【摘要】：正一、形象的外在與內(nèi)在不管你愿意還是不愿意承認,建筑是城市乃至于國家的形象,建筑藝術是一個國家,一個民族的文化的外化的表現(xiàn)。從萬里長城到天壇故宮.從高頤墓闕到江南同林,中國歷史的樣子,就是這樣一點點形成了。那么中國今天的樣子,又是什么佯子的呢?中國的國家形象中最為關鍵的一面,是國家希望展示給世界的狀態(tài),是自上而下的表現(xiàn)。我國駐各國的外交館舍,雖然數(shù)量有限,單個項日規(guī)模不大,但地處異國,直面世界.是體現(xiàn)巾同外在形象的典型建筑類型。相對而言,舊內(nèi)大量建筑實踐體現(xiàn)了在社會矛盾和妥協(xié)中的價值取向,是自下而上的顯現(xiàn)。前者是理想化的、外存的;后者是現(xiàn)實的、
[Abstract]:First, the external and internal of the image, whether you are willing or unwilling to admit that architecture is the image of the city or even the country, architectural art is a country, a nation's culture of the performance of the externalization. From the Great Wall to Temple of Heaven The Imperial Palace. From Gao Yi Tomb que to Jiangnan Tonglin, the appearance of Chinese history is just like this. So what is China like today? The most crucial aspect of China's national image is the state the country wants to show to the world, from top to bottom. Although China's diplomatic premises in various countries are limited in number and small in size, it is located in a foreign country and faces the world. It is the typical type of architecture that reflects the appearance of the towel and the external image. Relatively speaking, a large number of architectural practices in the old reflect the value orientation in social contradictions and compromises, which is a bottom-up manifestation. The former is idealized and extraneous; the latter is realistic.
【作者單位】： 同濟大學建筑與城市規(guī)劃學院;
【分類號】：TU243.5
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本文編號：2307398