本文選題：邛窯 + 箕形硯　； 參考：《中國陶瓷》2017年09期

【摘要】：使用文化人類學的方法,通過對邛窯箕形硯形制與自然、社會生境之間聯(lián)系的論述,說明邛窯箕形硯是在生產(chǎn)生活器具箕的外形基礎(chǔ)上,在特定社會背景下創(chuàng)制的;并指出箕的結(jié)構(gòu)、使用方式與唐時蜀地文化教育環(huán)境有關(guān);唐時典型箕形硯大量使用,異形箕形硯之精美化演化,是在蜀地邛窯陶瓷工藝的進步、社會文化的發(fā)展、使用環(huán)境的變化、文人精神品格的演進等多種要素的影響下形成的。
[Abstract]:Using the method of cultural anthropology, through the discussion of the relationship between Qiongyao's shape of inkstone and nature and social habitat, it is shown that Qiongyao's shape of inkstone was created on the basis of the appearance of production and living utensils and under the specific social background. It is also pointed out that the structure and use of dustpan is related to the cultural and educational environment of Shuti in the Tang Dynasty, and the extensive use of the typical dust-shaped inkstone in the Tang Dynasty, the evolution of the refined beautification of the special-shaped dust-shaped inkstone is the progress of ceramic technology and the development of social culture in Shudi Qiong Kiln. The change of using environment and the evolution of literati's spiritual character are formed under the influence of many factors.
【作者單位】： 清華大學;長江師范學院;
【基金】：清華大學自主科研計劃文化傳承創(chuàng)新專項
【分類號】：TQ174.73;TS951.28
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本文編號：2105833