本文選題：伊斯蘭細(xì)密畫 + 伊斯蘭細(xì)密畫中的建筑裝飾��； 參考：《新疆師范大學(xué)》2013年碩士論文

【摘要】：伊斯蘭細(xì)密畫有著悠久的歷史，是伊斯蘭藝術(shù)的重要門類之一。伊斯蘭細(xì)密畫的畫幅自身由故事情節(jié)，人物，場(chǎng)景等幾部分構(gòu)成。目前人們對(duì)于伊斯蘭細(xì)密畫藝術(shù)之綜合價(jià)值的認(rèn)知還不夠充分，僅從文學(xué)和繪畫角度對(duì)故事情節(jié)和畫中的人物、風(fēng)景等有大量研究，而對(duì)畫面場(chǎng)景中的建筑及其裝飾特征的研究卻很少。論文針對(duì)伊斯蘭細(xì)密畫中的建筑裝飾進(jìn)行基礎(chǔ)性研究，試圖拓寬伊斯蘭細(xì)密畫的研究視野，并為伊斯蘭工藝美術(shù)基礎(chǔ)性研究提供一個(gè)新的角度。 論文以伊斯蘭細(xì)密畫中的建筑裝飾為研究對(duì)象，運(yùn)用統(tǒng)計(jì)法、分析法、歷史學(xué)、美術(shù)學(xué)、圖像學(xué)等對(duì)其進(jìn)行探討。首先通過(guò)收集資料法、統(tǒng)計(jì)分類法對(duì)大量信息資料按時(shí)間、地域、派別等特征進(jìn)行歸納整理并分類。再通過(guò)分析法對(duì)現(xiàn)有的伊斯蘭細(xì)密畫圖像資料進(jìn)行基礎(chǔ)性研究，詳細(xì)描述伊斯蘭細(xì)密畫中的建筑裝飾特征。最后通過(guò)歸納法、分析法、比較法將伊斯蘭細(xì)密畫中的建筑裝飾與伊斯蘭建筑裝飾進(jìn)行初步的比較分析和研究，尋求其中的異同。 論文第一章為緒論，對(duì)論文的研究背景、目的、意義、范疇、重點(diǎn)、結(jié)構(gòu)和方法等做了概括性介紹。第二章，對(duì)含有建筑裝飾的伊斯蘭細(xì)密畫進(jìn)行了背景研究，其中先對(duì)伊斯蘭細(xì)密畫的概念、歷史文化背景、流派等進(jìn)行了梳理及闡述，，又對(duì)伊斯蘭建筑的發(fā)展和裝飾特征做了歸納及整理，最后對(duì)研究的相關(guān)問(wèn)題做了闡釋說(shuō)明。第三章，重點(diǎn)對(duì)含有建筑裝飾的伊斯蘭細(xì)密畫進(jìn)行了搜集、整理、分類，并從中析取出了建筑裝飾，目的是能夠清晰、客觀的概觀伊斯蘭細(xì)密畫中析出的建筑裝飾部位以及相同裝飾部位的不同特征。第四章，重點(diǎn)通過(guò)手繪描圖將伊斯蘭細(xì)密畫中的建筑裝飾紋樣做了基礎(chǔ)分類，對(duì)伊斯蘭細(xì)密畫中的建筑裝飾紋樣的基本樣式進(jìn)行了詳細(xì)分析，并與阿拉伯裝飾紋樣做了對(duì)比，確定其屬于典型的阿拉伯裝飾紋樣。第五章，主要對(duì)伊斯蘭細(xì)密畫中的建筑裝飾與中亞等地的伊斯蘭建筑裝飾進(jìn)行了對(duì)比和探討，尋找其中類似的部分，認(rèn)為現(xiàn)存伊斯蘭建筑裝飾對(duì)伊斯蘭細(xì)密畫中的建筑裝飾有一定影響。 文章的主要成果是對(duì)伊斯蘭細(xì)密畫中的建筑裝飾做了較為詳盡的整理，通過(guò)對(duì)裝飾部位和裝飾要素等的分析，全面、系統(tǒng)的梳理出伊斯蘭細(xì)密畫中的建筑裝飾特征。并且通過(guò)與中亞等地的伊斯蘭建筑進(jìn)行的比較和分析，得出的結(jié)論是伊斯蘭細(xì)密畫中的建筑裝飾很可能是將當(dāng)時(shí)的建筑作為藍(lán)本進(jìn)行的創(chuàng)作，它在很大程度上受到了中亞等地區(qū)伊斯蘭建筑的影響，雖然在時(shí)間、樣式上有一定的異同，但由于歷史文化等原因，兩者都有所聯(lián)系。因此從建筑裝飾特征來(lái)看，兩者有著很多相似之處。
[Abstract]:Islamic fine painting has a long history and is one of the important categories of Islamic art. The picture itself is composed of story plot, character, scene and so on. At present, people's understanding of the comprehensive value of the art of Islamic fine painting is not enough, only from the perspective of literature and painting, there is a great deal of research on the plot of the story, the characters in the painting, the scenery, and so on. However, there is little research on the architectural and decorative features of the scene. In this paper, the basic research on architectural decoration in Islamic fine paintings is carried out in order to broaden the research field of Islamic fine paintings and to provide a new angle for the basic research of Islamic arts and crafts. This paper takes the architectural decoration in Islamic fine paintings as the research object, and probes into it by means of statistics, analysis, history, fine arts, graphics and so on. Firstly, a large amount of information is summarized and classified according to time, region, faction and so on by means of data collection and statistical classification. Then the basic research on the existing image data of Islamic fine paintings is carried out through the analysis method, and the architectural decoration characteristics in the Islamic fine paintings are described in detail. Finally, through induction, analysis and comparison, this paper makes a preliminary comparative analysis and study of architectural decoration and Islamic architectural decoration in Islamic fine paintings, and seeks for the similarities and differences between them. The first chapter introduces the background, purpose, significance, category, emphasis, structure and method of the research. In the second chapter, the background of the Islamic fine paintings with architectural decoration is studied, in which the concept, historical and cultural background, schools and so on of the Islamic fine paintings are first combed and elaborated. The development and decoration features of Islamic architecture are summarized and arranged. The third chapter focuses on the collection, arrangement, classification of the Islamic fine paintings containing architectural decoration, and the analysis and removal of architectural decoration in order to be able to be clear. An objective overview of the architectural decorative parts and the different features of the same decorative parts in the Islamic fine paintings. The fourth chapter focuses on the basic classification of architectural decorative patterns in Islamic fine paintings through hand-drawn drawings, and makes a detailed analysis of the basic patterns of architectural decorative patterns in Islamic fine paintings, and compares them with Arabic decorative patterns. It is determined that it is a typical Arabic decorative pattern. The fifth chapter mainly compares and discusses the architectural decoration in the Islamic fine paintings and the Islamic architectural decoration in Central Asia and other places, and looks for similar parts. It is believed that the existing Islamic architectural decoration has certain influence on the architectural decoration in the Islamic fine paintings. The main achievement of the article is to make a more detailed arrangement of the architectural decoration in the Islamic fine paintings, through the analysis of the decorative parts and decorative elements, comprehensively and systematically comb out the architectural decoration characteristics in the Islamic fine paintings. And through the comparison and analysis with the Islamic architecture in Central Asia and other places, the conclusion is that the architectural decoration in the detailed Islamic paintings is probably the creation of the architecture of the time as a blueprint. To a great extent, it is influenced by Islamic architecture in Central Asia and other regions. Although there are some similarities and differences in time and style, both of them are related to each other because of historical and cultural reasons. Therefore, from the architectural decoration characteristics, the two have a lot of similarities.
【學(xué)位授予單位】：新疆師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類號(hào)】：TU238;J205

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