本文關(guān)鍵詞：“通感”在室內(nèi)燈飾設(shè)計中的應(yīng)用研究　出處：《燕山大學(xué)》2013年碩士論文　論文類型：學(xué)位論文

  更多相關(guān)文章： 通感 通感設(shè)計 室內(nèi)燈飾設(shè)計 通感編碼 情感化設(shè)計

【摘要】：隨著社會經(jīng)濟(jì)的不斷發(fā)展、技術(shù)手段的日趨提高，工業(yè)產(chǎn)品的多樣化發(fā)展趨勢正呈現(xiàn)在人類面前，形形色色的產(chǎn)品流入市場加劇了市場的競爭，以往單純的以加強(qiáng)視覺刺激為目的的產(chǎn)品設(shè)計手法往往會形成產(chǎn)品的“同質(zhì)化”現(xiàn)象，使消費(fèi)者產(chǎn)生審美疲勞，更甚者會造成視覺污染。 作為消費(fèi)者不僅希望購買到的商品能夠為自己帶來視覺上的享受，而且希望能夠通過產(chǎn)品帶來的更多感官摘要及心理層面的刺激產(chǎn)生一種情感“共鳴”，以此來了解更多的商品信息，達(dá)到與產(chǎn)品交流的目的。因此說，能夠同時滿足消費(fèi)者生理和心理需求的產(chǎn)品，往往更容易“脫穎而出”，深受消費(fèi)者“器重”。這時候“通感”就會起到一種非常重要的作用。將“通感”運(yùn)用到產(chǎn)品設(shè)計當(dāng)中能夠很好的調(diào)動起消費(fèi)者的感官、心理感受，從而迎合人們重視個性需求、精神愉悅的消費(fèi)需求。這就是本文想要研究“通感”在設(shè)計中的運(yùn)用的動機(jī)，，本文也將由此展開論述。 人類的生活不能沒有光亮，室內(nèi)燈飾產(chǎn)品作為與人類生活最為密切的產(chǎn)品之一，在一定程度上影響了人們的生活質(zhì)量，這就對其物質(zhì)和精神層面提出了更高的要求。物質(zhì)層面的“通感”是從產(chǎn)品的物理屬性（形狀、色彩、材質(zhì)等）的聯(lián)想所引發(fā)的，即“五感設(shè)計”；精神層面的“通感”是從產(chǎn)品的精神內(nèi)涵出發(fā)的，與情感化設(shè)計關(guān)系密切，這是比較高層次的“通感”，也能夠帶來更加突出的設(shè)計效果。因此，將“通感”概念引入到室內(nèi)燈飾產(chǎn)品設(shè)計中并研究其應(yīng)用方法是非常必要的。 本文對通感及通感設(shè)計相關(guān)理論進(jìn)行闡述，試圖以符號學(xué)思想為基礎(chǔ)對通感編碼設(shè)計法進(jìn)行解析，分析室內(nèi)燈飾中通感編碼元素的存在，并歸納出了通感設(shè)計法的編碼原則。最后以通感設(shè)計的符號學(xué)、產(chǎn)品語義學(xué)、情感化設(shè)計等相關(guān)理論為基礎(chǔ)，總結(jié)出了一套以產(chǎn)品形態(tài)（F）、功能（Fu）、操作行為（B）和情感（E）為編碼元素的F+Fu+B+E通感設(shè)計方法，并通過室內(nèi)燈飾產(chǎn)品設(shè)計案例對此設(shè)計方法進(jìn)行驗證。
[Abstract]:With the development of social economy and the improvement of technical means, the diversified development trend of industrial products is appearing in front of mankind, and the market competition is aggravated by the inflow of various kinds of products. In the past, the simple product design method aimed at strengthening visual stimulation often formed the phenomenon of "homogeneity" of products, which made consumers produce aesthetic fatigue, and even more, caused visual pollution. As consumers not only hope to buy goods to bring themselves visual enjoyment, but also hope to produce an emotional "resonance" through more sensory abstracts and psychological stimuli brought by products. Therefore, products that can meet both the physical and psychological needs of consumers are more likely to "stand out". Deeply valued by consumers. At this time, "synaesthesia" will play a very important role. The use of "synaesthesia" in product design can be very good to mobilize the consumer's senses, psychological feelings. This is the motivation of this paper to study the use of "synaesthesia" in the design, and this article will also discuss it. Human life can not be without light, indoor lighting products as one of the most closely related products with human life, to a certain extent, affected the quality of life of people. The "synaesthesia" of the material level is caused by the association of the physical properties (shape, color, material, etc.) of the product, that is, "five senses design"; Spiritual level of "synaesthesia" is from the spiritual connotation of the product, and emotional design is closely related, this is a relatively high level of "synesthesia", but also can bring more prominent design effect. It is necessary to introduce the concept of "synaesthesia" into the design of interior lighting products and study its application methods. In this paper, the synaesthesia and synaesthesia design related theories are expounded, based on the semiotics theory, the synaesthetic coding design method is analyzed, and the existence of the syninductive coding elements in the interior lighting is analyzed. Finally, based on the semiotics of synaesthetic design, product semantics, emotional design and other related theories, a set of product form is summed up. The design method of F Fu B E synaesthesia was verified by the design cases of indoor lighting products.
【學(xué)位授予單位】：燕山大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2013
【分類號】：TU238.2;TU113.667

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