設(shè)計缺乏本身所體現(xiàn)的倫理含義和地域特征。本文將通過對古代牌坊的理解,以湖北地區(qū)為例,試圖探討現(xiàn)代牌坊設(shè)計中倫理含義的缺失,以及傳統(tǒng)建筑中的倫理思想對現(xiàn)當(dāng)代建筑的啟示。
[Abstract]:In the long history of five thousand years of civilization, a large number of architectural groups with distinctive artistic characteristics and local cultural styles have emerged in China. The ancient archway architecture, with its unique architectural shape and appearance, its unique artistic charm, its profound cultural background, its extremely rich ethical thought and humanistic connotation, It has a wide range of social and cultural functions and special historical and artistic value, and is favored by domestic and foreign scholars. As an important part of the ancient Chinese architectural complex, the archway building is the entrance sign of the architectural complex, full of oriental atmosphere and Chinese characteristics. After thousands of years of evolution and development, it has spread throughout the land of Shenzhou and even far away from other countries. Form an amazing cultural phenomenon with Chinese characteristics. The archway, as the material carrier of China's long traditional culture, is not only the epitome of Chinese national culture, the treasure of historical and cultural heritage, but also the typical symbol and symbol of Chinese culture universally recognized at home and abroad. The archway is the most sophisticated building in the folk architecture, with the most rich decorative patterns and the most exquisite artistic techniques. The archway is rich in cultural beauty and has extremely high artistic value and aesthetic value. It is not only the embodiment of folk art and the wisdom of the working people, but also inherits the traditional Chinese social culture and ethical thought, which provides rich historical data for the later culture research. As the carrier of traditional culture, the archway bears the different cognition of the ancestors on the outlook on life, values, ethics and so on with its rich and diverse forms. The architectural design of the archway reflects the traditional ethical thoughts such as "three Compendium and five Chang" and "patriarchal system". It inherits the traditional form of ancient architecture and the system of etiquette and religion, and fully embodies "the unity of nature and man" in the overall layout. Feudal thoughts and patriarchal etiquette, such as "Yin, Yang, and five elements", fully express Confucian ecological ethics in terms of environmental distribution. As an important part of this heritage, these ethical thoughts contained in the archway buildings, which are closely related to the social and cultural background of ancient China, have penetrated deeply into the local people's ideology and codes of conduct. The propaganda of Chinese traditional culture has exerted an important influence on the political, economic, cultural and institutional aspects of contemporary China. Based on the political and historical reasons of a certain gladiator, part of the ancient archway buildings no longer exist. This paper explores the history and development, commonness and characteristics of the ancient arch buildings in Hubei area and the modern and modern ones. Show the richness of archway shape and type, through contrast, seek common ground while reserving difference, sum up the characteristic of local archway, discuss the regional characteristic of arch building from the real examples nearby. However, because of the high degree of industrialization of modern buildings and the fact that the builders reduce the use of materials as much as possible in order to obtain the maximum profit, the modern archway design lacks the ethical meaning and geographical characteristics embodied in itself. Through the understanding of ancient archway, taking Hubei area as an example, this paper tries to discuss the lack of ethical meaning in modern archway design and the enlightenment of ethics thought in traditional architecture to modern and contemporary architecture.
【學(xué)位授予單位】：武漢理工大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2013
【分類號】：TU-0

【參考文獻(xiàn)】

相關(guān)期刊論文 前1條

1 李德喜;;湖北的牌坊[J];華中建筑;2007年01期

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本文編號：2410535