本文選題：鄉(xiāng)村公共空間 + 當(dāng)代公共藝術(shù)��； 參考：《湖南大學(xué)》2013年碩士論文

【摘要】：鄉(xiāng)村公共空間在鄉(xiāng)村建設(shè)中具有重要作用,但受各方面因素影響,鄉(xiāng)村公共空間正面臨著逐步萎縮與消失、建設(shè)單一的問題,公共意識也隨之消減,而國家對于鄉(xiāng)村公共空間的建設(shè)也存在著資金匱乏的問題。2000年以來,國內(nèi)外出現(xiàn)了不少藝術(shù)家利用公共藝術(shù)改造貧困社區(qū)的成功案例,這些地區(qū)在藝術(shù)家和非盈利組織的推動下,以有限的資金,通過當(dāng)代公共藝術(shù)的介入獲得了外界的關(guān)注,推動了當(dāng)?shù)氐陌l(fā)展,并培養(yǎng)了當(dāng)?shù)鼐用竦淖孕判呐c公共意識。這些地區(qū)與中國鄉(xiāng)村建設(shè)面臨的背景類似,封閉、資金匱乏、經(jīng)濟發(fā)展落后、人口流失等,本文在這些案例啟示的基礎(chǔ)上,提出了利用當(dāng)代公共藝術(shù)改造我國鄉(xiāng)村公共空間的發(fā)展思路。 本文首先對鄉(xiāng)村公共空間的類型及特征進行了研究,從環(huán)境因素、土地制度因素、產(chǎn)業(yè)因素這三個因素論述了鄉(xiāng)村公共空間的發(fā)展變化,指出現(xiàn)階段鄉(xiāng)村公共空間面臨著著公共空間衰退、公共活動缺乏、公共理念的缺失和空間同質(zhì)化的問題。 本文通過對國內(nèi)外利用公共藝術(shù)介入貧困地區(qū)改造的成功案例的分析總結(jié),提出了利用公共藝術(shù)介入鄉(xiāng)村公共空間的構(gòu)想。在構(gòu)想基礎(chǔ)上,結(jié)合我國鄉(xiāng)村的實際情況,具體指出了當(dāng)代公共藝術(shù)介入鄉(xiāng)村公共空間的原則、創(chuàng)作要素、介入方法,并進一步指出了公共藝術(shù)介入鄉(xiāng)村公共空間有著擴大開放性、打破勻質(zhì)狀態(tài)、培養(yǎng)公共意識和勞動技能的作用機制,能夠解決鄉(xiāng)村公共空間中存在的封閉、空間單一、缺乏活力與公共意識的問題。 本文在理論分析的基礎(chǔ)上,接著對長沙周邊地區(qū)的鄉(xiāng)村公共空間進行了案例設(shè)計,將光明村和彩陶源村作為案例研究對象,通過對這兩個村的實地調(diào)研,根據(jù)其各自特點及存在問題進行針對性的公共藝術(shù)介入設(shè)計,將公共藝術(shù)介入鄉(xiāng)村公共空間的構(gòu)想具體落實到實踐層面上來。 本文通過理論分析、案例分析、案例實踐的相互結(jié)合,指出了當(dāng)代公共藝術(shù)與鄉(xiāng)村公共空間的內(nèi)在聯(lián)系,并為公共藝術(shù)如何介入鄉(xiāng)村公共空間做出了理論上的指導(dǎo)與案例上的參考實踐,一方面彌補了當(dāng)今鄉(xiāng)村公共空間建設(shè)方法的不足,另一方面也為鄉(xiāng)村人居環(huán)境的可持續(xù)發(fā)展提供了新的發(fā)展思路。
[Abstract]:Rural public space plays an important role in rural construction, but affected by various factors, rural public space is gradually shrinking and disappearing. Since 2000, there have been many successful cases of artists using public art to transform poor communities at home and abroad. Driven by artists and non-profit organizations, these areas, with limited funds, have gained the attention of the outside world through the intervention of contemporary public art, promoted the local development, and cultivated the self-confidence and public consciousness of the local residents. These areas are facing a similar background to the rural construction in China, such as closure, lack of funds, backward economic development, population loss, etc. This paper is based on the enlightenment of these cases. This paper puts forward the idea of using contemporary public art to transform the rural public space in our country. This paper first studies the types and characteristics of rural public space, and discusses the development and change of rural public space from three factors: environmental factor, land system factor and industrial factor. It is pointed out that rural public space is facing the problems of public space recession, lack of public activities, lack of public concept and homogeneity of space. Based on the analysis and summary of the successful cases of using public art to intervene in the transformation of poverty-stricken areas at home and abroad, this paper puts forward the idea of using public art to intervene in rural public space. On the basis of the conception, combined with the actual situation of the countryside in our country, this paper points out the principles, creative elements and methods of the contemporary public art intervention in the rural public space. Furthermore, it is pointed out that public art intervention in rural public space has the function mechanism of expanding openness, breaking the homogeneous state, cultivating public consciousness and labor skills, which can solve the closed and single space in rural public space. Lack of vitality and public awareness. On the basis of theoretical analysis, this paper designs a case study of the rural public space in the surrounding areas of Changsha, taking Guangming Village and painted Tao Yuan Village as the case study objects, through the field investigation of these two villages. According to their respective characteristics and existing problems, the public art intervention design is carried out, and the concept of public art intervention in rural public space is concretely implemented to the practical level. This paper points out the internal relationship between contemporary public art and rural public space through theoretical analysis and the combination of cases and practice. It also makes theoretical guidance and case reference practice for public art to intervene in rural public space. On the one hand, it makes up for the deficiency of the construction method of rural public space. On the other hand, it also provides a new way of development for the sustainable development of rural human settlements.
【學(xué)位授予單位】：湖南大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2013
【分類號】：TU982.29

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