【摘要】：2014年中國電影暑期檔取得良好成績,這是與一批青年導(dǎo)演直面市場,在自己尚有得失的創(chuàng)作中,為中國電影奪得市場佳績。但社會上恰恰對于他們的創(chuàng)作形態(tài)和作品得失有種種不同意見,也有苛刻的批評。如何看待青年導(dǎo)演自身創(chuàng)作得失和如何評判在他們的創(chuàng)作與好萊塢對壘中的價值,這不僅需要非單一的評判,更需要適應(yīng)時代審美觀念和大眾變化心理來復(fù)合判斷。
[Abstract]:Chinese film summer record in 2014, this is to face up to a group of young directors in the market, in their own gains and losses in the creation, for the Chinese film to win the market performance. However, in the society, there are all kinds of different opinions and harsh criticism on their creative form and the gain and loss of their works. How to treat the gain and loss of young directors' own creation and how to judge the value between their creation and Hollywood need not only a non-single judgment, but also a compound judgment to adapt to the aesthetic concept of the times and the psychology of public change.
【作者單位】： 北京師范大學藝術(shù)與傳媒學院;
【分類號】：J943

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1 余莉;1995年以來中國電影市場中高票房商業(yè)電影的觀眾消費研究[D];中國藝術(shù)研究院;2007年

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