本文選題：建筑語言 + 構(gòu)造方式　； 參考：《揚(yáng)州大學(xué)》2013年碩士論文

【摘要】：中國(guó)傳統(tǒng)建筑在歷史文明的進(jìn)程中自成體系,并取得了輝煌的成就。自從西方現(xiàn)代建筑引入我國(guó)以來,老一代建筑師們對(duì)于傳統(tǒng)建筑和現(xiàn)代建筑的融合已經(jīng)做了大量的探索,并在實(shí)踐中總結(jié)了相當(dāng)多的經(jīng)驗(yàn)。在當(dāng)前社會(huì)經(jīng)濟(jì)高度發(fā)展背景之下,無論是建筑設(shè)計(jì)思潮,還是人們的審美意識(shí),己經(jīng)發(fā)生了很大的變化,當(dāng)今建筑界也己經(jīng)掀起了對(duì)傳統(tǒng)與現(xiàn)代融合之路新一輪探索的熱潮。 在探索傳統(tǒng)與現(xiàn)代融合的道路上,中國(guó)建筑師王澍得到了建筑界的認(rèn)可。他的作品超越了城市化的難題,保留了當(dāng)?shù)氐奈幕滋N(yùn),同時(shí)也展現(xiàn)了國(guó)際化的設(shè)計(jì)。在當(dāng)前的語境之下,對(duì)于典型人物的典型作品進(jìn)行解讀和分析是必要的而且具有深遠(yuǎn)的現(xiàn)實(shí)意義。 本文通過對(duì)王澍作品解讀作為切入點(diǎn),從寧波美術(shù)館、寧波博物館、中國(guó)美術(shù)學(xué)院象山校區(qū)和中山路改造工程等案加以解讀和分析,總結(jié)出他建筑的細(xì)節(jié)特征和空間關(guān)系。細(xì)節(jié)處理包括材料、結(jié)構(gòu)和色彩三個(gè)方面,空間關(guān)系包括對(duì)比與變化,重復(fù)與再現(xiàn),銜接與過渡,層次與滲透,開放與封閉五個(gè)方面。并提煉出王澍建筑語言中的的設(shè)計(jì)理念,概括為三點(diǎn)：傳統(tǒng)造園思想,綠色低碳設(shè)計(jì)和對(duì)城市文脈的態(tài)度。 通過解析王澍的建筑作品,對(duì)王澍建筑語言有了全面的認(rèn)識(shí),并對(duì)他的思想及理念進(jìn)行了深入的剖析。為我們?cè)诂F(xiàn)代建筑創(chuàng)作中傳統(tǒng)文化的表達(dá),為現(xiàn)代建筑的傳承之路提供了一定的參考。
[Abstract]:Chinese traditional architecture in the process of historical civilization into its own system, and has made brilliant achievements. Since the introduction of modern western architecture into China, the old generation of architects have made a lot of exploration on the integration of traditional architecture and modern architecture, and summed up a lot of experience in practice. Under the background of the high development of social economy, great changes have taken place in both architectural design trend and people's aesthetic consciousness, and a new round of exploration on the road of traditional and modern integration has been launched in the field of architecture. Wang Shu, a Chinese architect, was recognized by the architectural community in exploring the integration of tradition and modernity. His works transcend the problem of urbanization, preserve the local cultural heritage, but also show an international design. In the present context, it is necessary and meaningful to interpret and analyze the typical works of typical characters. Through the interpretation of Wang Shu's works as a starting point, from Ningbo Art Museum, Ningbo Museum, Xiangshan Campus of China Academy of Fine Arts and Zhongshan Road renovation project, this paper summarizes the detailed features and spatial relationship of his architecture. The detail processing includes three aspects: material, structure and color. The spatial relationship includes five aspects: contrast and change, repetition and reproduction, cohesion and transition, level and penetration, opening and closing. The design ideas in Wang Shu's architectural language are summarized into three aspects: traditional garden idea, green low-carbon design and attitude towards urban context. Through the analysis of Wang Shu's architectural works, Wang Shu's architectural language is fully understood, and his thoughts and ideas are deeply analyzed. It provides a certain reference for the expression of traditional culture in modern architecture creation and the inheritance of modern architecture.
【學(xué)位授予單位】：揚(yáng)州大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類號(hào)】：TU-86

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本文編號(hào)：2085705