【摘要】：電影作為一種文化產(chǎn)物,是國際語境下我國"軟實力"的重要表征之一,在國家形象的建構和對外傳播上發(fā)揮著重要的作用。電影影像建構中,"國家形象"是一個非具象化的模糊概念,由于狹義內(nèi)涵的厘定與介入內(nèi)涵的單向性而形成理論認知上的差異性理解,是自身的評估期望與他者認同上的互動對話,是將抽象嚴肅的政治理念群架構于電影的敘事策略,用鮮活的"人"和"事"完成"國家形象"在電影影像建構中的解構與重建。
[Abstract]:As a kind of cultural product, film is one of the important representations of "soft power" in the international context, and plays an important role in the construction of national image and its dissemination to the outside world. In the construction of film images, "national image" is a non-figurative fuzzy concept, which has formed a different understanding of theoretical cognition because of the determination of narrow meaning and the one-way nature of interventional connotation. It is the interactive dialogue between one's own evaluation expectation and others' identity, and the construction and reconstruction of "national image" in the film image construction by using vivid "human" and "thing" to frame the abstract and serious political concept group in the narrative strategy of the film.
【作者單位】： 無錫工藝職業(yè)技術學院;
【分類號】：J943

【相似文獻】

相關期刊論文 前10條

1 史可揚;尋找迷失的詩意——國產(chǎn)電影的當下境況及出路[J];戲劇藝術;2001年01期

2 劉江,萬一;國產(chǎn)電影的青年批判[J];w攣胖蕓，

本文編號：2205198