【摘要】：電影作為一種文化產(chǎn)物,是國(guó)際語(yǔ)境下我國(guó)"軟實(shí)力"的重要表征之一,在國(guó)家形象的建構(gòu)和對(duì)外傳播上發(fā)揮著重要的作用。電影影像建構(gòu)中,"國(guó)家形象"是一個(gè)非具象化的模糊概念,由于狹義內(nèi)涵的厘定與介入內(nèi)涵的單向性而形成理論認(rèn)知上的差異性理解,是自身的評(píng)估期望與他者認(rèn)同上的互動(dòng)對(duì)話,是將抽象嚴(yán)肅的政治理念群架構(gòu)于電影的敘事策略,用鮮活的"人"和"事"完成"國(guó)家形象"在電影影像建構(gòu)中的解構(gòu)與重建。
[Abstract]:As a kind of cultural product, film is one of the important representations of "soft power" in the international context, and plays an important role in the construction of national image and its dissemination to the outside world. In the construction of film images, "national image" is a non-figurative fuzzy concept, which has formed a different understanding of theoretical cognition because of the determination of narrow meaning and the one-way nature of interventional connotation. It is the interactive dialogue between one's own evaluation expectation and others' identity, and the construction and reconstruction of "national image" in the film image construction by using vivid "human" and "thing" to frame the abstract and serious political concept group in the narrative strategy of the film.
【作者單位】： 無(wú)錫工藝職業(yè)技術(shù)學(xué)院;
【分類(lèi)號(hào)】：J943

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