阜新瑪瑙雕產(chǎn)業(yè)化發(fā)展變遷研究
發(fā)布時間：2019-06-04 02:15
【摘要】：如何看待非物質(zhì)文化遺產(chǎn)的產(chǎn)業(yè)化發(fā)展及發(fā)展過程中非物質(zhì)文化遺產(chǎn)所經(jīng)歷的變遷,是一個廣受學術(shù)界關(guān)注和爭議的話題。 早在清朝,阜新地區(qū)便有官府組織開采瑪瑙,彼時民間亦有人以挖掘、販售瑪瑙為生,并開辦起火石社,阜新瑪瑙雕產(chǎn)業(yè)化發(fā)展正發(fā)端于此。建國后,北京、河北等地的師傅到阜新傳授雕刻技藝,1964年阜新市瑪瑙玉器廠的建立成為阜新瑪瑙雕產(chǎn)業(yè)化發(fā)展的重要標志。改革開放以后,當?shù)貜臉I(yè)人員在與外界的多重互動中不斷鉆研雕刻技法、創(chuàng)新設(shè)計理念和升級產(chǎn)業(yè)模式,傳承“素活”、創(chuàng)新“雅活"。2006年,阜新瑪瑙雕被列入第一批國家級非物質(zhì)文化遺產(chǎn)代表作名錄�，旇У瘳F(xiàn)已成為阜新的文化名片。 本文立足于田野調(diào)查,綜合運用文獻法,探究自近代以來阜新瑪瑙雕在產(chǎn)業(yè)化發(fā)展中所經(jīng)歷的變遷及動因,試圖找出變遷發(fā)生的合理性,進而提出推進產(chǎn)業(yè)化發(fā)展的措施。 全文分為緒論、正文和結(jié)語三個部分,六個章節(jié)。 緒論部分主要闡明研究緣起、界定研究范圍、厘定關(guān)鍵概念、綜述相關(guān)文獻及介紹調(diào)查方法。通過回顧文化變遷的理論和相關(guān)的研究,筆者發(fā)現(xiàn)關(guān)于阜新瑪瑙雕的產(chǎn)業(yè)化發(fā)展變遷的學術(shù)研究尚處于起步階段。 第一章主要闡述瑪瑙顏色審美觀念及瑪瑙雕構(gòu)圖設(shè)計的變遷,指出瑪瑙變色技術(shù)的衰落以及“俏色”“俏形”的獨創(chuàng)彰顯著瑪瑙料石運用新法則的確立。 第二章主要介紹瑪瑙雕刻技藝的主要流程和技藝傳承在形式上與內(nèi)容上的變遷,闡明瑪瑙雕工藝美感的獨創(chuàng)源自于與“他者”的互動中對自我的塑造。 第三章主要介紹瑪瑙文化價值的傳統(tǒng)認識和當代塑造,特別是當代展會、文化節(jié)的興辦以及民間故事、京劇、書畫等文學藝術(shù)形式的繁榮已經(jīng)成為推廣瑪瑙文化的重要文化載體。進而推出瑪瑙文化是瑪瑙雕產(chǎn)業(yè)化發(fā)展的核心動力。 第四章主要指出變遷發(fā)生的內(nèi)、外動因并針對產(chǎn)業(yè)發(fā)展現(xiàn)狀提出相關(guān)策略。內(nèi)部動因源自民間藝術(shù)本體意識發(fā)展,是資源枯竭型城市轉(zhuǎn)型發(fā)展背景下資源意識變遷的必然結(jié)果；外部動因來自于文化事業(yè)與文化產(chǎn)業(yè)并行發(fā)展的時代因素。 結(jié)語部分綜述全文,并指出非物質(zhì)文化遺產(chǎn)具有動態(tài)傳承特點,社會各界應正視其所經(jīng)歷的變遷。
[Abstract]:How to treat the industrialization development of intangible cultural heritage and the changes experienced by intangible cultural heritage in the process of development is a topic that has been widely concerned and controversial in academic circles. As early as the Qing Dynasty, the government organized the mining of agate in Fuxin area. At that time, some people also excavated, sold and sold agate for a living, and set up a flint society. After the founding of the people's Republic of China, masters from Beijing, Hebei and other places went to Fuxin to impart carving skills. In 1964, the establishment of Fuxin agate jade factory became an important symbol of the industrialization of Fuxin agate carving. After the reform and opening up, the local practitioners continue to delve into engraving techniques, innovate the design concept and upgrade the industrial model in the course of their multiple interactions with the outside world, inherit the "plain work" and innovate the "elegant work". In 2006, Fuxin agate carving was listed as the first batch of national intangible cultural heritage representative works. Manube carving has now become Fuxin's cultural business card. Based on the field investigation and the comprehensive use of literature method, this paper probes into the changes and causes of Fuxin agate carving in the industrialization development since modern times, tries to find out the rationality of the changes, and then puts forward some measures to promote the industrialization development. The full text is divided into three parts: introduction, main body and conclusion, and six chapters. The introduction mainly expounds the origin of the study, defines the scope of the study, determines the key concepts, summarizes the relevant literature and introduces the investigation methods. By reviewing the theory of cultural change and related research, the author finds that the academic research on the industrialization development and change of Manau carving in Fuxin is still in its infancy. The first chapter mainly expounds the aesthetic concept of agate color and the changes of agate sculpture design, and points out the decline of agate discoloration technology and the original creation of "pretty color" and "pretty shape" show the establishment of new rules of agate stone application. The second chapter mainly introduces the main process of agate carving technology and the changes in form and content of the inheritance of agate carving technology, and clarifies that the originality of the aesthetic feeling of agate carving technology originates from the self-shaping in the interaction with "the other". The third chapter mainly introduces the traditional understanding and contemporary shaping of agate cultural value, especially the contemporary exhibition, the establishment of cultural festival and folk stories, Beijing Opera. The prosperity of literary and artistic forms such as calligraphy and painting has become an important cultural carrier for the promotion of agate culture. And then the introduction of agate culture is the core driving force of the industrialization of agate carving. The fourth chapter mainly points out the internal and external causes of change and puts forward relevant strategies for the current situation of industrial development. The internal motivation originates from the development of folk art Noumenon consciousness, which is the inevitable result of the change of resource consciousness under the background of the transformation and development of resource-exhausted cities, and the external motivation comes from the times factor of the parallel development of cultural cause and cultural industry. The conclusion part summarizes the full text, and points out that the intangible cultural heritage has the characteristics of dynamic inheritance, and all sectors of society should face up to the changes it has experienced.
【學位授予單位】：中央民族大學
【學位級別】：碩士
【學位授予年份】：2012
【分類號】：G124
本文編號：2492401
[Abstract]:How to treat the industrialization development of intangible cultural heritage and the changes experienced by intangible cultural heritage in the process of development is a topic that has been widely concerned and controversial in academic circles. As early as the Qing Dynasty, the government organized the mining of agate in Fuxin area. At that time, some people also excavated, sold and sold agate for a living, and set up a flint society. After the founding of the people's Republic of China, masters from Beijing, Hebei and other places went to Fuxin to impart carving skills. In 1964, the establishment of Fuxin agate jade factory became an important symbol of the industrialization of Fuxin agate carving. After the reform and opening up, the local practitioners continue to delve into engraving techniques, innovate the design concept and upgrade the industrial model in the course of their multiple interactions with the outside world, inherit the "plain work" and innovate the "elegant work". In 2006, Fuxin agate carving was listed as the first batch of national intangible cultural heritage representative works. Manube carving has now become Fuxin's cultural business card. Based on the field investigation and the comprehensive use of literature method, this paper probes into the changes and causes of Fuxin agate carving in the industrialization development since modern times, tries to find out the rationality of the changes, and then puts forward some measures to promote the industrialization development. The full text is divided into three parts: introduction, main body and conclusion, and six chapters. The introduction mainly expounds the origin of the study, defines the scope of the study, determines the key concepts, summarizes the relevant literature and introduces the investigation methods. By reviewing the theory of cultural change and related research, the author finds that the academic research on the industrialization development and change of Manau carving in Fuxin is still in its infancy. The first chapter mainly expounds the aesthetic concept of agate color and the changes of agate sculpture design, and points out the decline of agate discoloration technology and the original creation of "pretty color" and "pretty shape" show the establishment of new rules of agate stone application. The second chapter mainly introduces the main process of agate carving technology and the changes in form and content of the inheritance of agate carving technology, and clarifies that the originality of the aesthetic feeling of agate carving technology originates from the self-shaping in the interaction with "the other". The third chapter mainly introduces the traditional understanding and contemporary shaping of agate cultural value, especially the contemporary exhibition, the establishment of cultural festival and folk stories, Beijing Opera. The prosperity of literary and artistic forms such as calligraphy and painting has become an important cultural carrier for the promotion of agate culture. And then the introduction of agate culture is the core driving force of the industrialization of agate carving. The fourth chapter mainly points out the internal and external causes of change and puts forward relevant strategies for the current situation of industrial development. The internal motivation originates from the development of folk art Noumenon consciousness, which is the inevitable result of the change of resource consciousness under the background of the transformation and development of resource-exhausted cities, and the external motivation comes from the times factor of the parallel development of cultural cause and cultural industry. The conclusion part summarizes the full text, and points out that the intangible cultural heritage has the characteristics of dynamic inheritance, and all sectors of society should face up to the changes it has experienced.
【學位授予單位】：中央民族大學
【學位級別】：碩士
【學位授予年份】：2012
【分類號】：G124
【參考文獻】
相關(guān)期刊論文 前1條
1 于學斌;;舊時東北的煙文化[J];北方文物;2006年02期
相關(guān)碩士學位論文 前1條
1 褚瀟;器以載道—試論清代玉器與清代文化[D];中國地質(zhì)大學（北京）;2006年
，本文編號：2492401
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