本文選題：地域性 + 民俗景觀　； 參考：《武漢理工大學》2013年碩士論文

【摘要】：隨著現(xiàn)代化建設的不斷推進,以及不同民族、地區(qū)之間經(jīng)濟文化交流的日益頻繁,尤其是西方現(xiàn)代設計思想在發(fā)展中國家的不斷滲透,各地區(qū)建筑和景觀設計日益趨同,城市發(fā)展缺乏特有的地域性文化內(nèi)涵。深入挖掘和發(fā)揚地區(qū)優(yōu)秀傳統(tǒng)文化,將民俗文化融入現(xiàn)代建設當中,已經(jīng)成為越來越多的地區(qū)和民族尋求突破式、特色化發(fā)展的新要求。湖北地區(qū)是我國承東啟西、連南接北的交通樞紐,更是中華楚文化的發(fā)源地。該地區(qū)經(jīng)濟發(fā)展東西差異較大,但各市州文化一脈相承,底蘊深厚。選取東部相對發(fā)達的“武漢”和西部欠發(fā)展的“恩施”為對象進行地域性民俗景觀符號研究和對比分析,對各地區(qū)如何通過景觀設計進行傳承和發(fā)揚民俗文化,具有廣泛的參考價值。全文主要分為五個部分。第一部分為緒論。闡述了本課題的主要研究的目的和意義以及對國內(nèi)外相關研究現(xiàn)狀進行了梳理和總結。著重闡釋了地域性、民俗景觀、民俗景觀符號等基本概念和部分關系理論進行闡述。第二部分為恩施地區(qū)地域性民俗景觀符號探究。主要是通過文獻研究和田野調(diào)查的方法,對恩施地域性民俗景觀及其符號進行了歸納總結。重點以恩施土司城和大水井為例來論述恩施地區(qū)地域性民俗景觀符號的類型、內(nèi)涵及其表現(xiàn)特征。第三部分為武漢地區(qū)地域性民俗景觀符號探究。主要也是通過文獻研究和田野調(diào)查的方法,對武漢地域性民俗景觀及其符號進行了歸納總結。重點以武漢東湖楚城和大余灣為例來論述恩施地區(qū)地域性民俗景觀符號的類型、內(nèi)涵及其表現(xiàn)特征。第四部分是武漢與恩施地區(qū)民俗景觀符號的比較分析。該部分為全文核心點,主要是從民俗景觀符號的文化內(nèi)涵出發(fā),以地域代表性民俗景觀為案例,結合不同的景觀類型,從景觀符號的地域性、民族信仰、兩地景觀類型文化和地域性景觀表現(xiàn)手法四個方面對兩地區(qū)民俗景觀符號進行了對比分析,并最后提出了兩地區(qū)民俗景觀符號的交融趨勢。第五部分為案例分析。主要是圍繞團隊的一項實際研究項目進行案例闡述,希望通過如何將恩施當?shù)厣贁?shù)民族的民俗文化內(nèi)涵凝練成景觀符號,地域性民俗符號在現(xiàn)代景觀設計中的運用帶來一定啟發(fā)。本文希望通過對武漢與恩施兩個具有代表湖北省地區(qū)的民俗傳統(tǒng)文化的城市發(fā)展為基礎進行地域性民俗景觀符號的比較對比,從景觀設計發(fā)展的傳統(tǒng)與現(xiàn)代相結合的傳承思想方法上,解決城市因不斷發(fā)展而缺失的地域性文化特色問題。著重探究地域性民俗景觀符號在現(xiàn)代景觀設計中的應用與傳承。本文最后進行了總結與展望,提出了全文的創(chuàng)新之處,也指出了研究的不足和有待進一步研究思考的地方。
[Abstract]:With the development of modernization and the frequent economic and cultural exchanges among different nationalities and regions, especially the infiltration of modern western design ideas in the developing countries, the architecture and landscape design of different regions converge day by day.The urban development lacks the unique regional cultural connotation.It has become a new requirement for more and more regions and nations to explore and carry forward the excellent traditional culture of the region and to integrate the folk culture into the modern construction, which is the new requirement for the breakthrough and characteristic development of more and more regions and nationalities.Hubei is the transportation hub connecting east to west and south to north, which is the birthplace of Chinese Chu culture.The economic development of this region is quite different from east-west, but the culture of each city and state is of the same origin and profound inside information.This paper selects "Wuhan", which is relatively developed in the east, and "Enshi", which is underdeveloped in the west, as the object of study and comparative analysis of regional folklore landscape symbols, and how to inherit and develop folklore culture through landscape design in various regions.It has extensive reference value.The full text is divided into five parts.The first part is the introduction.The purpose and significance of this research and the status quo of related research at home and abroad are summarized.The basic concepts of regionality, folklore landscape, folk landscape symbol and some relation theories are expounded.The second part is the study of regional folklore landscape symbols in Enshi area.This paper summarizes the regional folklore landscape and its symbols in Enshi by the methods of literature research and field investigation.Taking Enshi Tusi City and Daxi well as examples, this paper discusses the types, connotations and characteristics of regional folk customs landscape symbols in Enshi area.The third part is the study of regional folklore landscape symbols in Wuhan area.It also summarizes the regional folklore landscape and its symbols in Wuhan by the methods of literature research and field investigation.This paper mainly discusses the types, connotations and characteristics of regional folk customs landscape symbols in Enshi area with the examples of Chucheng City and Dayu Bay in East Lake, Wuhan.The fourth part is the comparative analysis of folk landscape symbols in Wuhan and Enshi.This part is the core point of the full text, mainly from the cultural connotation of the folk landscape symbol, taking the regional representative folk custom landscape as a case, combining with different landscape types, from the regional landscape symbol, the national belief,This paper makes a comparative analysis on the folk landscape symbols of the two regions from four aspects of landscape type culture and regional landscape expression techniques and finally puts forward the blending trend of the folk landscape symbols in the two regions.The fifth part is case analysis.Mainly around a team of practical research projects to illustrate the case, through the hope of how Enshi local ethnic minority folk culture connotation condensed into landscape symbols,The application of regional folklore symbols in modern landscape design brings some inspiration.This article hopes to carry on the regional folk custom landscape symbol comparison through the Wuhan and the Enshi two cities which has the representative Hubei Province folk custom traditional culture development as the foundation,Based on the traditional and modern tradition of landscape design development, this paper solves the problem of the regional cultural characteristics that the city lacks because of the continuous development.This paper focuses on the application and inheritance of regional folk landscape symbols in modern landscape design.At the end of this paper, the author makes a summary and prospect, puts forward the innovation of the full text, and points out the deficiency of the research and the place to be further studied and pondered.
【學位授予單位】：武漢理工大學
【學位級別】：碩士
【學位授予年份】：2013
【分類號】：K892.4;TU986

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