本文關(guān)鍵詞： 龍文化 古代建筑 古代建筑群格局 古代單體建筑 古代建筑小品　出處：《河北工業(yè)大學(xué)》2013年碩士論文　論文類型：學(xué)位論文

【摘要】：中國古代龍文化的歷史源遠(yuǎn)流長。龍的形象深入到了社會的各個角落，龍的影響波及了文化的各個層面，多彩多姿。龍是中華民族發(fā)祥地和文化開端的象征，是炎黃子孫崇拜的圖騰；龍所具有的那種威武奮發(fā)、勇往直前和所向披靡、無所畏懼的精神，正是中華民族理想的象征和化身。龍文化是中華燦爛文化的重要組成部分。因此，在古代建筑中更少不了龍文化的體現(xiàn)。因此，本文從龍文化、古代建筑和意理這三個角度出發(fā)，闡述了它們之間的相互關(guān)系。 本文借鑒邏輯學(xué)、文獻(xiàn)學(xué)和歸納統(tǒng)計(jì)學(xué)等學(xué)科的研究方法，從古代龍文化相關(guān)的文獻(xiàn)和古代建筑文獻(xiàn)兩方面入手，并具體結(jié)合古代建筑的實(shí)例，參照古人的營造觀念，，來具體對古代建筑中龍文化進(jìn)行研究分析。 本文研究認(rèn)為，龍是中國特有的圖騰崇拜的產(chǎn)物。在上古時代，龍就已經(jīng)濃縮、沉積著人們的思想感情、期望信仰，成為中華民族始祖的圖騰。隨著社會生產(chǎn)力的發(fā)展，在產(chǎn)生了私有制以后，龍文化逐漸變成了階級貴族的象征，進(jìn)而隨著歷史王朝的發(fā)展，龍文化在中國傳統(tǒng)文化中逐漸成為帝王的象征并加以鞏固，最終形成了封建帝王的專有產(chǎn)物。 中國古代龍文化體現(xiàn)在建筑方面是相當(dāng)普遍的。首先，在原始社會的遺址中龍虎圖案的發(fā)現(xiàn)，代表著龍的形象在原始社會就已經(jīng)出現(xiàn)，在歷代的發(fā)展中經(jīng)過不斷的變化，最終成為一種圖騰象征。其次，龍文化在宮殿、陵墓、寺觀等類型中表現(xiàn)的非常突出，這是龍文化上升到一定地位后的反映，代表了封建社會的發(fā)展。 本文經(jīng)過的研究發(fā)現(xiàn)，古人在營造大型的建筑活動時，其建筑群的方位關(guān)系主要通過和天宮星象的方位模擬和建筑群選址模式的對位關(guān)系來確定的。
[Abstract]:The ancient Chinese dragon culture has a long history. The image of the dragon has penetrated into every corner of society, and the influence of the dragon has affected all levels of the culture. The dragon is a symbol of the birthplace of the Chinese nation and the beginning of its culture. It is the totem worshipped by the descendants of the Chinese people; the spirit of the dragon, which is powerful and vigorous, brave and unstoppable, and fearless, is the symbol and embodiment of the Chinese nation's ideal. Dragon culture is an important part of the splendid Chinese culture. Therefore, from the perspective of dragon culture, ancient architecture and idealism, this paper expounds the relationship between them. This paper draws lessons from the research methods of logic, philology and inductive statistics, starting with the literature related to ancient dragon culture and ancient architectural literature, and combining with the examples of ancient architecture, referring to the construction concept of the ancients. To study and analyze the dragon culture in ancient architecture. This paper believes that dragon is the product of totem worship peculiar to China. In ancient times, dragon has concentrated, deposited people's thoughts and feelings, expected belief, and became the totem of the Chinese nation's ancestor. With the development of social productivity, After the emergence of private ownership, the dragon culture gradually became the symbol of the class and aristocracy, and with the development of the historical dynasty, the dragon culture gradually became the symbol and consolidation of the emperor in the Chinese traditional culture. Finally, it formed the exclusive product of feudal emperors. Chinese ancient dragon culture is quite common in architecture. First of all, the discovery of dragon and tiger patterns in the ruins of primitive society represents that the image of the dragon has already appeared in the primitive society and has undergone constant changes in the development of the past dynasties. Secondly, dragon culture is very prominent in palaces, mausoleums and monasteries, which reflects the rise of dragon culture to a certain status and represents the development of feudal society. In this paper, it is found that the azimuth relationship of the building group was determined by the azimuth simulation of the celestial temple star and the location model of the building group when the ancients built the large-scale building activities.
【學(xué)位授予單位】：河北工業(yè)大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2013
【分類號】：TU-092

【參考文獻(xiàn)】

相關(guān)期刊論文 前10條

1 胡慧;;“天人合一”觀與中國鄉(xiāng)土建筑生態(tài)觀的研究[J];安徽農(nóng)業(yè)科學(xué);2009年36期

2 王亦非;殷曉偉;李鵬;;淺談柱礎(chǔ)藝術(shù)設(shè)計(jì)的演變[J];北京理工大學(xué)學(xué)報(bào)(社會科學(xué)版);2009年06期

3 胡同慶;莫高窟早期龍圖像研究[J];敦煌研究;1988年01期

4 郭康,莊永年,王春英;風(fēng)水理論對人文景觀的影響[J];地理學(xué)與國土研究;1993年02期

5 趙啟斌;山水格局與龍脈氣勢[J];東南文化;2001年03期

6 王守棟;;華表淵源考[J];德州學(xué)院學(xué)報(bào);2006年01期

7 竇今翔;中國古代建筑的龍文化[J];中國房地產(chǎn);2002年05期

8 李全慶;;明代琉璃瓦、獸件分析[J];古建園林技術(shù);1990年01期

9 繆鵬，成濤;秦漢建筑、雕刻藝術(shù)初探──儒道思想對秦漢建筑、雕刻藝術(shù)的影響[J];廣州師院學(xué)報(bào);1995年03期

10 曾婭先;;中國龍文化淺論[J];電影評介;2007年15期

本文編號：1520574