發(fā)布時(shí)間：2018-01-05 05:08

  本文關(guān)鍵詞：計(jì)算機(jī)輔助室內(nèi)設(shè)計(jì)光影效果表現(xiàn)研究　出處：《昆明理工大學(xué)》2013年碩士論文　論文類(lèi)型：學(xué)位論文

  更多相關(guān)文章： 室內(nèi)設(shè)計(jì) 光影效果 計(jì)算機(jī)輔助設(shè)計(jì)

【摘要】：一幅優(yōu)秀的計(jì)算機(jī)輔助室內(nèi)設(shè)計(jì)作品,應(yīng)該從幾個(gè)角度去衡量：優(yōu)秀的光影、真實(shí)的質(zhì)感、合理的構(gòu)圖以及具有感染力的視覺(jué)效果。要滿足這幾點(diǎn)除了對(duì)渲染軟件的嫻熟運(yùn)用,還必須找到一個(gè)能提升作品藝術(shù)感染力的關(guān)鍵因素,這就是現(xiàn)實(shí)生活中的光影,只對(duì)現(xiàn)實(shí)生活中的光影藝術(shù)表現(xiàn)加以研究,并熟練掌握渲染原理,才有可能繪制出理想的效果。 本文從自然界光的基本原理及規(guī)律開(kāi)始研究和探討,結(jié)合計(jì)算機(jī)輔助設(shè)計(jì)中的全局照明系統(tǒng)和光源系統(tǒng)來(lái)討論如何對(duì)上述物理現(xiàn)象進(jìn)行數(shù)字化表現(xiàn)。進(jìn)一步對(duì)物理世界的自然光源光影形態(tài)和人造光源光影形態(tài)進(jìn)行分析,對(duì)比計(jì)算機(jī)輔助室內(nèi)設(shè)計(jì)中的光源光影形態(tài),總結(jié)出計(jì)算機(jī)輔助室內(nèi)設(shè)計(jì)中不同光源的使用方法和室內(nèi)空間光影藝術(shù)表現(xiàn)的要點(diǎn)。提出了用光造型的目的即為了表現(xiàn)“真實(shí)感”和“美感”的觀點(diǎn)。作品要滿足“真實(shí)感”和“美感”,首先就要從光影造型的方法、造型的時(shí)間段和布光方法三個(gè)方面來(lái)處理。同時(shí),筆者認(rèn)為用光造型和場(chǎng)景的色彩基調(diào)、色彩調(diào)和、色彩心理感受綜合考慮才能塑造出更具藝術(shù)感染力的表現(xiàn)效果�，F(xiàn)實(shí)生活中裝飾材料的物理屬性和表面特性對(duì)作品的光影表現(xiàn)有很大影響,設(shè)計(jì)過(guò)程中應(yīng)仔細(xì)分析各種材料的屬性,并將其轉(zhuǎn)換為渲染軟件的材質(zhì)才能表現(xiàn)出場(chǎng)景的真實(shí)感與美感。為了平衡室內(nèi)錯(cuò)綜復(fù)雜的色彩關(guān)系和光影關(guān)系,可以從家具、紡織品的協(xié)調(diào)搭配和設(shè)計(jì)風(fēng)格中來(lái)尋求其最佳光影藝術(shù)表現(xiàn)效果。同時(shí)設(shè)計(jì)作品后期出圖階段的視點(diǎn)和構(gòu)圖也會(huì)影響到室內(nèi)空間的光影藝術(shù)表現(xiàn)效果。 計(jì)算機(jī)輔助室內(nèi)設(shè)計(jì)作品的完美再現(xiàn)離不開(kāi)對(duì)物理世界的光影研究和基礎(chǔ)美學(xué)。在繪圖中,造型是基礎(chǔ),而光影的烘托是表現(xiàn)設(shè)計(jì)師思想的重要手段。材質(zhì)與環(huán)境的表現(xiàn)全靠色彩及光影的交叉作用。本文選取計(jì)算機(jī)輔助室內(nèi)設(shè)計(jì)中光影效果表現(xiàn)為研究對(duì)象,以目前光影效果表現(xiàn)最完美的VRay for3dsMax渲染軟件作為論文的論證工具,進(jìn)行理論研究和項(xiàng)目實(shí)踐。
[Abstract]:An excellent work of computer-aided interior design should be measured from several angles: excellent light and shadow, true texture. Reasonable composition and appealing visual effects. In order to meet these points, in addition to the skillful use of rendering software, we must find a key factor to enhance the artistic appeal of works. This is the real life of light and shadow, only the real life of the art of light and shadow to be studied, and skilled in the principle of rendering, it is possible to draw the ideal effect. In this paper, the basic principles and laws of natural light are studied and discussed. This paper discusses how to digitalize the above physical phenomena by combining the global lighting system and the light source system in computer aided design. The light and shadow shapes of the natural light source and the artificial light source in the physical world are further studied. Analysis. Contrast the light and shadow shape of the light source in the computer aided interior design. This paper summarizes the methods of using different light sources in computer-aided interior design and the main points of the artistic expression of light and shadow in indoor space. The purpose of using light to model is to express "realistic feeling" and "aesthetic feeling". The works should be satisfied with "realistic" and "aesthetic". First of all, we should deal with the method of light and shadow modeling, the time period of modeling and the method of light distribution. At the same time, the author thinks that with the color tone of light modeling and scene, color harmony. The comprehensive consideration of color psychological feelings can create a more artistic appeal of the performance effect. In real life, the physical properties and surface characteristics of decorative materials have a great impact on the performance of the works of light and shadow. In the process of design, we should carefully analyze the properties of various materials and convert them into the materials of the rendering software in order to show the realistic and aesthetic feeling of the scene. In order to balance the intricate relationship between color and light and shadow in the room. From the furniture. At the same time, the view and composition of the later stage of the design work will also affect the light and shadow artistic expression effect of indoor space. The perfect reproduction of computer-aided interior design works can not be separated from the study of light and shadow of the physical world and the basic aesthetics. In drawing, modeling is the basis. The contrast of light and shadow is an important means to express the designer's thought. The performance of material and environment depends on the interaction of color and light and shadow. In this paper, the effect of light and shadow in computer-aided interior design is chosen as the object of study. VRay for3dsMax rendering software, which is the most perfect performance of light and shadow effect at present, is used as the demonstration tool of this paper to carry out theoretical research and project practice.
【學(xué)位授予單位】：昆明理工大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類(lèi)號(hào)】：TU238.2

【參考文獻(xiàn)】

相關(guān)期刊論文 前2條

1 鄭曙e，

本文編號(hào)：1381674