魏晉玄學影響下傳統(tǒng)園林美學范疇的構建
發(fā)布時間：2018-12-07 10:39
【摘要】：古典園林是一門綜合性的藝術，是中國傳統(tǒng)藝術中的一個非常重要的分支。園林美學范疇是研究園林美學的必由之路，反映了主體對園林中一切與“美”有關內容的最基本、最普遍的認知，它往往與審美實踐相聯(lián)系，通常也被稱為“審美范疇”。中國園林美學范疇中表現(xiàn)出來的生存智慧直接反映了一脈相承的中國傳統(tǒng)哲學思想�！白匀弧�、“寫意”、“含蓄”、“沖淡”、“調和”、“空靜”、“悲憫”等意境的發(fā)生，歸根結底都是中國古代自然觀的綜合體現(xiàn)，與將自然觀理論化、抽象化的哲學顯然存在著必然的因果關系。 魏晉玄學作為中國哲學史上承上啟下的重要環(huán)節(jié)。魏晉南北朝人本主義的確立催生了魏晉時期感物美學的成熟以及繪畫、造像、園林等藝術的蓬勃發(fā)展；其在方法論上的創(chuàng)新促進了儒、道、釋文化思想的合流，為佛教在中國的流行奠定了基礎；理性自然宇宙觀的形成打破了讖緯迷信之學對中國文化思想的壟斷；思辨式方法論的產生增加了理論的邏輯性，這些都與玄學的流行有著密不可分的關系。 借助原始的文獻資料以及前人的分析與總結，全面總結了魏晉玄學的基本理論思想及其形成的過程。從中提取出一切與美學相關聯(lián)的理論內容，并將其與中國傳統(tǒng)美學范疇相聯(lián)系，從而確立了兩者之間密切的內在聯(lián)系。 論文直擊中國傳統(tǒng)園林美學范疇形成的哲學根源，探求其體現(xiàn)出來的深厚的思想內涵，達到提升其理論高度的目的。并將“意境”范疇確立為園林美學范疇中的首要范疇，，作為連接理論與審美實踐的重要環(huán)節(jié)，促進了美學范疇在園林創(chuàng)作及審美中的應用。
[Abstract]:Classical garden is a comprehensive art, is a very important branch of Chinese traditional art. The category of garden aesthetics is the only way to study garden aesthetics. It reflects the most basic and universal cognition of the subject about all the contents related to "beauty" in the garden. It is often associated with aesthetic practice and is usually called "aesthetic category". The wisdom of existence in the category of Chinese garden aesthetics directly reflects the traditional Chinese philosophy. The occurrence of "nature", "freehand brushwork", "implication", "dilution", "harmony", "emptiness" and "compassion" are, in the final analysis, the comprehensive embodiment of the ancient Chinese view of nature and the theorization of the view of nature. Abstract philosophy clearly has an inevitable causal relationship. Metaphysics in Wei and Jin dynasties is an important link in the history of Chinese philosophy. The establishment of humanism in the Wei, Jin and Southern and Northern dynasties gave birth to the maturity of the aesthetic of feeling objects in the Wei and Jin dynasties, as well as the vigorous development of paintings, statues, gardens and other arts. Its innovation in methodology has promoted the combination of Confucianism, Taoism and Buddhism, which has laid the foundation for the popularity of Buddhism in China, and the formation of rational natural cosmology has broken the monopoly of science of prophecy and superstition on Chinese cultural thought. The emergence of speculative methodology increases the logic of theory, which is closely related to the popularity of metaphysics. With the help of the original literature and the analysis and summary of predecessors, this paper summarizes the basic theoretical thoughts and the forming process of metaphysics in Wei and Jin dynasties. All the theoretical contents related to aesthetics are extracted, and they are connected with the traditional Chinese aesthetic category, thus establishing the close internal relationship between the two. This paper directly attacks the philosophical origin of the category of Chinese traditional garden aesthetics, explores its profound ideological connotation, and achieves the purpose of improving its theoretical height. And the category of "artistic conception" is established as the primary category in the category of garden aesthetics, which is an important link between theory and aesthetic practice, and promotes the application of aesthetic category in garden creation and aesthetics.
【學位授予單位】：天津大學
【學位級別】：博士
【學位授予年份】：2013
【分類號】：TU986.1
[Abstract]:Classical garden is a comprehensive art, is a very important branch of Chinese traditional art. The category of garden aesthetics is the only way to study garden aesthetics. It reflects the most basic and universal cognition of the subject about all the contents related to "beauty" in the garden. It is often associated with aesthetic practice and is usually called "aesthetic category". The wisdom of existence in the category of Chinese garden aesthetics directly reflects the traditional Chinese philosophy. The occurrence of "nature", "freehand brushwork", "implication", "dilution", "harmony", "emptiness" and "compassion" are, in the final analysis, the comprehensive embodiment of the ancient Chinese view of nature and the theorization of the view of nature. Abstract philosophy clearly has an inevitable causal relationship. Metaphysics in Wei and Jin dynasties is an important link in the history of Chinese philosophy. The establishment of humanism in the Wei, Jin and Southern and Northern dynasties gave birth to the maturity of the aesthetic of feeling objects in the Wei and Jin dynasties, as well as the vigorous development of paintings, statues, gardens and other arts. Its innovation in methodology has promoted the combination of Confucianism, Taoism and Buddhism, which has laid the foundation for the popularity of Buddhism in China, and the formation of rational natural cosmology has broken the monopoly of science of prophecy and superstition on Chinese cultural thought. The emergence of speculative methodology increases the logic of theory, which is closely related to the popularity of metaphysics. With the help of the original literature and the analysis and summary of predecessors, this paper summarizes the basic theoretical thoughts and the forming process of metaphysics in Wei and Jin dynasties. All the theoretical contents related to aesthetics are extracted, and they are connected with the traditional Chinese aesthetic category, thus establishing the close internal relationship between the two. This paper directly attacks the philosophical origin of the category of Chinese traditional garden aesthetics, explores its profound ideological connotation, and achieves the purpose of improving its theoretical height. And the category of "artistic conception" is established as the primary category in the category of garden aesthetics, which is an important link between theory and aesthetic practice, and promotes the application of aesthetic category in garden creation and aesthetics.
【學位授予單位】：天津大學
【學位級別】：博士
【學位授予年份】：2013
【分類號】：TU986.1
【共引文獻】
相關期刊論文 前10條
1 曾垂超;李軍均;;小說評點文體的獨立:從子史之評到文學之評——劉辰翁《世說新語》評點的源流及意義論析[J];蒲松齡研究;2011年01期
2 王成;;遺忘的批評蹤跡——王弼批評理論范式的文論史地位[J];阿壩師范高等�？茖W校學報;2010年01期
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4 朱雪梅;王國光;林W毠
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